Good Reviews

  • Sep 25, 2018

    "Good"? more like terrible. is this a bad TV movie? whats the singing all about? man this was so dull..

    "Good"? more like terrible. is this a bad TV movie? whats the singing all about? man this was so dull..

  • Jan 27, 2017

    Surprised by the poor ratings because I thought it was a decent portrayal of the conflicts Nazism created for many ambitious Germans. Wasn't overly long and though Mortensen is the only top performance, the rest of the acting isn't too shabby.

    Surprised by the poor ratings because I thought it was a decent portrayal of the conflicts Nazism created for many ambitious Germans. Wasn't overly long and though Mortensen is the only top performance, the rest of the acting isn't too shabby.

  • Jun 01, 2016

    I read the play and loved it. Then I saw a ridiculously on-the-nose stage production. Ugh. This movie was better than that particular stage production, but that's not saying a lot. Mortensen did a decent job, but the problem is that the play gets a lot of its power from being minimalist - bare stage and all that. This movie is anything but minimalist, and suffers for it.

    I read the play and loved it. Then I saw a ridiculously on-the-nose stage production. Ugh. This movie was better than that particular stage production, but that's not saying a lot. Mortensen did a decent job, but the problem is that the play gets a lot of its power from being minimalist - bare stage and all that. This movie is anything but minimalist, and suffers for it.

  • Jan 21, 2016

    Worthy examination of subtle moral decline by way of compromise with evil.

    Worthy examination of subtle moral decline by way of compromise with evil.

  • Dec 21, 2015

    Good er filmatiseret teater, og det alene er nok til at få mig til at begynde at gabe på forhånd. Vi har set historien om den gode tysker, der ender som SS-mand før (i bl.a. Holocaust), og selvfølgelig kan den ikke fortælles for tit. Men alt virker uoplagt og lunkent her, formentlig fordi man har holdt sig for tæt til den oprindelige dialog og glemt, at det var film, man lavede.

    Good er filmatiseret teater, og det alene er nok til at få mig til at begynde at gabe på forhånd. Vi har set historien om den gode tysker, der ender som SS-mand før (i bl.a. Holocaust), og selvfølgelig kan den ikke fortælles for tit. Men alt virker uoplagt og lunkent her, formentlig fordi man har holdt sig for tæt til den oprindelige dialog og glemt, at det var film, man lavede.

  • Sep 27, 2014

    amazingly underrated movie. this movies to me was a piece of art. story, cinematography, acting. not to mention the music.

    amazingly underrated movie. this movies to me was a piece of art. story, cinematography, acting. not to mention the music.

  • Aug 21, 2014

    Amazing as its cast is, ´Good´ doesn´t quite make the jump from stage to screen, mainly due to bloated dialogue that often tells, rather than shows, the supposed effects of the protagonist´s controversial book.

    Amazing as its cast is, ´Good´ doesn´t quite make the jump from stage to screen, mainly due to bloated dialogue that often tells, rather than shows, the supposed effects of the protagonist´s controversial book.

  • Nov 28, 2013

    The intentions of the movie are certainly good (pun intended), but it lacks the dramatic impact, and unconvincing performances make matters even worse.

    The intentions of the movie are certainly good (pun intended), but it lacks the dramatic impact, and unconvincing performances make matters even worse.

