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Rating Title | Year Author Quote
1/5
Do Not Enter (2025) George and Josh Bate Do Not Enter? More like Do Not Watch.
Posted Mar 21, 2026  Edit critic review
4/5
The Gates (2026) George and Josh Bate By couching relevant, albeit heavy-handed, racial commentary in a tense and contained thriller, The Gates operates effectively both as a cinematic thrill-ride and thought-provoking endeavor.
Posted Mar 21, 2026  Edit critic review
Edie Arnold Is a Loser (2026) J Hurtado This film feels like what might have happened if Twisted Sister’s “I Wanna Rock” video from 1984 was extended to feature length, and that is exactly my jam.
Posted Mar 20, 2026  Edit critic review
2/5
Vampires of the Velvet Lounge (2026) George and Josh Bate You’ll probably experience a ‘better’ and scarier horror movie navigating dating apps than you will watching this poorly executed fusion of vampires and modern dating.
Posted Mar 20, 2026  Edit critic review
Ready or Not 2: Here I Come (2026) J Hurtado Maybe Ready or Not 2 should’ve stayed in hiding a little bit longer, perhaps until it came up with a way to grab the audience that we hadn’t seen before.
Posted Mar 20, 2026  Edit critic review
Dreams (2025) Rino Lu A visually daring and thematically subversive romantic melodrama.
Posted Mar 19, 2026  Edit critic review
Mam (2026) Peter Martin Charming and irresistible, this is a quintessential NYC movie that captures the buzzy energy vibe of Chinatown. Authentically-grounded, kinetic, and vivid, Mam feels like an early 80s indie success story that comes alive on the big screen.
Posted Mar 19, 2026  Edit critic review
Mike & Nick & Nick & Alice (2026) J Hurtado Takes the best elements and possibilities of the genres its playing in and blends them to create an emotionally fulfilling rollercoaster ride where you might actually shed a tear at the end.
Posted Mar 18, 2026  Edit critic review
They Will Kill You (2026) J Hurtado Equal parts Evil Dead and Itchy & Scratchy, Sokolov’s affection for over-the-top set pieces as well as a knack for creating uniquely memorable visuals is bolstered by a cast empowered to do the absolute most in every situation
Posted Mar 18, 2026  Edit critic review
The Fox (2026) J Hurtado Bless The Fox and all of its playful weirdness, we need more of that in this world, and of course, more Jai Courtney wouldn’t hurt, either.
Posted Mar 18, 2026  Edit critic review
Grind (2026) J Hurtado Poignant, relatable, and gleefully gory, Grind is a middle finger to The Man that we can all get behind.
Posted Mar 18, 2026  Edit critic review
Two Prosecutors (2025) Olga Artemyeva Certain moments almost play out as a situational comedy in Two Prosecutors, which only serves to increase the terror it generally evokes.
Posted Mar 18, 2026  Edit critic review
Over Your Dead Body (2026) J Hurtado Uproariously funny, absolutely brutal in its disregard for the structural integrity of the human body, and lightning paced with jokes and stunts coming fast and furious, Over Your Dead Body is a definite winner for fans of bloodthirsty black comedy.
Posted Mar 18, 2026  Edit critic review
Late Shift (2025) Rino Lu Rather than offering escapism or resolution, Late Shift presents a sober reflection on contemporary labour conditions that mirrors the experience of many workers in high-pressure environments.
Posted Mar 18, 2026  Edit critic review
The Pout-Pout Fish (2026) Peter Martin delightful mainly for those who love Nick Offerman -- I raise my hand ... I can't imagine a better 'message movie' for children and adults alike.
Posted Mar 18, 2026  Edit critic review
Hokum (2026) J Hurtado A gripping story that unrelentingly ramps up the tension while simultaneously delivering some of the year’s best jump scares.
Posted Mar 17, 2026  Edit critic review
Never After Dark (2026) J Hurtado Stunningly realized, fastidiously scripted and executed on every level, and genuinely frightening, Never After Dark is a beautiful nightmare from which I never wanted to wake up.
