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Rating Title | Year Author Quote
5/10
The Wizard of the Kremlin (2025) Sean Boelman While there are some glimmers of potential in Assayas’s Putin drama The Wizard of the Kremlin, the film lacks the momentum and sharpness to be anything more than a dull historical drama.
Posted May 13, 2026  Edit critic review
6/10
Driver's Ed (2025) Sean Boelman Within [the Farrelly Brothers'] post-separation filmographies, which have yielded decidedly mixed results, Bobby Farrelly’s third film is a likable, if entirely forgettable, outing.
Posted May 13, 2026  Edit critic review
7/10
The Punisher: One Last Kill (2026) Joshua Ryan Bernthal brings a ferocity to the character that we haven’t seen in earlier adaptations. There’s an animalistic quality that Bernthal has mastered, delivering grunts and roars with each swing of a blood-spattered blade...
Posted May 13, 2026  Edit critic review
7/10
Marty, Life Is Short (2026) M.N. Miller Marty, Life is Short is filled with warmth and heart that leaves a lasting impression.
Posted May 12, 2026  Edit critic review
9/10
Remarkably Bright Creatures (2026) Callie Hanna Remarkably Bright Creatures is a surprisingly seamless blend of somber and cozy.
Posted May 12, 2026  Edit critic review
3/10
Swapped (2026) Callie Hanna Swapped clearly wants to reach the heights of Pixar, Disney, or DreamWorks' best without actually understanding what made those films truly connect with people.
Posted May 12, 2026  Edit critic review
7/10
A Gorilla Story: Told by David Attenborough (2026) Callie Hanna When A Gorilla Story simply allows its subject matter to be without forcefully prescribing character or stakes onto them, it's great.
Posted May 12, 2026  Edit critic review
5/10
Is God Is (2026) Sean Boelman There are certainly things to like about Is God Is — namely excellent performances by Sterling K. Brown and Vivica A. Fox — but the movie as a whole ends up a disappointment.
Posted May 11, 2026  Edit critic review
6/10
Come What May (2026) Alan French While its runs a little too long, Come What May actually digs into what made Ralphie May a compelling comedian. It also shows his demons were real, and they led him to a tragic ending.
Posted May 09, 2026  Edit critic review
9/10
The Python Hunt (2025) Alan French While The Python Hunt might touch on a dozen tropes and almost exoticize the Florida Man tropes for non-Floridian viewers, Robin’s grip on the film keeps things entertaining.
Posted May 09, 2026  Edit critic review
7/10
Affection (2025) Alan French While its not a perfect flick, AFFECTION has the goods as a bloody horror movie and a twisted sci-fi experience.
Posted May 09, 2026  Edit critic review
5/10
Apex (2026) Alan French Despite wanting to be a "turn off your brain and enjoy it" movie, Apex has two performances that feel completely unsupported by the movie around them.
Posted May 09, 2026  Edit critic review
5/10
Deep Water (2026) Alan French Renny Harlin wisely keeps his schlockmeister persona alive by killing off characters in increasing absurd ways (and without remorse), but the overall experience is mixed at best.
Posted May 08, 2026  Edit critic review
7/10
The Sheep Detectives (2026) Alan French The Sheep Detectives is far better than it has any right to be. With an all-star cast, the murder mystery is a charming experience. Cozy, cute, and full of shockingly deep emotions, prepare to have a great time.
Posted May 08, 2026  Edit critic review
8/10
Billie Eilish - Hit Me Hard and Soft: The Tour (Live in 3D) (2026) M.N. Miller James Cameron revolutionizes the genre, making the concert film feel alive and immersive.
Posted May 07, 2026  Edit critic review
7/10
Mortal Kombat II (2026) M.N. Miller Karl Urban is hilarious in Mortal Kombat II, an adaptation that is tonally all over the map, but marks a visceral, bloody, and brutal return to video game glory.
Posted May 06, 2026  Edit critic review
5/10
The Devil Wears Prada 2 (2026) M.N. Miller The original was a sharp satire, but the sequel is the cinematic equivalent of turning haute fashion culture into clearance rack entertainment.
