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Rating Title | Year Author Quote
B
Miroirs No. 3 (2025) Jacob Oller Miroirs No. 3 coats its small-scale tragedy in the realistic emotional debris of avoidance, obsession, and transference.
Posted Mar 20, 2026  Edit critic review
Hollywood Boulevard (1976) Nathan Rabin For those willing to overlook periodic missteps into the nether regions of bad taste, Hollywood Boulevard is the sort of scrappy, resourceful, smart B-movie that threatens to give shameless opportunism a good name.
Posted Mar 19, 2026  Edit critic review
B-
Late Shift (2025) Jarrod Jones Its tension isn’t sensational or even relentless despite this pressure-cooker setup, though in the film’s better moments, it gets the adrenaline pumping just fine.
Posted Mar 19, 2026  Edit critic review
B-
Forbidden Fruits (2026) Jacob Oller A fantastic cast and a script full of zingers keep the wavering modern witch story mean and magical.
Posted Mar 18, 2026  Edit critic review
The Howling (1981) Nathan Rabin Laden with visual puns as well as subtle and not-so-subtle tributes to werewolf movies past, The Howling looks terrific, and benefits from a fine cast.
Posted Mar 17, 2026  Edit critic review
C-
Normal (2025) Jacob Oller Neither the bit nor the bloodbath tap into any of the chaotic juvenilia that’s made Wheatley’s gonzo genre romps stand out—and its star is visibly tiring of his own career pivot.
Posted Mar 17, 2026  Edit critic review
C
Over Your Dead Body (2026) Jacob Oller The sprawling gnarliness of this marital mess gets away from Jorma Taccone.
Posted Mar 16, 2026  Edit critic review
B-
Ready or Not 2: Here I Come (2026) Andy Crump Weaving is great at expressing helpless surrender and whiteknuckle petrification... The effect of her performances is cathartic, frequently hysterical, and key to Ready Or Not 2: Here I Come‘s success.
Posted Mar 14, 2026  Edit critic review
Show Me Love (1998) Scott Tobias These details only serve to heighten the love story, which is triumphantly sweet in a way adult romances can never really be, perhaps because adolescent passion is so optimistic, unguarded by experience.
Posted Mar 12, 2026  Edit critic review
B-
Reminders of Him (2026) Caroline Siede Romance may be the thing that gets audiences in the door, but it’s the questions of motherhood and morality that will linger.
Posted Mar 11, 2026  Edit critic review
B
Project Hail Mary (2026) Jacob Oller It's no miracle that the film lands its central relationship, but it is impressive that it feels personal despite its grand sci-fi scope.
Posted Mar 10, 2026  Edit critic review
B
undertone (2025) Katie Rife In this way, undertone is the perfect horror film for our era, one in which superstition and technology not only coexist, but feed one another.
Posted Mar 09, 2026  Edit critic review
B-
War Machine (2026) Caroline Siede Forget the gritty realism and quippy one-liners that so often define the modern action genre, War Machine is proudly, almost guilelessly old-fashioned.
Posted Mar 06, 2026  Edit critic review
C-
Protector (2025) Jacob Oller Milla Jovovich snarls, stabs, and dual-wields her way through this grim copy of a copy, breaking the glass ceiling of who can star in one of these bloodthirsty parental nightmare-fantasies.
Posted Mar 06, 2026  Edit critic review
C
Peaky Blinders: The Immortal Man (2026) Rory Doherty Knowing that some “next generation” reboot of Peaky Blinders is in the works goes a long way to explain why The Immortal Man feels like an obligatory and fatalistic highlight reel of Tommy Shelby’s anger, guilt, and self-hatred.
Posted Mar 05, 2026  Edit critic review
B+
Umamusume: Pretty Derby - Beginning of a New Era (2024) Elijah Gonzalez At once melodramatic, jaw-dropping, and oddly inspiring, Beginning Of A New Era captures the irrational passion of sports in all its hooved glory.
Posted Mar 02, 2026  Edit critic review
C+
The Bluff (2026) Caroline Siede The Bluff is a rollicking good time despite the fact (or maybe because of the fact) that the line between thrilling and ridiculous has never felt more razor thin than it does here.
