
Fred Murphy
Highest Rated: 93% The Dead (1987)
Lowest Rated: Not Available
Birthday: Not Available
Birthplace: New York, USA
Native New Yorker Fred Murphy's first credits as a director of photography came on low-budget films helmed by females: Martha Coolidge's "Not a Pretty Picture" (1975), Claudia Weill's "Girlfriends" (1978) and Lee Grant's "Tell Me a Riddle" (1980). In each case, he provided clean camerawork that did not detract from the inherent drama. He acquired his first real cachet in the industry, however, working with cinematographer-turned-director Richard Pearce on "Heartland" (1980), an unromanticized portrait of frontier life in 1910 Wyoming. Murphy's neat etching of the changing rural seasons was as much a character in the story, reflective of the shifts in the relationship between the film's protagonists. He has proven adept at capturing moments of reverie or nostalgia as in photographing Geraldine Page's bus ride to her hometown in "The Trip to Bountiful" (1985) or the passionate remembrance of a long dead love by an Irish wife in John Huston's elegiac "The Dead" (1987). Through camera placement and shifts in light, he is able to have the past and present on screen simultaneously.
Filmography
Movies
Credit | |||||
---|---|---|---|---|---|
85% | 60% | Ghost Town | Cinematographer | $13.2M | 2008 |
26% | 44% | Drillbit Taylor | Cinematographer | $32.9M | 2008 |
27% | 24% | Anamorph | Cinematographer | $5.9K | 2007 |
No Score Yet | No Score Yet | Billy Strayhorn: Lush Life | Cinematographer | - | 2007 |
24% | 45% | RV | Cinematographer | $71.4M | 2006 |
64% | 78% | Dreamer: Inspired by a True Story | Cinematographer | $32.7M | 2005 |
46% | 65% | Secret Window | Cinematographer | $47.8M | 2004 |
42% | 50% | Freddy vs. Jason | Cinematographer | $82.2M | 2003 |
71% | 61% | Auto Focus | Cinematographer | $2.1M | 2002 |
No Score Yet | 75% | Cheats | Cinematographer | - | 2002 |
52% | 56% | The Mothman Prophecies | Cinematographer | $35.2M | 2002 |
4% | 26% | Soul Survivors | Cinematographer | $3.1M | 2001 |
No Score Yet | No Score Yet | Murder, She Wrote: The Last Free Man | Cinematographer | - | 2001 |
60% | 62% | Witness Protection | Cinematographer | - | 1999 |
67% | 70% | Stir of Echoes | Cinematographer | $21.1M | 1999 |
91% | 88% | October Sky | Cinematographer | $32.6M | 1999 |
51% | 67% | Dance With Me | Cinematographer | $15.9M | 1998 |
48% | 49% | The Fantasticks | Cinematographer | $44.8K | 1995 |
32% | 25% | Scenes From a Mall | Cinematographer | $9.2M | 1991 |
89% | 52% | Enemies, a Love Story | Cinematographer | $7.8M | 1989 |
0% | 12% | Night Game | Cinematographer | $228.1K | 1989 |
27% | 29% | Full Moon in Blue Water | Cinematographer | $254.5K | 1988 |
93% | 77% | The Dead | Cinematographer | $766.4K | 1987 |
78% | 54% | Five Corners | Cinematographer | $305.4K | 1987 |
91% | 88% | Hoosiers | Cinematographer | $25.8M | 1986 |
No Score Yet | No Score Yet | Death of an Angel | Cinematographer | $10.2K | 1985 |
No Score Yet | 12% | Mirrors | Cinematographer | - | 1985 |
38% | 73% | Eddie and the Cruisers | Cinematographer | - | 1983 |
No Score Yet | No Score Yet | Touched | Cinematographer | - | 1983 |
73% | 43% | Q | Cinematographer | - | 1982 |
No Score Yet | No Score Yet | Impostors | Cinematographer | - | 1979 |
63% | No Score Yet | The Scenic Route | Cinematographer | - | 1978 |
No Score Yet | No Score Yet | Local Color | Cinematographer | - | 1977 |