Lee Cronin's The Mummy (2026)
46%
2.5/5
EDIT
“A gore-filled horror experience that is undeniably intense, but rarely suspenseful. It's more interested in making you wince than in making you afraid.” –
The Jam Report
Apr 17, 2026
Full Review
Hokum (2026)
96%
4/5
EDIT
“A beautifully crafted, deeply unsettling nightmare that merits every single scare and leaves you questioning whether some doors should ever be opened at all.” –
The Jam Report
Apr 16, 2026
Full Review
Fuze (2025)
79%
3/5
EDIT
“This is not a film that reinvents the genre, nor is it one that lingers particularly long after it ends. But as a piece of crowd-pleasing entertainment, it does more than enough to justify the ride.” –
The Jam Report
Apr 15, 2026
Full Review
undertone (2025)
73%
3.5/5
EDIT
“A film that doesn't simply use sound as an accessory to its scares, but as its primary weapon, a slow, creeping, deeply unsettling exercise in sonic dread that seeps into the bones before you fully realise what it is doing.” –
The Jam Report
Apr 13, 2026
Full Review
The Drama (2026)
77%
4/5
EDIT
“Dark, daring, and deeply uncomfortable, this is a love story that asks whether knowing everything about your significant other is a gift, a curse...or perhaps both.” –
The Jam Report
Apr 2, 2026
Full Review
The Super Mario Galaxy Movie (2026)
44%
2.5/5
EDIT
“Bigger does not necessarily mean better, and while this sequel reaches for the stars quite literally, it rarely finds anything of substance once it gets there.” –
The Jam Report
Apr 1, 2026
Full Review
They Will Kill You (2026)
64%
3/5
EDIT
“It knows exactly what kind of midnight-movie chaos it wants to unleash and commits to it with total conviction. It's also, unfortunately, a film that rarely rises above the sum of its influences.” –
The Jam Report
Mar 24, 2026
Full Review
Hoppers (2026)
94%
4/5
EDIT
“It may not be Pixar at its most dazzling, but it is Pixar at its most endearing with a genuinely charming tale full of heart, humour, and lovable chaos.” –
The Jam Report
Mar 21, 2026
Full Review
Reminders of Him (2026)
57%
3/5
EDIT
“It's not a groundbreaking romantic drama. Nor is it particularly subtle in its storytelling. But sometimes sincerity goes a long way.” –
The Jam Report
Mar 12, 2026
Full Review
Project Hail Mary (2026)
94%
5/5
EDIT
“At once exhilarating, funny, awe-inspiring, and quietly profound, it balances scientific curiosity with emotional warmth in a way that feels almost miraculous.” –
The Jam Report
Mar 10, 2026
Full Review
THE BRIDE! (2026)
58%
2/5
EDIT
“The result is a film that feels constantly at war with itself, unable to decide whether it wants to be a cheeky pulp romp or a serious meditation on identity and creation.” –
The Jam Report
Mar 5, 2026
Full Review
How to Make a Killing (2026)
43%
2.5/5
EDIT
“The film aims to be a stylish black comedy about society’s worship of mammon, but it never fully commits to the darkness or the humour required to make that idea truly resonate.” –
The Jam Report
Mar 4, 2026
Full Review
GOAT (2026)
85%
3.5/5
EDIT
“It may follow a cliche playbook, but it contests the game with enthusiasm and style. And sometimes, that's more than enough to score the winning goal.” –
The Jam Report
Mar 3, 2026
Full Review
Scream 7 (2026)
30%
2/5
EDIT
“On paper, 'Scream 7' has all the ingredients for a powerful legacy chapter. In execution, it is a hollow, nostalgia-soaked sequel that mistakes references for reinvention and sentiment for substance.” –
The Jam Report
Feb 25, 2026
Full Review
Wuthering Heights (2026)
58%
3/5
EDIT
“For all its stunning visual grandeur, it ultimately feels less like a devastating gothic tragedy and more like a beautifully mounted soap opera.” –
The Jam Report
Feb 13, 2026
Full Review
Send Help (2026)
93%
4/5
EDIT
“A wickedly entertaining dark comedy that finds surprising emotional bite in its lunacy, and for anyone who has ever survived a toxic workplace, it hits especially hard.” –
The Jam Report
Jan 27, 2026
Full Review
28 Years Later: The Bone Temple (2026)
92%
4.5/5
EDIT
“It is a film of ferocious intensity and unexpected tenderness, one that understands that chaos and grace are not opposites but uneasy companions.” –
The Jam Report
Jan 14, 2026
Full Review
Anaconda (2025)
47%
3/5
EDIT
“It's obviously not Oscar material, but it is a reminder that sometimes a movie can simply be a good time, and that has value too.” –
The Jam Report
Dec 23, 2025
Full Review
KPop Demon Hunters (2025)
91%
4/5
EDIT
“Pure pop cinema in the very best sense, it's vibrant, empowering, and impossible not to smile along with.” –
The Jam Report
Dec 23, 2025
Full Review
Sirāt (2025)
90%
4/5
EDIT
“A propulsive sensory overload that defies convention at every turn.” –
The Jam Report
Dec 23, 2025
Full Review
Pillion (2025)
99%
4/5
EDIT
“An unexpectedly tender, quietly provocative love story that refuses to sensationalise its subject matter while also refusing to apologise for it.” –
The Jam Report
Dec 23, 2025
Full Review
The Housemaid (2025)
73%
3.5/5
EDIT
“A twist-filled, high camp psychological thriller that knows how to push the right buttons and revels in doing so.” –
The Jam Report
Dec 20, 2025
Full Review
Avatar: Fire and Ash (2025)
66%
3/5
EDIT
“A reminder that spectacle can only carry a story so far. Cameron remains unmatched in his ability to create worlds, but this time, the narrative feels like it is treading water rather than forging something truly new.” –
The Jam Report
Dec 16, 2025
Full Review
Marty Supreme (2025)
93%
4.5/5
EDIT
“A character portrait that embraces contradiction, a period piece that feels startlingly current, and a comedy that flirts with tragedy without losing its sense of fun.” –
The Jam Report
Dec 11, 2025
Full Review
Song Sung Blue (2025)
77%
3.5/5
EDIT
“Both a heartfelt crowdpleaser and a tearjerking romance, it finds emotional truth in a familiar melody.” –
The Jam Report
Dec 9, 2025
Full Review
No Reviews Yet
Load More
Something went wrong.. try again