Posted Feb 25, 2026  Edit critic review
C+
Dreams (2025) Jacob Oller The abusive push-pull between America and Mexico, the conflict between the exotic fantasy of a Latin lover and its xenophobic underbelly, crashes into two people too ill-defined to function as anything more than symbols.
Posted Feb 25, 2026  Edit critic review
C-
I Can Only Imagine 2 (2026) Simon Abrams A busy but lifeless follow-up to the 2018 bio-drama about singer-songwriter Bart Millard (John Michael Finley) and how he overcame adversity.
Posted Feb 23, 2026  Edit critic review
B+
Midwinter Break (2026) Tara Bennett If you’re drawn to the kind of melodrama that quietly unfurls in the pained faces of its actors, with the requisite subtext of Catholic guilt and whiskey as therapy, then this adaptation of Bernard MacLaverty’s 2017 novel will scratch your itch.
Posted Feb 20, 2026  Edit critic review
THX 1138 (1971) Noel Murray Lucas and co-screenwriter/soundman Walter Murch overrate the profundity of their consumerism-gone-mad storyline, but the satiric stabs and stunning design have a hypnotically unsettling effect.
Posted Feb 19, 2026  Edit critic review
C
How to Make a Killing (2026) Jacob Oller An heir murders his way to the top in a film with simple observations and a predictable lead turn.
Posted Feb 18, 2026  Edit critic review
B-
GOAT (2026) Jesse Hassenger It’s antic, sure, and has plenty of middling jokes. But Will makes a sweet-natured and earnest hero, and it’s particularly nice to see a movie where a young male unabashedly hero-worships a female athlete
Posted Feb 13, 2026  Edit critic review
B+
My Father's Shadow (2025) Jacob Oller The story two brothers tell themselves about their father, and about their childhood in Nigeria, My Father’s Shadow is as well-loved and well-worn as a lucky charm.
Posted Feb 13, 2026  Edit critic review
B
Cold Storage (2026) Andy Crump It’s hard to imagine Cold Storage without Keery, not because no other actor alive could’ve played Travis, but because David Koepp’s script seems to be informed by the star’s involvement.
Posted Feb 12, 2026  Edit critic review
B
Crime 101 (2026) Jarrod Jones Taken on its own merits, Crime 101 is a sturdy offering for those who miss losing an afternoon at the movies with a reasonably engrossing drama made for adults.
Posted Feb 11, 2026  Edit critic review
C-
Wuthering Heights (2026) Natalia Keogan Overlong and undersexed, Fennell’s version of Wuthering Heights betrays her audience of edgelords and perverts. Even stranger, those who have fostered a distaste for the filmmaker’s sensibility will similarly find themselves disappointed.
Posted Feb 09, 2026  Edit critic review
B-
Solo Mio (2026) Caroline Siede Who knew Paul Blart had it in him?
Posted Feb 06, 2026  Edit critic review
B
Iron Lung (2026) Simon Abrams Iron Lung's not a flawless debut, but it has a bright future as a cult classic.
Posted Feb 05, 2026  Edit critic review
B+
Pillion (2025) Katie Rife Pillion is a film about self-knowledge, and about asserting one’s needs and boundaries without shame.
Posted Feb 05, 2026  Edit critic review
C
Relationship Goals (2026) Caroline Siede As a bit of forgettable, low-stakes Valentine’s Day viewing for the religious set, one could do worse. But those who only date their rom-coms "intentionally" could definitely do better.
Posted Feb 05, 2026  Edit critic review
A
Vanishing Point (1971) Keith Phipps It works brilliantly as an action movie, its chase scenes and stunts filmed with an eye toward distressing angles and heat-distorted shots of roads stretching out to infinity.
Posted Feb 04, 2026  Edit critic review
Knife: The Attempted Murder of Salman Rushdie (2026) Siddhant Adlakha Alex Gibney’s documentary, which premiered at this year’s Sundance Film Festival, rehumanizes [Rushdie].