  • Avatar
    Gimly M Super Reviewer
    Nov 25, 2013

    Lots of people in this world will shy away from Nazis in any way, shape or form. I however have no qualms about taboo. I'll be sensitive to people who might be offended by the topic, but I'm also okay with admitting to people that I think the SS had style, or stating things like the fact the the Nazi elite refused to build a nuclear weapon because they considered the devastation it would bring to be too "evil", and the US were very happy to go ahead with it. So taking as unbiased a view as I can, I'll be reviewing the few Nazi-themed films I've got, starting with Good. The film is the tale of middle-aged academic, John Halder (Viggo Mortensen; The Road, A History of Violence, the The Lord of the Rings trilogy, 1998's Psycho, The Prophecy, Leatherace: Texas Chainsaw Massacre III) whom is swept up in the overwhelming changes going on in Germany during the late 1930's. I say "swept up" in as un-cliched a manner as I can. It really is the best way I can think to describe the goings on. Halder lives two lives, the first, is the life he begins with, and the life that he thinks he deserves. In this life, he is a professor with no prospects of improving his career, his neurotic wife expects him to do everything, including taking care of their squabbling and inattentive children, and Halder's mother, a decrepit, sickly and senile old woman, who dedicates what's left of her life to making Halder feel miserable. His father in low is a prominent member of the NSDAP who walks all over Halder at every possible opportunity. He then begins for himself a second life, he absconds with one of his young Aryan students to a flat in the city, after writing a novel which captures the attention of the Nazi elite, who are determined to have him become an honorary member of the party, with or without his approval. Being in the SS allows Halder to become the head of his department at the University, he is given a brilliant house and a great paycheck, he can afford to move his domineering mother out to the country and hire her a full time maid, his children are only around on weekends, and they're ever so proud. There's just this teeeeeny tiny problem. His one and only friend is Jewish. Yeah... So that's awkward. I think what I like most about Good is that it's not about how every German during the WWII era was inherently evil. There were a lot of people there who did a lot of fucked up things, but they're all still human, making a generalisation that at the time all Germans were scum interested in nothing but their own personal gain because some of them saw all non-Germans as scum and they were interested in nothing but their own personal gain, is... Well I'm sure you get the picture. Halder never once defends his actions, although, that's rather an interesting point. When his Jewish friend finds out he's been promoted, he automatically assumes that Halder joined the NSDAP, and rather than explain he's been made an honorary member of the SS against his will, and never actually signed up, he just tells his friend that if he cares so much he could always leave Germany. This brings me to my problems with Good. The above being the first of them. I also find int bizarre that films like Good and Valkyrie as well as many others, choose to use British actors as their German Third Reich. I get that many Germans are adversed to acting in films about WWII, plus there's the whole language barrier thing, but when you've decided your Germans aren't going to speak German, why deem it necessary they speak the Queen's English? I mean, they were enemies in the war after all! You could give them any bloody accent you pleased! Also on the first watch through, this constant jumping back and forth through time that Good goes through can become all rather confusing. Such is life when making a movie based on a stage-play, these sorts of things often do get lost in translation. And I did find that on my second viewing it was all rather easy to follow. Also the whole internal conflict of Halder, what with the music, and... oh, I shan't go on, mustn't ruin these sorts of things. Suffice to say it's all a bit odd. I would never go so far as to call the film light hearted, but there are certain moments of what you might call humour. Intentional or not I can't decide, but when the rank and file soldiers stand about like those British guards with the funny hats, all not reacting and stuff, kinda funny. Oh! And the best bit, Mark Strong has a supporting role (Mark Strong's fucking awesome by the way, I was very pleased to see him in this, he plays, in uh, Robin Hood, Kick-Ass, Sherlock Holmes, RocknRolla, Sunshine and mother fucking Revolver! Which is quite the repertoire) where he asks Halder to work for the Nazis to make "The case for an enlightened approach to mercy death on the grounds of humanity", which is just fucking hilarious to here come from the mouth of the Reichchancellory. Speaking of supporting roles, there's another by Steven Mackintosh (from Underworld: Evolutions, Underworld: Rise of the Lycans, The Aryan Couple,The Bill and Lock, Stock & Two Smoking Barrels) as a Sturmbannführer, and he's always cool, so that went a ways to helping the film along, in my opinion. Finally, there's this continuous shot through the a "Death Camp" (I use the term loosely) that goes on for ages which is very reminiscent of that scene from Children of Men. People who've watched it will get what I mean. It's kind of a big deal, and it's all very fucking impressive. All in all Good is exactly that. Not fantastic, not ground-breaking, it didn't change my life, it's not gonna hit my first rating above 9, it's just good. (Sorry for the lack of puns, I know there's a wealth of them for this film. Oh! And a little side-note, the tagline is "Anything that makes people happy can't be bad can it?"... How quaint). 78% -Gimly

