Fernanda Solórzano Movie Reviews & Previews - Rotten Tomatoes

Fernanda Solórzano

Fernanda Solórzano
Fernanda Solórzano's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
86% Professor Marston & The Wonder Women (2017) This enjoyable film by Angela Robinson...emphasizes that sexuality is not a tumor that must be removed from the character, but rather, a vital organ. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Nov 27, 2017
100% The Darkness (Las tinieblas) (2016) Stands out for its originality in the context of Mexican cinema. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Oct 24, 2017
87% Blade Runner 2049 (2017) Denis Villeneuve a hives a perfect balance between style and emotion. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Oct 24, 2017
85% It (2017) [It] gives new nuances to a widely known character. [Full Review in Spanish] ‐ Letras Libres
Read More | Posted Oct 24, 2017
100% Made in Bangkok (2015) ... makes visible their right and need to match their sexual identity with their body. [Full review in Spanish]‐ Letras Libres
Read More | Posted Oct 10, 2017
95% Wallace & Gromit: The Curse of the Were-Rabbit (2005) Wallace and Gromit, the clever dog and his master Inventor, are great homages to the genres of Hollywood and parodies of the traditions of horror cinema. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 6, 2017
93% Eternal Sunshine Of The Spotless Mind (2004) ...genius, or at least fascinating. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 6, 2017
81% The Man Who Wasn't There (2001) Much less acidic than Fargo, not as graceful as The Big Lebowsky, and barely enigmatic as Barton Fink, The Man Who Wasn't There is, isn't far from being the best film of the [Coen Brothers]. [Full review in Spanish] ‐ Letras Libres
Read More | Posted Sep 6, 2017
88% [Rec] (2007) There wouldn't be much more to say if Spanish cinema didn't demonstrate a continued ability to reinvent the horror genre. REC, in this case, is a bad exception. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 6, 2017
96% The Social Network (2010) It's true that The Social Network is splendid in its own right. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 6, 2017
99% A Separation (2011) Its familiar and informal tone has accomplished what few films do: to be a hit among critics and less demanding moviegoers. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 6, 2017
97% After the Storm (Umi yori mo mada fukaku) (2017) The director has such sensitivity to create characters that doesn't need major events or big accidents of nature to provoke catharsis in them and in us. [Full review in Spanish]‐ Letras Libres
Read More | Posted Jun 29, 2017
60% April's Daughter (Las hijas de Abril) (2017) Michel Franco addresses the difficult relationship between mothers and daughters, with a detached look that resists easy judgments. [Full review in Spanish]‐ Letras Libres
Read More | Posted Jun 29, 2017
38% How to Be a Latin Lover (2017) A film that aims to offer escapism and reaffirmation to Latinos in the United States, but instead reinforces harmful stereotypes. [Full review in Spanish]‐ Letras Libres
Read More | Posted May 11, 2017
97% Aquarius (2016) Without following the recipes of commercial cinema, the film sows mysteries in the way the characters relate to objects and spaces of the past. ‐ Letras Libres
Read More | Posted Mar 27, 2017
83% The Founder (2017) A morally ambiguous story since its script raises a problematic subject but it manages to remain in a point of neutrality, which makes it interesting. [Full review in Spanish]‐ Letras Libres
Read More | Posted Mar 9, 2017
84% Silence (2017) An ambitious tape that limps at times. However, it ends up being one of the most valuable explorations of religion in the cinema. [Full review in Spanish]‐ Letras Libres
Read More | Posted Mar 2, 2017
96% The Salesman (Forushande) (2017) Beyond the controversy, the film has merits to be awarded, for the way it portrays the effects that an oppressive society has on the decisions people make in their intimate sphere. [Full review in Spanish]‐ Letras Libres
Read More | Posted Feb 23, 2017
98% Hell or High Water (2016) Because of its premise and its plot, the film is an updated western, a portrait of the cycle of poverty and violence that has marked the modern history of the United States. [Full review in Spanish]‐ Letras Libres
Read More | Posted Feb 16, 2017
91% Elle (2016) Paul Verhoeven breaks with the Hollywood conventions of filmmaking and creates an intelligent and transgressive film, where Isabelle Huppert plays her most complex and enjoyable character so far. [Full review in Spanish]‐ Letras Libres
Read More | Posted Feb 9, 2017
92% La La Land (2016) The most nominated film of this year's Oscars is also a fresh re-elaboration of musical cinema. [Full review in Spanish]‐ Letras Libres
Read More | Posted Feb 2, 2017
98% Moonlight (2016) Although it's not bad, I found it overrated, as it tells a story through a trite narrative formula and flat characters that we've already been seen in dozens of films. [Full review in Spanish]‐ Letras Libres
Read More | Posted Feb 1, 2017
97% Weiner (2016) With a humorous tone, this film describes the media hurricane that is unleashed when sex intersects with the politics. [Full review in Spanish]‐ Letras Libres
Read More | Posted Dec 20, 2016
44% It's Only the End of the World (Juste la fin du monde) (2016) A failed film, in which the actions of the characters seem to come from the director's indications, not from a real nucleus of conflict. [Full review in Spanish]‐ Letras Libres
Read More | Posted Dec 20, 2016
83% Captain Fantastic (2016) A film with a promising premise treated with warmth, which ends up being frustrating. [Full review in Spanish]‐ Letras Libres
