Shilajit Mitra
Shilajit Mitra's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Great Shamsuddin Family (2025)
EDIT
“Mostly a delight.” –
The Hollywood Reporter India
Dec 16, 2025
Full Review
Kis Kisko Pyaar Karoon 2 (2025)
EDIT
“Works as a skewering of conservative India.” –
The Hollywood Reporter India
Dec 12, 2025
Full Review
Nishaanchi 2 (2025)
EDIT
“Nishaanchi finds the filmmaker at his most bewilderingly vague. It feels loose and inessential, and mostly shoots blanks.” –
The Hollywood Reporter India
Dec 11, 2025
Full Review
Haq (2025)
77%
EDIT
“Well-intentioned but reductive.” –
The Hollywood Reporter India
Nov 11, 2025
Full Review
The Taj Story (2025)
EDIT
“The Taj Story lacks the courage of its convictions.” –
The Hollywood Reporter India
Nov 11, 2025
Full Review
Detective Sherdil (2025)
EDIT
“Though he never breaks the fourth wall, Sherdil talks frequently in voiceover, at times speeding through whole conversations to hand us the gist. The jokey dialogue writing does poorly by his rapid-fire mind.” –
The Hindu
Jul 23, 2025
Full Review
Aankhon Ki Gustaakhiyan (2025)
27%
EDIT
“The film’s obsession with sight-based metaphors and poetic punning becomes... a blind spot.” –
The Hindu
Jul 11, 2025
Full Review
Kaalidhar Laapata (2025)
80%
EDIT
“This passage (featuring younger versions of characters and scored with the generically sweet ‘Haseen Pareshaniyaan’) returns to conventionality a narrative that celebrates the art of letting go.” –
The Hindu
Jul 7, 2025
Full Review
Sitaare Zameen Par (2025)
65%
EDIT
“Every scene or callback is calibrated to yield a lesson, a realisation. An ideal Aamir Khan film can be both entertaining and edifying. But when the balance tilts, it’s just annoying.” –
The Hindu
Jun 23, 2025
Full Review
Stolen (2023)
88%
EDIT
“The film tells you nothing that you don’t already know.” –
The Hindu
Jun 4, 2025
Full Review
Logout (2024)
EDIT
“Logout can be classed as a screenlife thriller—though not entirely. The camera roams more freely and conventionally than in CTRL and LSD 2. The editing, by Atanu Mukherjee, is fluent without being flashy.” –
The Hindu
May 2, 2025
Full Review
The Bhootnii (2025)
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“Writer-director Sidhaant Sachdev mashes all his ideas together into one, undifferentiated pulp...The whole production seems dunked in trippy confetti, like a wedding party that suddenly turned into a rave. ” –
The Hindu
May 1, 2025
Full Review
Ground Zero (2025)
EDIT
“Deoskar’s visual imagination of Kashmir is strictly limited; there are frames here that could have been imported, with a few button clicks, from other films. The dialogue writing is worse...” –
The Hindu
Apr 25, 2025
Full Review
Hisaab Barabar (2024)
EDIT
“A modest, toothless satire, the film boasts sitcom staging and visuals, lacking cinematic bite. ” –
The Hindu
Feb 7, 2025
Full Review
Girls Will Be Girls (2024)
100%
EDIT
“ The screenplay by Talati is subtle and detailed. ” –
The Hindu
Jan 17, 2025
Full Review
The Sabarmati Report (2024)
EDIT
“The minor human moments that Massey can bring alive are sidestepped for high-pitched histrionics. He’s given too many dramatic speeches, but not much heft. ” –
The Hindu
Nov 15, 2024
Full Review
Singham Again (2024)
32%
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“The assembly of stars in the climax is as slapdash and bereft of fresh ideas as the one that capped Sooryavanshi. ” –
The Hindu
Nov 2, 2024
Full Review
Jigra (2024)
71%
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“Despite its competence and moments of poetry, Vasan Bala’s film fails to engage or excite at a visceral level.” –
The Hindu
Oct 15, 2024
Full Review
Love, Sitara (2024)
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“The biggest hitch is the writing, which tacks indiscriminately between English and Hindi (with sprinklings of Malayalam). The family drama feels more arranged than life-like...” –
The Hindu
Oct 1, 2024
Full Review
Sector 36 (2024)
47%
EDIT
“At once vague, violent and exploitative, this Netflix crime thriller based on true events, though impressively shot, inspires no confidence.” –
The Hindu
Sep 17, 2024
Full Review
Stree 2 (2024)
57%
EDIT
“Amar Kaushik's horror-comedy Stree 2 has the texture and whimsy of the 2018 original, but not its subtext or edge. It gets busy propping up a cinematic universe.” –
The Hindu
Aug 15, 2024
Full Review
Ulajh (2024)
33%
EDIT
“Janhvi Kapoor is caught in an inept thriller.” –
The Hindu
Aug 6, 2024
Full Review
Kill (2023)
90%
EDIT
“Nikhil Nagesh Bhat's hack-and-slash action film set on a train is a tremendously gory and enjoyable genre piece.” –
The Hindu
Jul 3, 2024
Full Review
Maharaj (2024)
29%
EDIT
“Junaid Khan’s debut film means well but runs dull.” –
The Hindu
Jun 25, 2024
Full Review
Mr. & Mrs. Mahi (2024)
64%
EDIT
“Despite its initial sweetness and interest in character psychology, Sharan Sharma’s Mr. & Mrs. Mahi is neither a convincing sports film nor an effective relationship drama.” –
The Hindu
Jun 3, 2024
Full Review
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