Daniel Green Movie Reviews & Previews - Rotten Tomatoes

Daniel Green

Daniel Green
Daniel Green's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Little White Lies, CineVue

Movie Reviews Only

Rating T-Meter Title | Year Review
2/5 55% The Devil's Double (2011) A brave experiment that unfortunately fails within the first few minutes due to a combination of miscasting and all out crassness. ‐ CineVue
Read More | Posted Nov 14, 2018
5/5 95% Animal Kingdom (2010) Animal Kingdom not only serves as yet another fine addition to a growing canon of Australian crime dramas, but also now proudly wears the bloodied crown of "King of the Jungle" in terms of tension, menace and impact.‐ CineVue
Read More | Posted Nov 7, 2018
4/5 96% True Grit (2010) What we get is a more faithful, near-pitch perfect adaptation of the original text which narrowly misses out on being classifiable as a Coen classic.‐ CineVue
Read More | Posted Nov 6, 2018
4/5 87% Rabbit Hole (2010) A smartly written, subtle, and at times genuinely uplifting exploration into the effects of grief and profound loss upon individuals, partners and entire families.‐ CineVue
Read More | Posted Nov 6, 2018
3/5 90% The Fighter (2010) This is Bale's movie. The film is at its very best when the Russell's camera is trained upon his hyperactive, ego centric muse.‐ CineVue
Read More | Posted Nov 6, 2018
4/5 66% Biutiful (2010) A cinematic, melancholic love song to Barcelona's unrepresented communities, with Uxbal as their totem. ‐ CineVue
Read More | Posted Nov 6, 2018
4/5 93% 127 Hours (2010) An exceptionally made film, and further proof (if proof be needed) that Boyle is emerging as one of the most distinct directorial voices in contemporary cinema. ‐ CineVue
Read More | Posted Nov 6, 2018
1/5 43% A Serbian Film (2011) Any remnants of socio-political commentary from the film's initial scenes are ultimately washed away in a sea of sweat, blood and semen, leaving behind only the broadest, most unsophisticated of allegorical metaphors.‐ CineVue
Read More | Posted Nov 6, 2018
5/5 89% Uncle Boonmee Who Can Recall His Past Lives (2011) Weerasethakul's intelligently-placed injections of humor prove the perfect foil to some of his the film's more melancholic scenes, successfully lifting Uncle Boonmee from the realms of despair and anguish towards hope and rebirth.‐ CineVue
Read More | Posted Nov 6, 2018
2/5 72% We Are What We Are (2011) What could have been an intelligent rebirth for the cannibal genre... instead seems content simply to gorge, choke, and eventually suffocate on its own dullness and irrelevance.‐ CineVue
Read More | Posted Nov 6, 2018
3/5 87% Let Me In (2010) Reeves has shown himself to be one of Hollywood's brightest directorial talents... displaying with Let Me In the ability to correctly judge and manipulate subtle nuances of tone and atmosphere, in order to create the desired effect. ‐ CineVue
Read More | Posted Nov 6, 2018
4/5 81% A Town Called Panic (Panique au village) (2009) A Town Called Panic's frenetic pace and bizarre set pieces are truly refreshing and a joy to behold. ‐ CineVue
Read More | Posted Nov 5, 2018
5/5 72% Enter the Void (Soudain le vide) (2010) Successfully exceeding the aesthetic benchmarks set in [Gaspar Noé's] previous work, whilst at the same time unapologetically continuing to penetrate and explore the deepest, darkest impulses and desires humanity has to offer.‐ CineVue
Read More | Posted Nov 5, 2018
2/5 39% The Horde (La Horde) (2009) We've clearly seen this all before.‐ CineVue
Read More | Posted Nov 5, 2018
2/5 64% Tamara Drewe (2010) Tamara Drewe's self-proclamations of having blended "intelligent" British humour with black comedy slowly fritters away as the film plods towards its abrupt and wholly unsatisfactory ending.‐ CineVue
Read More | Posted Nov 5, 2018
5/5 83% Four Lions (2010) Those hungry for another taste of Morris' uncompromising, darkly-poignant portrayal of modern British society may well find themselves queuing for another ride down the rubber-dingy rapids. ‐ CineVue
Read More | Posted Nov 5, 2018
3/5 45% The Meg (2018) Jon Turteltaub proves as comfortable at directing large-scale, weighty set-pieces as Statham is reeling off one-liners in the face of near-certain death.‐ CineVue
Read More | Posted Aug 14, 2018
4/5 95% Kuroneko (1968) Hikaru Hayashi [crafts an] endlessly unsettling score, an organic blend of seemingly discordant percussion and eerie gusts of woodwind that feels as much a part of the bamboo grove as the malevolent phantoms that lurk within.‐ CineVue
Read More | Posted Jul 25, 2018
4/5 95% A Quiet Place (2018) The impeccable performances of its central quartet and delicious premise that makes A Quiet Place such an exhilarating watch. ‐ CineVue
Read More | Posted Apr 13, 2018
5/5 95% The Artist (2011) Dujardin is as charismatic a lead as Gene Kelly ever was, and Bejo is the perfect, irresistible foil for ageing megastar George Valentin. In support, John Goodman is perfectly cast.‐ CineVue
Read More | Posted Feb 27, 2018
4/5 99% Lady Bird (2017) Gerwig's future career behind the camera is off to a superb start. Though Lady Bird perhaps lacks that genuine streak of eye-catching innovation, what it does it does extremely well.‐ CineVue
Read More | Posted Feb 20, 2018
3/5 82% Early Man (2018) Early Man is a bright if narratively bland caveman caper that effectively functions as Escape to Victory for the under-10s.‐ CineVue
Read More | Posted Jan 25, 2018
2/5 78% All the Money in the World (2017) As All the Money in the World chugs along there are precious few moments of either intrigue or suspense to rally around.‐ CineVue
Read More | Posted Jan 5, 2018
4/5 78% Dark River (2018) ... the decaying farmlands of rural England appear to be replacing the urban concrete high-rise as the preferred setting for British social realism. Clio Barnard's Dark River may well be the cream of this particular crop.‐ CineVue
Read More | Posted Sep 14, 2017
2/5 75% Kong: Skull Island (2017) There's little to Kong: Skull Island that isn't either hugely unnecessary or just plainly illogical.‐ CineVue
Read More | Posted Mar 3, 2017
4/5 84% Rogue One: A Star Wars Story (2016) Rogue One somehow delivers on almost all of its weighty pre-release promises whilst at the same time besting The Force Awakens for sheer spectacle.‐ CineVue
Read More | Posted Dec 13, 2016
4/5 89% The World's End (2013) A heady, industrial-sized vat of Wright's unique, morish humour.‐ CineVue
Read More | Posted Jun 14, 2016
3/5 No Score Yet La Domination masculine (2010) Quote not available.‐ Time Out
Read More | Posted Jan 22, 2013
4/5 No Score Yet Rampage: Killing Without Reason (2010) Quote not available.‐ Time Out
Read More | Posted Jan 22, 2013
2/5 70% The Source (La source des femmes) (2011) A whimsical tale of women, water and wedlock, with precious little direction, drive or purpose.‐ Little White Lies
Read More | Posted May 17, 2012