Keith Uhlich Movie Reviews & Previews - Rotten Tomatoes

Keith Uhlich

Keith Uhlich
Keith Uhlich's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
59% I Love You, Daddy (2017) Louis C.K. loves a mess, and I Love You, Daddy, his first feature film as a director since 2001's Pootie Tang, is exactly that. ‐ Slant Magazine
Read More | Posted Sep 18, 2017
100% Jerry Before Seinfeld (2017) There's always another bon mot, and the occasional dud humor in Jerry Before Seinfeld in no way detracts from the larger pleasures of watching this peerless comedian pay tribute to his roots.‐ Hollywood Reporter
Read More | Posted Sep 17, 2017
53% Roman J. Israel, Esq (2017) A rare bad performance from Denzel Washington sinks Roman J. Israel, Esq., writer-director Dan Gilroy's follow-up to 2014's Nightcrawler. ‐ Slant Magazine
Read More | Posted Sep 15, 2017
89% Film Stars Don't Die in Liverpool (2017) Paul McGuigan's few keyed-up aesthetic flourishes actually prove more than apt to the story of a woman whose life frequently resembled the heated movie melodramas that made her name.‐ Slant Magazine
Read More | Posted Sep 15, 2017
94% First Reformed (2017) Greatness is often intertwined with insanity, and there's no way to describe the finale of First Reformed as anything other than a dual act of extreme devotion and inspired lunacy.‐ Slant Magazine
Read More | Posted Sep 12, 2017
1.5/4 69% Downsizing (2017) Alexander Payne's defenders might call his often acidic touch Swiftian, though it comes off more toothlessly noncommittal.‐ Slant Magazine
Read More | Posted Sep 11, 2017
88% Grace Jones: Bloodlight and Bami (2017) Shot and edited piecemeal over a decade, Bloodlight and Bami (the Jamaican slang title refers to both a red studio recording light and a type of flatbread) is a fragmented, purposefully obscure exploration of Grace Jones's life and art. ‐ Slant Magazine
Read More | Posted Sep 8, 2017
43% Suburbicon (2017) Suburbicon sees a bunch of candidly left-leaning movie stars doing their best to out-awful each other.‐ Slant Magazine
Read More | Posted Sep 8, 2017
No Score Yet 55 Steps (2017) Scene by scene you wish 55 Steps made you angrier than it does. Yet August's docile filmmaking acts as an emotional soporific, removing even the potential camp pleasures of Bonham Carter's histrionics.‐ Hollywood Reporter
Read More | Posted Sep 8, 2017
No Score Yet Dog Years (2017) Whatever pathos is generated comes from Reynolds's commitment to all the self-exploitation. His inimitable charm is still there beneath all the corporeal decrepitude on which Rifkin and company shamelessly linger.‐ Hollywood Reporter
Read More | Posted Apr 23, 2017
66% The Immortal Life of Henrietta Lacks (2017) The intentions are good, but the problems are legion.‐ Hollywood Reporter
Read More | Posted Apr 17, 2017
28% Sandy Wexler (2017) As with almost every Sandler vehicle, this is an adoring ode to a lifelong man-baby who mistakes his half-assed excretions for art.‐ Hollywood Reporter
Read More | Posted Apr 14, 2017
44% Ghost in the Shell (2017) An incoherent text can offer profound pleasures...and getting lost in the onscreen density of the world of Ghost in the Shell is the prime enjoyment.‐ Reverse Shot
Read More | Posted Mar 31, 2017
No Score Yet A Critically Endangered Species (2017) One awesome performance, one awful movie.‐ Hollywood Reporter
Read More | Posted Mar 13, 2017
No Score Yet Divinas Divas (2016) It's a reality television approach to a subject that begs for more nuance and a much stronger historical framework.‐ Hollywood Reporter
Read More | Posted Mar 12, 2017
100% Sylvio (2017) One of Sylvio's greatest strengths is the ever-present, though never fully verified sense that Birney and Audley are having a long laugh at their audience's expense.‐ Hollywood Reporter
Read More | Posted Mar 11, 2017
42% A Cure For Wellness (2017) The result is the strangest yet blandest of brews.‐ Reverse Shot
Read More | Posted Feb 17, 2017
67% Give Me Future (Give Me Future: Major Lazer in Cuba) (2017) As lazers go, more minor than major.‐ Hollywood Reporter
Read More | Posted Jan 22, 2017
30% Passengers (2016) A vacillating pile of contrivances meant to keep the lovers apart until the F/X-heavy finale.‐ Brooklyn Magazine
Read More | Posted Dec 20, 2016
60% Allied (2016) The pie-eyed adoration of cinema past beautifully complements a tale of two people (characters and performers both) who pretend for a living.‐ Brooklyn Magazine
Read More | Posted Nov 23, 2016
96% Rams (Hrútar) (2016) Gummi and Kiddi's interactions tend toward the comical, but the rock-steady widescreen cinematography by Sturla Brandth Grøvlen lends the proceedings a deadpan aura.‐ Brooklyn Magazine
Read More | Posted Nov 15, 2016
50% 31 (2016) Horror piles on horror, absurdity on absurdity, all of it treated by Zombie with carnivalesque abstraction.‐ Brooklyn Magazine
Read More | Posted Oct 21, 2016
60% The Siege of Jadotville (2016) Good intentions only take us so far, of course. Whenever Smyth moves away from the battlefield, the film is on shaky ground, with the near-comical scenes involving Strong's cowardly subordinate a real low point.‐ Hollywood Reporter
Read More | Posted Oct 7, 2016
