Black and White (1999)
39%
2/5
EDIT
“While Toback certainly makes a game effort to study the infiltration of hip-hop into the mainstream, his inability to choose what ground to cover ultimately results in an episodic hotch-potch.” –
BBC.com
Jan 13, 2004
Full Review
3/5
EDIT
“” –
BBC.com
Dec 23, 2003
Full Review
Joe Somebody (2001)
21%
2/5
EDIT
“The sort of feeble redemption story Hollywood often palms off on the film-going public.” –
BBC.com
Nov 11, 2002
Full Review
Black and White (2002)
33%
2/5
EDIT
“” –
BBC.com
Oct 24, 2002
Full Review
Lilo & Stitch (2002)
86%
4/5
EDIT
“Touching, funny and strange.” –
BBC.com
Sep 23, 2002
Full Review
The One (2001)
13%
2/5
EDIT
“” –
BBC.com
Apr 17, 2002
Full Review
Monster's Ball (2001)
85%
4/5
EDIT
“Intimate, gruelling, and in some strange way, uplifting.” –
BBC.com
Feb 17, 2002
Full Review
The Royal Tenenbaums (2001)
81%
5/5
EDIT
“Funny, touching, intelligent, strange... well, let's just stop before we run out of superlatives.” –
BBC.com
Feb 6, 2002
Full Review
The Princess Diaries (2001)
49%
3/5
EDIT
“A very watchable, very warm little Disney comedy.” –
BBC.com
Dec 3, 2001
Full Review
The Deep End (2001)
82%
2/5
EDIT
“A rather dull movie, weighed down by its pretensions.” –
BBC.com
Nov 19, 2001
Full Review
Bandits (2001)
64%
3/5
EDIT
“It's still funny, but the flabby bits in-between the comic set-pieces and character-driven scenes are, quite frankly, an annoyance.” –
BBC.com
Nov 12, 2001
Full Review
Legally Blonde (2001)
72%
4/5
EDIT
“Funny, enjoyable and, above all, relaxing. You won't need much brain power, but you'll certainly have fun.” –
BBC.com
Oct 21, 2001
Full Review
America's Sweethearts (2001)
33%
2/5
EDIT
“The script here is not funny, while the cast -- though star-studded -- is perfunctory.” –
BBC.com
Oct 8, 2001
Full Review
American Pie 2 (2001)
51%
4/5
EDIT
“Writer Adam Herz has an uncanny knack of turning even the most predictable scenarios into slices of comedy magic.” –
BBC.com
Sep 24, 2001
Full Review
High Heels and Low Lifes (2001)
20%
2/5
EDIT
“A dull waste of a film, which will have you forgetting scenes, before they've even finished.” –
BBC.com
Jul 16, 2001
Full Review
Ginger Snaps (2000)
90%
3/5
EDIT
“This is not just another monster movie. Ginger Snaps succeeds exactly because it is not 'just' anything.” –
BBC.com
Jun 18, 2001
Full Review
Shrek (2001)
88%
4/5
EDIT
“This fable structure is allied to both a witty cynicism and sense of fun, which pervades the entire movie in equal measure.” –
BBC.com
Jun 18, 2001
Full Review
Hamlet (2000)
59%
2/5
EDIT
“Just not quite daring or spectacular enough.” –
BBC.com
Jun 12, 2001
Full Review
Tigerland (2000)
78%
4/5
EDIT
“Despite his usual ability to spend more time on set design than he does on actors, Schumacher handles the more intimate setting with great skill.” –
BBC.com
May 7, 2001
Full Review
Sweet November (2001)
15%
2/5
EDIT
“” –
BBC.com
May 7, 2001
Full Review
Dogma (1999)
72%
2/5
EDIT
“If this is [Smith's] one 'message' movie, let's hope he has got it off his chest.” –
BBC.com
Apr 24, 2001
Full Review
The Breakfast Club (1985)
87%
5/5
EDIT
“Shot in sequence during 1984, The Breakfast Club became a benchmark for all that followed in the genre.” –
BBC.com
Apr 17, 2001
Full Review
Big (1988)
98%
4/5
EDIT
“This is mainstream Hollywood filmmaking at its best -- packed with intelligence, humour and pathos.” –
BBC.com
Apr 17, 2001
Full Review
Baby Boom (1987)
69%
3/5
EDIT
“As a gentle comedy, this works in spades and while lesser actors may well have relegated it to made-for-telly cheese, Keaton is, of course, loaded with charisma and comic sense.” –
BBC.com
Apr 17, 2001
Full Review
Who Framed Roger Rabbit (1988)
96%
4/5
EDIT
“Visually stunning and creatively superior, Zemeckis's work is frequently staggering and always entertaining.” –
BBC.com
Apr 17, 2001
Full Review
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