Bob Graham
Tomatometer-approved critic
The Goddess (1934)
100%
EDIT
“This exercise in social realism can be slow and requires concentration, but The Goddess provides a first- hand look at a remarkable performance by Ruan.” –
San Francisco Chronicle
Jan 29, 2014
Full Review
The Best Man (1999)
71%
2.5/4
EDIT
“The glossy ensemble cast is consistently interesting.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
Bowfinger (1999)
83%
3/4
EDIT
“Martin the writer plants some wicked barbs in Hollywood's rear end about creative financing of movies and hoarding of profits, the art of the deal, hipper-than-thou attitudes and exploitation.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
The Cider House Rules (1999)
72%
3/4
EDIT
“[It] is a fable that turns into a 1940s New England variation on Charles Dickens. It is also one dickens of an American movie.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
The Mummy (1999)
63%
4/4
EDIT
“It takes a while, but there finally is a signature shot from Karloff's original, of the Mummy's hand reaching up through the desert sand. It's like seeing an old friend.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
Snake Eyes (1998)
42%
1/4
EDIT
“What might have been fascinating after a while becomes frustrating and, finally, a real slog.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
Shanghai Noon (2000)
80%
3/4
EDIT
“This is almost Mel Brooks territory: The frontiersmen think the Chinese are Jews, while the white settlers think it's the Sioux who are. This is equal-opportunity nuttiness, and there's a method to it.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
Rush Hour (1998)
62%
3/4
EDIT
“Rush Hour is a righteous title for an action comedy, and that's only the beginning.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
I Still Know What You Did Last Summer (1998)
10%
1/4
EDIT
“When Bad Things Happen to Stupid People might have been a better title.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
Gods and Monsters (1998)
96%
4/4
EDIT
“” –
San Francisco Chronicle
Jun 18, 2002
Full Review
Arlington Road (1999)
62%
3/4
EDIT
“” –
San Francisco Chronicle
Jun 18, 2002
Full Review
Topsy-Turvy (1999)
90%
4/4
EDIT
“The film is a delight and a surprise, all the more so since Leigh is associated with gritty working-class stories.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
Fight Club (1999)
81%
4/4
EDIT
“Delivers a sucker punch to the audience and then pulls the rug out from under it. It is sensational.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
Trick (1999)
76%
3/4
EDIT
“” –
San Francisco Chronicle
Jun 18, 2002
Full Review
Mystery Men (1999)
59%
4/4
EDIT
“This bunch achieves peaks of sublime nuttiness.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
Big Momma's House (2000)
31%
3/4
EDIT
“” –
San Francisco Chronicle
Jun 18, 2002
Full Review
Cruel Intentions (1999)
54%
2/4
EDIT
“It is maliciously entertaining, up to a point.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
Wild Wild West (1999)
16%
3/4
EDIT
“The ace in the hole in Wild Wild West is Shakespearean Kenneth Branagh as the villain, Loveless.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
The Mod Squad (1999)
3%
2/4
EDIT
“Plays like a 90-minute version of the old television show. That's not necessarily bad.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
Romeo Must Die (2000)
33%
2/4
EDIT
“Straight-ahead action would have been more than sufficient.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
Eyes Wide Shut (1999)
76%
3/4
EDIT
“Well, I'll be damned. A sex movie this summer for grown-ups.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
The Talented Mr. Ripley (1999)
85%
4/4
EDIT
“If anybody can create sympathy for the devil, the angelic Matt Damon can.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
The X-Files (1998)
66%
3/4
EDIT
“David Duchovny and Gillian Anderson are enormously sympathetic heroes.” –
San Francisco Chronicle
Jun 18, 2002
Full Review
The Thomas Crown Affair (1999)
69%
3/4
EDIT
“” –
San Francisco Chronicle
Jun 18, 2002
Full Review
Chop Suey (2001)
70%
EDIT
“Anybody who expects this film to be nothing more than the equivalent of flipping through the advertisements in a slick magazine is in for a surprise.” –
San Francisco Chronicle
Feb 8, 2002
Full Review
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