Rotten Tomatoes
Cancel Movies Tv shows RT App News Showtimes
Critics list

Tony Hinds

Tony Hinds's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Cielo (2017) 80% C EDIT “Individual images are truly a sight to behold, but the film never comes together to form anything cohesive in the end, beyond an eye-popping look at the Chilean night sky.” – The Film Stage Aug 15, 2018 Full Review Hitler's Hollywood (2017) 90% C- EDIT “Suchsland's verbose essay film never successfully surpasses the realm of mere academic curiosity.” – The Film Stage Apr 12, 2018 Full Review 78/52 (2017) 88% B- EDIT “78/52 is at its best when the shower is running and we're engaged with the making of this notorious murder scene.” – The Film Stage Oct 18, 2017 Full Review The Force (2017) 87% B+ EDIT “The Force examines one of the most talked about issues in America from an ideal vantage point, revealing disheartening complexities with an intriguing momentum.” – The Film Stage Jun 15, 2017 Full Review The Apology (2016) 100% B- EDIT “Alternately enraging and sorrowful, Hsiung's film sheds much needed light on a powerful and deeply important story of injustice.” – The Film Stage Jun 8, 2017 Full Review Killing Ground (2016) 73% C+ EDIT “It's sub-Eli Roth.” – The Film Stage Jan 25, 2017 Full Review Peter and the Farm (2016) 100% C+ EDIT “Dunning is a documentarian's wet dream, as honest and forthcoming as he is eagerly collaborative, which makes for a wildly entertaining, if occasionally self-indulgent experience.” – The Film Stage Nov 3, 2016 Full Review By Sidney Lumet (2015) 83% B+ EDIT “It's an enthralling film, very much worthy of its skillful subject.” – The Film Stage Oct 27, 2016 Full Review I Called Him Morgan (2016) 96% B EDIT “I Called Him Morgan hooks you from the first moments and glides effortlessly toward an emotionally impacting and enigmatic conclusion.” – The Film Stage Sep 12, 2016 Full Review Kickboxer: Vengeance (2016) 41% D- EDIT “There's unquestionably an audience here, but it even lacks the so-bad-it's-good quality found in those fun '80s guilty pleasures, leaving us bored to tears.” – The Film Stage Aug 24, 2016 Full Review Five Nights in Maine (2015) 26% C- EDIT “The film's reluctance to sully its hands in schmaltzy Nicolas Sparks-esque digressions leaves us with a threadbare and anticlimactic narrative.” – The Film Stage Aug 3, 2016 Full Review Miss Sharon Jones! (2015) 91% B+ EDIT “A poignantly uplifting triumph, Miss Sharon Jones! is a deeply moving and often tearful victory lap after a life-altering struggle.” – The Film Stage Jul 28, 2016 Full Review Sisters (1973) 86% EDIT “A perfectly orchestrated exercise in style, a staging of some of the finest suspense sequences since Alfred Hitchcock was above ground.” – The Film Stage Jul 20, 2016 Full Review The Girl in the Photographs (2015) 17% D+ EDIT “In a sense, it's a horror picture for the selfie generation - fitting, as the narrative is utterly vapid and shallow.” – The Film Stage Mar 31, 2016 Full Review The Confirmation (2016) 91% B- EDIT “Bob Nelson's screenwriting voice is unpretentious, approaching earnestly grounded characters with a deliberate lack of sentimentality.” – The Film Stage Mar 15, 2016 Full Review Hyena Road (2015) 57% C EDIT “The explosions are so wonderfully photographed; if only we actually cared about the characters exploding.” – The Film Stage Mar 9, 2016 Full Review Anesthesia (2015) 27% D+ EDIT “A puzzling and uneven tonal mess.” – The Film Stage Feb 24, 2016 Full Review
No Reviews Yet
Load More