Posted Mar 17, 2026  Edit critic review
Imposters (2026) J Hurtado Every time you think you know exactly where Imposters is going, it defiantly defies expectation, zigging where you think it’s going to zag
Posted Mar 17, 2026  Edit critic review
Their Town (2026) Peter Martin In her feature acting debut, Ora Duplass is extraordinary. ... The film feels like an ocean of emotion, from buoyant stirrings of romance to the heights of family drama and the depths of depression. Told truthfully, Their Town is a quiet revelation.
Posted Mar 17, 2026  Edit critic review
Summer 2000: The X-Cetra Story (2026) Peter Martin Happily for Ayden, Jessica, Janet and Mary, their friendship sparks again instantly, which is just one of the reasons why Summer 2000: The X-Cetra Story is a tremendous blast to watch and experience, even if you're not, somehow, a fan of their music.
Posted Mar 17, 2026  Edit critic review
Dead Lover (2025) Mel Valentin Both singular in vision and singular in execution, filmmaker Grace Glowicki’s fantastic horror-comedy, Dead Lover, must be seen to be disbelieved. It must be seen to be believed too. ... One of the oddest, strangest, weirdest films in recent memory.
Posted Mar 16, 2026  Edit critic review
The Ascent (2025) Peter Martin Yet, she persisted. ... All these elements coalesce into a riveting experience that stretches beyond the boundaries of a routine disabled / mountain climbing / true-crime documentary.
Posted Mar 15, 2026  Edit critic review
A Child of My Own (2026) Daniel Eagan Director Maite Alberdi mixes fact and fiction to reach insights that go beyond the limits of the true crime genre.
Posted Mar 13, 2026  Edit critic review
4/5
Slanted (2025) Peter Martin Simultaneously a wild genre ride, a remarkably astute character study, and a provocative commentary on racial relations in These United States, Slanted is all of those things and more, placed into an entertaining and thoughtfully-packed container.
Posted Mar 12, 2026  Edit critic review
Chimney Town: Frozen in Time (2026) Martin Kudlac Maintains a steady narrative pace and benefits from moments of humor amidst adventures.
Posted Mar 10, 2026  Edit critic review
3/5
Bodycam (2025) George and Josh Bate Watch Bodycam if you want to experience the craziest and most terrifying episode of Cops you’ve ever seen.
Posted Mar 10, 2026  Edit critic review
We Are All Strangers (2026) Daniel Eagan Throughout its almost three-hour run time, We Are All Strangers operates on a level few filmmakers can achieve.
Posted Mar 06, 2026  Edit critic review
THE BRIDE! (2026) Olga Artemyeva It comes off as the film that knows it is not universally likable and wants to make sure you also know it is absolutely okay with that.
Posted Mar 05, 2026  Edit critic review
4.5/5
A Better Tomorrow (1986) Peter Martin Thrilling and entirely mesmerizing. ... I felt every emotion deeper than I ever did before, probably because of my own life experiences over the past 25 years. Every bullet shot and every body ripped apart, felt more painful.
Posted Mar 04, 2026  Edit critic review
André Is an Idiot (2025) Mel Valentin Tony Benna’s standout contribution ... a richly imagined, deeply affecting, often hilarious journey through the eyes, ears, and body of ... a successful advertising executive diagnosed with stage-four colon cancer.
Posted Mar 04, 2026  Edit critic review
RoboCop (1987) Charles Webb Robocop still stands as one of the great action films that still works as a brilliant piece of satire, thanks to the script by Edward Neumeier and Michael Miner.
Posted Mar 04, 2026  Edit critic review
RoboCop 2 (1990) Charles Webb Grim, ugly, and mean, you can see the seams in this movie that attempts to work as the same kind of dark satire of the first film, but plays too heavily on the laughs.
Posted Mar 04, 2026  Edit critic review
RoboCop 3 (1993) Charles Webb The film often feels cramped and small in terms of execution, with some truly sad effects work--I'm looking at you, flying Robocop--on display.