Posted Feb 04, 2026  Edit critic review
A
Days of Heaven (1978) Keith Phipps It's Malick's particular genius to make viewers feel like they're seeing the world, with all its beauty and danger, for the first time.
Posted Feb 03, 2026  Edit critic review
B-
The Best Summer (2026) Matt Melis Davis also deserves significant kudos for making sure that The Best Summer didn’t forget about the girls at a time when women’s contributions were often overlooked across the alternative rock landscape.
Posted Feb 03, 2026  Edit critic review
C+
The Moment (2026) Jesse Hassenger It all contributes to the impression that Charli herself may be growing sick of her brat era, which she ultimately bids goodbye with considerable cheek.
Posted Jan 31, 2026  Edit critic review
B
Send Help (2026) Jesse Hassenger Raimi and the screenwriters instead keep the audience off-balance by getting playfully coy about who or what we should be rooting for in this situation.
Posted Jan 31, 2026  Edit critic review
C+
Shelter (2026) Jacob Oller Schlocky yet tangible, Shelter is Waugh’s bargain-bin take on a Bourne-style supersoldier, thrust back into a life he left behind.
Posted Jan 28, 2026  Edit critic review
B+
The Love That Remains (2025) Simon Abrams Shot on 35mm film, The Love That Remains not only looks picturesque, but offers viewers an affectless view of its characters, not as they want to see themselves, but as their emotions dictate.
Posted Jan 27, 2026  Edit critic review
D+
The Wrecking Crew (2026) Jacob Oller Somehow, the laborious and forgettable action-comedy isn't dumb enough.
Posted Jan 26, 2026  Edit critic review
B
Mother of Flies (2025) Katie Rife The result is occult horror as potent as the snake venom in one of Selveig’s dreadful “cures.”
Posted Jan 22, 2026  Edit critic review
D-
Return to Silent Hill (2026) Jacob Oller Goofy and low-rent, it’s a dire look at what happens when you can’t leave the past behind—whether you’re a horror game character or a video game movie filmmaker.
Posted Jan 22, 2026  Edit critic review
C-
Mercy (2026) Jesse Hassenger If this is the future of crime thrillers, everyone needs their screentime severely curtailed.
Posted Jan 21, 2026  Edit critic review
B-
All You Need Is Kill (2025) Elijah Gonzalez If most modern remakes aim to repeatedly squeeze every drop of existing magic out of a beloved property, this one at least escapes that unfortunate loop.
Posted Jan 20, 2026  Edit critic review
B
The Rip (2026) Jarrod Jones It functions comfortably enough as a dependable mid-tier action movie, with its grizzled performances, gunplay, and plethora of twists to keep Dad from dozing in his recliner.
Posted Jan 16, 2026  Edit critic review
Sound of Falling (2025) Katie Rife The profound sorrow of Schilinski’s film comes on slowly, but it clings to the viewer after the movie has ended like the smell of smoke on a winter coat.
Posted Jan 16, 2026  Edit critic review
A
The Day the Earth Stood Still (1951) Keith Phipps With the nuclear age came the realization that humanity had crafted a fire as destructive as any god. Worse, there was no sign that God stood in its way. One of the first movies to address that anxiety, The Day The Earth Stood Still...
Posted Jan 15, 2026  Edit critic review
C-
People We Meet on Vacation (2026) Caroline Siede While recent winners like All Of You have proven there’s still juice in the classic friends-to-lovers template, watching People We Meet On Vacation feels more like ordering a sparkling tropical cocktail and getting served tap water.
Posted Jan 15, 2026  Edit critic review
A-
The Magnificent Seven (1960) Keith Phipps Sturges is no Kurosawa, but he makes Seven into the cinematic equivalent of a catchy cover tune that loses some of the original's depth, but adds a snap all its own.
Posted Jan 14, 2026  Edit critic review
B+
28 Years Later: The Bone Temple (2026) Jesse Hassenger It’s a neat surprise that Nia DaCosta extracts more dark humor from the series than Danny Boyle.
Posted Jan 14, 2026  Edit critic review
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