64% Miss Peregrine's Home for Peculiar Children (2016) There's a fullness of imagination and artistry here that's become increasingly rare in Burton's work.‐ Brooklyn Magazine
Read More | Posted Sep 27, 2016
31% The Assignment (2017) The film's dialogue is entertainingly hard-boiled, and the performances knowing without ever being arch.‐ Slant Magazine
Read More | Posted Sep 17, 2016
92% La La Land (2016) Not once do you feel like you're watching red-blooded characters, so much as you are the good-natured, tirelessly committed actors playing them.‐ Slant Magazine
Read More | Posted Sep 12, 2016
73% Nocturnal Animals (2016) Each Nocturnal Animals story thread is of a tonal piece, all about striking poses as opposed to exploring humanity.‐ Slant Magazine
Read More | Posted Sep 10, 2016
91% A Quiet Passion (2017) A Quiet Passion, like all of Terence Davies's films, doesn't lack for density of theme, allusion, and effect.‐ Slant Magazine
Read More | Posted Sep 9, 2016
71% XOXO (2016) In the moment, the film's simplistic spirit is intoxicating. But take my word for it -- the real-world hangover that follows is fierce.‐ Hollywood Reporter
Read More | Posted Aug 30, 2016
84% Star Trek Beyond (2016) To boldly go where no man has gone before is not for a property so culturally and economically exploitable.‐ Brooklyn Magazine
Read More | Posted Jul 22, 2016
No Score Yet Center Stage: On Pointe (2016) By the time the climactic, Rihanna-scored musical number arrives, your attention will have long since waltzed off.‐ Hollywood Reporter
Read More | Posted Jun 27, 2016
81% Cosmos (2016) Feels, like so much of the inimitable Polish director's work, as if it was beamed in from another galaxy.‐ Brooklyn Magazine
Read More | Posted Jun 14, 2016
95% De Palma (2016) This is a film about a great artist reckoning with a much-debated body of work‐ Brooklyn Magazine
Read More | Posted Jun 7, 2016
99% The Wailing (Goksung) (2016) there's real beauty and devastation in the film's finale, as the harrowing father-daughter relationship reaches its apex‐ Brooklyn Magazine
Read More | Posted Jun 1, 2016
72% Holy Hell (2016) Holy Hell is a purgative and an act of atonement. ‐ Brooklyn Magazine
Read More | Posted May 23, 2016
57% Money Monster (2016) A hostage thriller with barely any tension. A recession-era cri de cur without much fervor. A star vehicle that thumbs its nose at the common man it purports to represent.‐ Brooklyn Magazine
Read More | Posted May 13, 2016
90% Captain America: Civil War (2016) It's just stultifyingly dutiful.‐ Brooklyn Magazine
Read More | Posted May 4, 2016
90% A Bigger Splash (2016) You don't just need, per Jean-Luc Godard, a gun and a girl for a movie. Beautiful people in a beautiful location suffices.‐ Brooklyn Magazine
Read More | Posted May 2, 2016
16% Special Correspondents (2016) Netflix's ill-conceived satire marks a career low for writer-director-star Ricky Gervais.‐ Hollywood Reporter
Read More | Posted Apr 24, 2016
C 71% A Hologram for the King (2016) A Hologram For The King is a 97-minute movie that feels like it was cut down from two-hours-plus, with whole subplots reduced or jettisoned in what was likely an arduous post-production period.‐ AV Club
Read More | Posted Apr 21, 2016
13% Meet the Blacks (2016) Wrongheaded, utterly incompetent, and nearly laugh-free ...‐ Hollywood Reporter
Read More | Posted Apr 1, 2016
47% The Young Messiah (2016) This uninspiring, borderline inept spiritual drama about the Son of God's formative years preaches to the choir.‐ Hollywood Reporter
Read More | Posted Mar 12, 2016
C+ 52% Lolo (2016) Delpy is so good at portraying her character's varied neuroses, which have been unwittingly forged over a lifetime, that her last-act enlightenment feels like a cop-out.‐ AV Club
Read More | Posted Mar 8, 2016
100% Homegrown: The Counter-Terror Dilemma (2016) The film takes a tough and troubling look at the systems the United States has in place to prevent terror attacks on American soil-as well as at the people (both government agents and private citizens) those systems affect.‐ Hollywood Reporter
Read More | Posted Feb 9, 2016
43% Pride and Prejudice and Zombies (2016) Lumbering, lifeless and -- strange thing to say about a cadaver -- almost entirely charmless.‐ Hollywood Reporter
Read More | Posted Feb 3, 2016
0% The Ridiculous 6 (2015) "Why bother?" Sandler and his collaborators seem to be asking over the course of a very long two hours. And streaming viewers will hopefully respond in kind.‐ Hollywood Reporter
Read More | Posted Dec 14, 2015
0% The Leisure Class (2015) We're here to judge The Leisure Class itself, and hoo boy, what a whole lot of nothing this purported comedy is.‐ Hollywood Reporter
Read More | Posted Nov 2, 2015
96% Son of Saul (2015) The technique continually impresses even as the moral perspective of the enterprise is ultimately squelched by all the aural-visual gimmickry.‐ Slant Magazine
Read More | Posted Sep 16, 2015
81% Sunset Song (2016) Sunset Song is much more conventionally A-to-B, though it's a strangely freeing framework within which Davies achieves some gorgeously subtle effects.‐ Slant Magazine
Read More | Posted Sep 16, 2015
95% In Jackson Heights (2015) Light in darkness and darkness in light; for every affirmative moment, Wiseman finds a complementary negative. ‐ Slant Magazine
Read More | Posted Sep 12, 2015