Posted Mar 04, 2026  Edit critic review
Nina Roza (2026) Martin Kudlac While the film occasionally simplifies the opposition between rootedness and mobility, it frames Mihail’s trajectory as an examination of self perception rather than redemption.
Posted Mar 03, 2026  Edit critic review
3/5
The Ugly (2024) George and Josh Bate Yeon Sang-ho crafts an intimate, emotionally charged, and eventually gut-wrenching film.
Posted Mar 03, 2026  Edit critic review
3/5
Heel (The Good Boy) (2025) George and Josh Bate Having a dislikable protagonist is always a risky call for filmmakers, but it pays off in abundance in Heel due to the complexity and nuance of its rich character work.
Posted Mar 02, 2026  Edit critic review
Micro Budget (2024) Ernesto Zelaya Miñano The cutoff's very simple when it comes to comedies: is it funny? And on that count, Micro Budget succeeds, going for cringe humor that's obviously inspired by The Office. ... A pretty hilarious takedown of current moviemaking.
Posted Mar 02, 2026  Edit critic review
On a String (2025) Daniel Eagan Isabel Hagen, a genuinely talented filmmaker, fills the story with generous helpings of music, most of it played live by skilled performers.
Posted Mar 02, 2026  Edit critic review
Scream 7 (2026) Olga Artemyeva Scream 7 likes to pretend that it exists in a vacuum. ... The only thing that matters, apparently, is that the director is really fond of the one he wrote 30 years ago.
Posted Feb 27, 2026  Edit critic review
Ghost Elephants (2025) Kurt Halfyard The journey here leans into the pragmatic elements, and takes a rather good-natured humour in the fortune and misfortune of expedition, where science is often not an exact science.
Posted Feb 26, 2026  Edit critic review
8.5/10
Peleliu: Guernica of Paradise (2025) Ard Vijn Peleliu: Guernica of Paradise tells its story with respect for the people who lived through it. It is one of those rare movies that shows how traumatized its main characters become without traumatizing the viewers.
Posted Feb 24, 2026  Edit critic review
Yellow Letters (2026) Rino Lu Namal and Biçer form a compelling duo, conveying the intensity of their relationship both as spouses and as artistic collaborators when conflicts erupt.
Posted Feb 23, 2026  Edit critic review
This Is Not a Test (2025) Olga Artemyeva So, in the end, what we are left with is yet another serious question. Should we give zombies a rest for a bit, at least until we come up with something to say worth resurrecting them for?
Posted Feb 20, 2026  Edit critic review
3/5
The Dreadful (2026) George and Josh Bate Come for Gothic horror and the Game of Thrones reunion, stay for the Marcia Gay Harden show and an ample dose of psychological thrills.
Posted Feb 17, 2026  Edit critic review
Tu Yaa Main (2026) J Hurtado Tu Yaa Main works as much as a romantic drama as it does a survival horror, and it excels in both areas.
Posted Feb 16, 2026  Edit critic review
Rock Springs (2026) Martin Tsai The film's ambitions -- historical reckoning, diasporic meditation, ghost story -- remain partially disentangled from one another.
Posted Feb 16, 2026  Edit critic review
An Evening Song (2023) Kyle Logan More than a drama about a beguiling outsider shaking up a marriage, An Evening Song (for three voices) is a film about stories, written, passed down, and dreamed, and their power to structure and change the ways people live their lives.
Posted Feb 13, 2026  Edit critic review
1489 (2023) Kyle Logan Phenomenal...Vardanyan shows the horror of sitting in uncertainty...These moments make the film unmissable, the moments that show the human beings behind all the numbers.
Posted Feb 13, 2026  Edit critic review
The Echo (2023) Kyle Logan Play[s] out like a narrative film. So much so that viewers may need to remind themselves that despite the astonishing visual and aural experience, what they see is real.
Posted Feb 13, 2026  Edit critic review
4/5
By Design (2025) Kyle Logan A truly magical piece of filmmaking, a visually stunning movie made for anyone who has ever collapsed in on themselves because of others.
Posted Feb 12, 2026  Edit critic review
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