Fernanda Solórzano Movie Reviews & Previews - Rotten Tomatoes

Fernanda Solórzano

Fernanda Solórzano
Tomatometer-approved critic

Movie Reviews Only

Rating T-Meter Title | Year Review
89% The Midwife (Sage femme) (2017) The performances from Catherine Deneuve and Catherine Frot save this film from falling into being ordinary. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Aug 9, 2018
93% Loveling (Benzinho) (2018) Loveling takes the family melodrama and turns it into a contemporary story destroying cliches along the way. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Aug 2, 2018
97% Mission: Impossible - Fallout (2018) In the sixth installment of the saga, Tom Cruise returns as agent Ethan Hunt and gives the film a texture of realism thanks to his physical effort. Director Christopher McQuarrie reminds us why big-budget films can be interesting. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Jul 27, 2018
57% My Son (Mon Garçon) (2018) Filmed in a unique way that engrosses the viewer in the uncertainty of the search. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Jul 20, 2018
36% Incident In a Ghost Land (Ghostland) (2018) Although this film by the French director, Pascal Laugier, takes on the conventions of the film genre, it also proposes a different reading, influenced by the current of the new French extremism. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Jul 12, 2018
64% Sicario: Day of the Soldado (2018) A deeper exploration of this world where those who have a facade of respectability can be even more heartless than common suspects. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Jul 5, 2018
51% Jurassic World: Fallen Kingdom (2018) This new episode of the saga about dinosaurs, directed by J.A. Bayona, wants to be a lot of things at once, but ends up being an example of why more is not always better. [Full Review in Spanish]‐ Letras Libres
Posted Jun 29, 2018
89% Hereditary (2018) The lasting nightmarish effect that [Hereditary] is due to it's strong cinematic elements. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Jun 21, 2018
100% I Am Not a Witch (2017) Zambian directors Rungano Nyoni's touch allows the film to escape a solemn take on this true African reality. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Jun 18, 2018
98% Lucky (2017) The last role of the legendary actor is a puzzle that ends up being much more than the sum of its parts. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Jun 8, 2018
75% Mom and Dad (2018) [Mom and Dad] takes an unnatural impulse and allows for audiences to experience a catharsis of sorts in a unique genre exploration. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Jun 4, 2018
86% Tully (2018) [Tully] demonstrates how something can be so taboo that we go through great lengths to repress... [Full Review in Spanish]‐ Letras Libres
Read More | Posted Jun 4, 2018
87% You Were Never Really Here (2018) Lynne Ramsay conserves the essence of film noir, but presents them in such a innovative way that they seem almost unrecognizable. [Full Review in Spanish]‐ Letras Libres
Read More | Posted May 25, 2018
82% The Third Murder (Sandome no satsujin) (2018) The interesting thing about The Third Murder is not that the pieces all fit, but rather that each new piece adds more to the core of this story. [Full Review in Spanish]‐ Letras Libres
Read More | Posted May 17, 2018
89% Isle of Dogs (2018) [Isle of Dogs] is a touching film. [Full Review in Spanish]‐ Letras Libres
Read More | Posted May 17, 2018
100% El Vigilante (2016) Diego Ros' opera Prima has one foot in noir and the other in national reality, a fertile field for this genre. [Full Review in Spanish] ‐ Letras Libres
Read More | Posted Apr 11, 2018
90% Lady Macbeth (2017) This is an oppressive and suffocating atmosphere for women, created with sober, star scenes, allowing director William Oldroyd to make an accurate portait of Katherin's psychological evolution without justifying or judging her. [Full Review in Spanish] ‐ Letras Libres
Read More | Posted Mar 20, 2018
94% A Fantastic Woman (Una mujer fantástica) (2018) ...fascinating fiction. [Full Review in Spanish] ‐ Letras Libres
Read More | Posted Mar 12, 2018
89% I, Tonya (2018) The portrait of an extraordinary athlete who made a bad decision is valuable, as it contrasts women's generalized representation in cinema: That of ideal, exemplary women who never make mistakes. [Full Review in Spanish] ‐ Letras Libres
Read More | Posted Mar 5, 2018
80% The Killing of a Sacred Deer (2017) Yorgos Lanthimos [creates] a claustrophobic and implacable world that makes its characters pay for their transgressions. [Full Review in Spanish] ‐ Letras Libres
Read More | Posted Feb 26, 2018
99% Lady Bird (2017) ...nice and warm. [Full Review in Spanish] ‐ Letras Libres
Read More | Posted Feb 26, 2018
74% Beatriz at Dinner (2017) What could have been a good black comedy ends up failing, with formulaic and didactic representations of immigrants as beings worth of holiness, stripped of complexity. [Full Review in Spanish] ‐ Letras Libres
Read More | Posted Jan 29, 2018
91% A Ghost Story (2017) ...a subtle but powerful reflection. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Jan 29, 2018
98% BPM (Beats Per Minute) (120 battements par minute) (2017) Robin Campillo's vision transcends the mere recount of facts. It immerses the viewer inside the movement and dilutes the division between the personal and the political. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Jan 29, 2018
92% Three Billboards Outside Ebbing, Missouri (2017) The simple narrative engine of action and reaction gives rise to an unpredictable script that drives the viewer out of control, dismantling their expectations about the characters and their behavior. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Jan 29, 2018