Posted May 01, 2026  Edit critic review
5/10
RZA's One Spoon of Chocolate (2025) Sean Boelman It’s just as trashy, politically incorrect, and melodramatic as those movies from the ‘70s that you might have discovered on VHS. And for what it’s worth, that seems to be the exact vibe that RZA is going for.
Posted Apr 30, 2026  Edit critic review
4/10
Michael (2026) M.N. Miller Michael is a deeply flawed exercise in fan service.
Posted Apr 24, 2026  Edit critic review
7/10
Fuze (2025) M.N. Miller The first thirty minutes or so of Fuze is one of the most nerve-wracking, suspenseful, and, dare I say, smart opening acts of a robbery-heist thriller that I have seen in quite some time.
Posted Apr 23, 2026  Edit critic review
5/10
Orangutan (2026) Sean Boelman Although the cinematography is great as ever and there are enough cute and heartwarming moments to keep this from being a total wash, it’s simply too similar to other nature documentaries we have seen recently.
Posted Apr 22, 2026  Edit critic review
4/10
Lee Cronin's The Mummy (2026) Alan French While there are some genuinely crazy kills and body horror, Lee Cronin's The Mummy is almost forty-five minutes too long and struggles to hold any tension it can build. A slog of a horror film.
Posted Apr 17, 2026  Edit critic review
6/10
Roommates (2026) Alan French Roommates is a charming, if imperfect, college comedy. The absurd nature of the final act really helps sell the overall experience, but clocking in at an hour and forty-five minutes does test the audience.
Posted Apr 17, 2026  Edit critic review
4/10
Lorne (2026) M.N. Miller Lorne is a rare documentary film about a comedy legend where the audience will know less when leaving the movie theater than they did walking in.
Posted Apr 17, 2026  Edit critic review
2/10
Balls Up (2026) M.N. Miller Simply put, Balls Up fails to rise to the occasion and suggests comedy has passed Peter Farrelly by.
Posted Apr 16, 2026  Edit critic review
5/10
Hamlet (2025) Alan French While Riz Ahmed gives an incredible performance, the movie around him does not rise to his level. Frustrating performances from the other members of the cast become obvious.
Posted Apr 14, 2026  Edit critic review
6/10
Thrash (2026) Alan French Is Thrash good? Not always. Is it always fun? Yes. There is plenty of gore, kills, and shark attacks in Netflix's summertime creature feature. Shark movie fans will have a fun time.
Posted Apr 14, 2026  Edit critic review
7/10
Mother Mary (2026) Sean Boelman It’s not an accessible work, nor is it a great entry point to the filmography of David Lowery. However, for those who are already attuned to Lowery’s ways, it’s sure to be an intriguing, if perplexing, watch.
Posted Apr 14, 2026  Edit critic review
6/10
Hunting Matthew Nichols (2024) Sean Boelman It’s competent and well-made, which is a lot more than can be said about a lot of modern horror pictures.
Posted Apr 09, 2026  Edit critic review
8/10
You, Me & Tuscany (2026) Callie Hanna At the end of the day, the most important things for a romantic comedy to nail are the two elements right in the name and You, Me and Tuscany does in fact nail both of those things.
Posted Apr 09, 2026  Edit critic review
7/10
Outcome (2026) M.N. Miller Outcome plays rough and foul, but underneath, it’s a "bubby," warm, tender, and disarmingly human
Posted Apr 09, 2026  Edit critic review
9/10
Exit 8 (2025) Joshua Ryan ... a successfully chilling thriller, an unnerving horror, and a surprisingly heartfelt exploration of life, regret, and self-reflection.
Posted Apr 08, 2026  Edit critic review
3/10
The Yeti (2026) Callie Hanna The Yeti is sadly unable to pull off campy horror or serious horror, and we are all worse off for it.
Posted Apr 06, 2026  Edit critic review
7/10
The Christophers (2025) Sean Boelman Work by Ian McKellen that verges on the storied actor’s best keeps this from feeling like a mass-produced print.
Posted Apr 06, 2026  Edit critic review
5/10
Faces of Death (2026) Joshua Ryan Faces of Death is a passable slasher film that fails to live up to its promised brutality. It suffers from its predecessor’s reputation rather than benefiting from it.