Read More | Posted Dec 8, 2016
78% American Honey (2016) A film that is valuable by the time it premiered: the year that Donald Trump was dignified by the white working class that Arnold portrayed with empathy. [Full review in Spanish]‐ Letras Libres
Read More | Posted Dec 2, 2016
100% Bellas de Noche (2016) A vital and celebratory documentary, where the director forces to revaluate the art of these women. Anyone who hopes to find unheard-of stories of extravagant women will come out feeling a deep admiration for them. [Full review in Spanish]‐ Letras Libres
Read More | Posted Nov 29, 2016
61% Snowden (2016) A film that recovers Stone's best characteristics: his power of persuasion and the rigorous exposition of facts. [Full review in Spanish]‐ Letras Libres
Read More | Posted Nov 17, 2016
100% Llévate mis amores (All of Me) (2015) A film that shows that asking permission is not necessary when it comes to exercising empathy and that solidarity can make a huge difference. [Full review in Spanish]‐ Letras Libres
Read More | Posted Oct 31, 2016
93% Right Now, Wrong Then (2016) A simple story where the Korean director addresses complex issues through extensive dialogues, such as vanity and hidden agendas in the talks. [Full review in Spanish]‐ Letras Libres
Read More | Posted Oct 20, 2016
72% The Blackcoat's Daughter (February) (2017) A pleasant and unexpected surprise debut from Osgood Perkins. A film that has a haunting atmosphere with an unusual narrative. [Full review in Spanish]‐ Letras Libres
Read More | Posted Oct 13, 2016
78% From Afar (Desde Allá) (2016) A film that manages self-repression of emotions, with troubled (and at the same time passive) characters accumulating tension to extreme levels and then explode. [Full review in Spanish]‐ Letras Libres
Read More | Posted Oct 10, 2016
100% 7:19 (2016) Jorge Michel Grau's 7:19 breaks a silence of more than three decades of a Mexican cinema that has barely alluded to the 1985's earthquake. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 30, 2016
85% Amanda Knox (2016) A documentary that mixes investigation of a criminal case with the denunciation of the double standard that affect women. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 29, 2016
73% You're Killing Me Susana (Me estás matando Susana) (2017) Sneider's brilliant adaptation of Ciudades Desiertas shines because of its good comedy timing and wonderful cast chemistry. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 27, 2016
94% Lo and Behold, Reveries of the Connected World (2016) With this film, the director tries to amaze the viewer; strip the internet of the familiarity with which we treat it and restore its mystery. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 27, 2016
58% The Neon Demon (2016) Too sophisticated and contained to cause shock, and too naive to function as a fable for the loss of innocence in Hollywood. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 27, 2016
100% Things to Come (L'avenir) (2016) The french director shows with this film her ability to generate moods through rhythm achieved through editing and a fluid narration without cuts, leading to unexpected places. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 27, 2016
80% I Promise You Anarchy (Te prometo anarquía) (2015) Simply the best Mexican film of 2015. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 27, 2016
87% Don't Breathe (2016) A thriller that manipulates the viewer loyalty with the characters, reversing the traditional roles in films that revolve around home invasions: you can't be sure that the invaders are guilty or that the overrun is a victim. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 27, 2016
93% Janis: Little Girl Blue (2015) Amy Berg explores a less known part of Janis Joplin's life in a very sweet way. [Full review in Spanish]‐ Letras Libres
Posted Aug 12, 2016
61% The Program (2016) The movie makes great use of the journalistic work of Dave Walsh to create intimate moments that help understand the main character's motivations. [Full review in Spanish]‐ Letras Libres
Read More | Posted Aug 8, 2016
94% Finding Dory (2016) A film with excellent visual quality that even if it's aimed at children, it doesn't shy away from emotionally difficult themes. [Full review in Spanish]‐ Letras Libres
Read More | Posted Jul 25, 2016
75% Epitaph (Epitafio) (2015) The filmmaker could've created an epic film about the conquest of Mexico, instead they created a much more personal but no less intense tale. [Full review in Spanish]‐ Letras Libres
Read More | Posted Jul 15, 2016
73% Louder Than Bombs (2016) Jachim Trier explores successfully the incomplete nature of memories and the way they affect our present lives. [Full review in Spanish]‐ Letras Libres
Read More | Posted Jul 1, 2016
95% Marguerite (2016) Director Xavier Giannoli stays away from the extravagance of the main character and creates a more faithful portrait. [Full review in Spanish]‐ Letras Libres
Read More | Posted Jun 27, 2016
57% Money Monster (2016) A mostly failed movie where only the performances stand out. [Full review in Spanish]‐ Letras Libres
Read More | Posted Jun 17, 2016
73% A Hologram for the King (2016) Tom Tykwer steps out of his comfort zone and explores new narrative styles. [Full review in Spanish]‐ Letras Libres
Read More | Posted Jun 13, 2016
84% The Brand New Testament (Le tout nouveau testament) (2016) An episodic film that allows the director to play with different visual styles, that's the film biggest appeal. [Full review in Spanish]‐ Letras Libres
Read More | Posted Jun 8, 2016
81% Labyrinth Of Lies (2015) Told with efficiency and in a simple way, the film explores moral conflicts that still have echoes today. [Full review in Spanish]‐ Letras Libres
Read More | Posted May 26, 2016