50% Downsizing (2017) An ingenious and original premise. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Jan 29, 2018
87% Professor Marston & The Wonder Women (2017) This enjoyable film by Angela Robinson...emphasizes that sexuality is not a tumor that must be removed from the character, but rather, a vital organ. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Nov 27, 2017
100% The Darkness (Las tinieblas) (2016) Stands out for its originality in the context of Mexican cinema. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Oct 24, 2017
87% Blade Runner 2049 (2017) Denis Villeneuve a hives a perfect balance between style and emotion. [Full Review in Spanish]‐ Letras Libres
Read More | Posted Oct 24, 2017
85% It (2017) [It] gives new nuances to a widely known character. [Full Review in Spanish] ‐ Letras Libres
Read More | Posted Oct 24, 2017
100% Made in Bangkok (2015) ... makes visible their right and need to match their sexual identity with their body. [Full review in Spanish]‐ Letras Libres
Read More | Posted Oct 10, 2017
95% Wallace & Gromit: The Curse of the Were-Rabbit (2005) Wallace and Gromit, the clever dog and his master Inventor, are great homages to the genres of Hollywood and parodies of the traditions of horror cinema. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 6, 2017
93% Eternal Sunshine Of The Spotless Mind (2004) ...genius, or at least fascinating. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 6, 2017
81% The Man Who Wasn't There (2001) Much less acidic than Fargo, not as graceful as The Big Lebowsky, and barely enigmatic as Barton Fink, The Man Who Wasn't There is, isn't far from being the best film of the [Coen Brothers]. [Full review in Spanish] ‐ Letras Libres
Read More | Posted Sep 6, 2017
88% [Rec] (2007) There wouldn't be much more to say if Spanish cinema didn't demonstrate a continued ability to reinvent the horror genre. REC, in this case, is a bad exception. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 6, 2017
96% The Social Network (2010) It's true that The Social Network is splendid in its own right. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 6, 2017
99% A Separation (2011) Its familiar and informal tone has accomplished what few films do: to be a hit among critics and less demanding moviegoers. [Full review in Spanish]‐ Letras Libres
Read More | Posted Sep 6, 2017
97% After the Storm (Umi yori mo mada fukaku) (2017) The director has such sensitivity to create characters that doesn't need major events or big accidents of nature to provoke catharsis in them and in us. [Full review in Spanish]‐ Letras Libres
Read More | Posted Jun 29, 2017
60% April's Daughter (Las hijas de Abril) (2017) Michel Franco addresses the difficult relationship between mothers and daughters, with a detached look that resists easy judgments. [Full review in Spanish]‐ Letras Libres
Read More | Posted Jun 29, 2017
38% How to Be a Latin Lover (2017) A film that aims to offer escapism and reaffirmation to Latinos in the United States, but instead reinforces harmful stereotypes. [Full review in Spanish]‐ Letras Libres
Read More | Posted May 11, 2017
97% Aquarius (2016) Without following the recipes of commercial cinema, the film sows mysteries in the way the characters relate to objects and spaces of the past. ‐ Letras Libres
Read More | Posted Mar 27, 2017
83% The Founder (2017) A morally ambiguous story since its script raises a problematic subject but it manages to remain in a point of neutrality, which makes it interesting. [Full review in Spanish]‐ Letras Libres
Read More | Posted Mar 9, 2017
84% Silence (2017) An ambitious tape that limps at times. However, it ends up being one of the most valuable explorations of religion in the cinema. [Full review in Spanish]‐ Letras Libres
Read More | Posted Mar 2, 2017
96% The Salesman (Forushande) (2017) Beyond the controversy, the film has merits to be awarded, for the way it portrays the effects that an oppressive society has on the decisions people make in their intimate sphere. [Full review in Spanish]‐ Letras Libres
Read More | Posted Feb 23, 2017
97% Hell or High Water (2016) Because of its premise and its plot, the film is an updated western, a portrait of the cycle of poverty and violence that has marked the modern history of the United States. [Full review in Spanish]‐ Letras Libres
Read More | Posted Feb 16, 2017
91% Elle (2016) Paul Verhoeven breaks with the Hollywood conventions of filmmaking and creates an intelligent and transgressive film, where Isabelle Huppert plays her most complex and enjoyable character so far. [Full review in Spanish]‐ Letras Libres
Read More | Posted Feb 9, 2017
92% La La Land (2016) The most nominated film of this year's Oscars is also a fresh re-elaboration of musical cinema. [Full review in Spanish]‐ Letras Libres
Read More | Posted Feb 2, 2017
98% Moonlight (2016) Although it's not bad, I found it overrated, as it tells a story through a trite narrative formula and flat characters that we've already been seen in dozens of films. [Full review in Spanish]‐ Letras Libres
Read More | Posted Feb 1, 2017
97% Weiner (2016) With a humorous tone, this film describes the media hurricane that is unleashed when sex intersects with the politics. [Full review in Spanish]‐ Letras Libres
Read More | Posted Dec 20, 2016
44% It's Only the End of the World (Juste la fin du monde) (2016) A failed film, in which the actions of the characters seem to come from the director's indications, not from a real nucleus of conflict. [Full review in Spanish]‐ Letras Libres
Read More | Posted Dec 20, 2016