Posted Apr 06, 2026  Edit critic review
5/10
Pretty Lethal (2026) Matt Hambidge The creatively choreographed action is the big winner here. But the characters and story are clunky and mostly uninteresting. It's decidedly a mixed bag that could have been a lot stronger.
Posted Apr 03, 2026  Edit critic review
8/10
Mike & Nick & Nick & Alice (2026) Matt Hambidge Action-packed with plenty of laughs, Mike & Nick & Nick & Alice would kill in a packed theater, so it's a shame it's going straight to streaming. But to that end, it should be one of the stronger streaming offerings in 2026.
Posted Apr 03, 2026  Edit critic review
4/10
War Machine (2026) Callie Hanna War Machine is one of the most agonizingly boring films in recent memories, reveling in its garden-variety elements while failing to take advantage of what little novelty it does possess.
Posted Apr 03, 2026  Edit critic review
7/10
The Super Mario Galaxy Movie (2026) Manuel São Bento Through animation that redefines the studio's standards and a Brian Tyler score that masterfully honors Nintendo's legacy, the film offers a memorable experience anchored by inspired vocal performances.
Posted Mar 31, 2026  Edit critic review
9/10
The Drama (2026) Brandon Lewis The final 40 or so minutes should be several steps too far, and, on paper, it is. Yet, we can’t help but be transfixed by Borgli’s take-no-prisoners audacity.
Posted Mar 31, 2026  Edit critic review
7/10
Our Hero, Balthazar (2025) Sean Boelman It’s incredibly easy to see the vision behind Our Hero, Balthazar, and while it’s not quite focused or tightly wound enough to achieve all of its ambitious swings, it should be praised for even trying to make those swings in the first place.
Posted Mar 27, 2026  Edit critic review
6/10
Fantasy Life (2025) Sean Boelman Thanks to predictably great turns from its star-studded cast, Matthew Shear’s film is charming despite its familiarity, and for a 90-minute movie, you could ask for much worse.
Posted Mar 27, 2026  Edit critic review
8/10
Chili Finger (2026) Alan French A fun Midwest crime comedy, Chili Finger is a love letter to the Coen Brothers. However, the performances from Greer, Cranston, and Astin are reason enough to check this out.
Posted Mar 22, 2026  Edit critic review
7/10
Normal (2025) Sean Boelman While it would have been stronger had there been more excitement in the first half, the back half more than makes up for it with some incredibly propulsive, fun action that will have you laughing and on the edge of your seat.
Posted Mar 22, 2026  Edit critic review
5/10
Sender (2026) Sean Boelman You can tell that there is something special beneath the surface in Sender, as there are enough glimpses of really interesting filmmaking throughout. However, the final product is just too messy and scattered to be fully effective.
Posted Mar 22, 2026  Edit critic review
7/10
Wishful Thinking (2026) Sean Boelman Although it doesn’t fully deliver on the promise of its creative premise, Wishful Thinking is the type of romantic comedy that’s hard not to fall in love with, if only out of the strength of its two lead performances.
Posted Mar 22, 2026  Edit critic review
7/10
The Fox (2026) Sean Boelman Although it isn’t as original as it seems to think it is, The Fox works as a satire because of a wicked sense of dark humor, a stellar cast, and an abundance of style.
Posted Mar 22, 2026  Edit critic review
6/10
Love Language (2026) Sean Boelman If you’re a fan of rom-coms and are looking for something straightforward but charming and well-made, Joey Power’s film delivers an enjoyable, funny, and heartwarming experience.
Posted Mar 22, 2026  Edit critic review
3/10
The Saviors (2026) Sean Boelman That’s not to say that anti-Arab discrimination has gone away, but it feels like we are past needing satires that stop at saying "maybe all Muslims aren’t terrorists," and instead need films to interrogate the systems that got us to that point.
Posted Mar 22, 2026  Edit critic review
7/10
Drag (2026) Alan French There’s a darkness to Drag that lesser films would default to so they could score points with the audience. However, by being true to their vision, they make a far more effective experience.
Posted Mar 21, 2026  Edit critic review
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