    Lots of people in this world will shy away from Nazis in any way, shape or form. I however have no qualms about taboo. I'll be sensitive to people who might be offended by the topic, but I'm also okay with admitting to people that I think the SS had style, or stating things like the fact the the Nazi elite refused to build a nuclear weapon because they considered the devastation it would bring to be too "evil", and the US were very happy to go ahead with it. So taking as unbiased a view as I can, I'll be reviewing the few Nazi-themed films I've got, starting with Good. The film is the tale of middle-aged academic, John Halder (Viggo Mortensen; The Road, A History of Violence, the The Lord of the Rings trilogy, 1998's Psycho, The Prophecy, Leatherace: Texas Chainsaw Massacre III) whom is swept up in the overwhelming changes going on in Germany during the late 1930's. I say "swept up" in as un-cliched a manner as I can. It really is the best way I can think to describe the goings on. Halder lives two lives, the first, is the life he begins with, and the life that he thinks he deserves. In this life, he is a professor with no prospects of improving his career, his neurotic wife expects him to do everything, including taking care of their squabbling and inattentive children, and Halder's mother, a decrepit, sickly and senile old woman, who dedicates what's left of her life to making Halder feel miserable. His father in low is a prominent member of the NSDAP who walks all over Halder at every possible opportunity. He then begins for himself a second life, he absconds with one of his young Aryan students to a flat in the city, after writing a novel which captures the attention of the Nazi elite, who are determined to have him become an honorary member of the party, with or without his approval. Being in the SS allows Halder to become the head of his department at the University, he is given a brilliant house and a great paycheck, he can afford to move his domineering mother out to the country and hire her a full time maid, his children are only around on weekends, and they're ever so proud. There's just this teeeeeny tiny problem. His one and only friend is Jewish. Yeah... So that's awkward. I think what I like most about Good is that it's not about how every German during the WWII era was inherently evil. There were a lot of people there who did a lot of fucked up things, but they're all still human, making a generalisation that at the time all Germans were scum interested in nothing but their own personal gain because some of them saw all non-Germans as scum and they were interested in nothing but their own personal gain, is... Well I'm sure you get the picture. Halder never once defends his actions, although, that's rather an interesting point. When his Jewish friend finds out he's been promoted, he automatically assumes that Halder joined the NSDAP, and rather than explain he's been made an honorary member of the SS against his will, and never actually signed up, he just tells his friend that if he cares so much he could always leave Germany. This brings me to my problems with Good. The above being the first of them. I also find int bizarre that films like Good and Valkyrie as well as many others, choose to use British actors as their German Third Reich. I get that many Germans are adversed to acting in films about WWII, plus there's the whole language barrier thing, but when you've decided your Germans aren't going to speak German, why deem it necessary they speak the Queen's English? I mean, they were enemies in the war after all! You could give them any bloody accent you pleased! Also on the first watch through, this constant jumping back and forth through time that Good goes through can become all rather confusing. Such is life when making a movie based on a stage-play, these sorts of things often do get lost in translation. And I did find that on my second viewing it was all rather easy to follow. Also the whole internal conflict of Halder, what with the music, and... oh, I shan't go on, mustn't ruin these sorts of things. Suffice to say it's all a bit odd. I would never go so far as to call the film light hearted, but there are certain moments of what you might call humour. Intentional or not I can't decide, but when the rank and file soldiers stand about like those British guards with the funny hats, all not reacting and stuff, kinda funny. Oh! And the best bit, Mark Strong has a supporting role (Mark Strong's fucking awesome by the way, I was very pleased to see him in this, he plays, in uh, Robin Hood, Kick-Ass, Sherlock Holmes, RocknRolla, Sunshine and mother fucking Revolver! Which is quite the repertoire) where he asks Halder to work for the Nazis to make "The case for an enlightened approach to mercy death on the grounds of humanity", which is just fucking hilarious to here come from the mouth of the Reichchancellory. Speaking of supporting roles, there's another by Steven Mackintosh (from Underworld: Evolutions, Underworld: Rise of the Lycans, The Aryan Couple,The Bill and Lock, Stock & Two Smoking Barrels) as a Sturmbannführer, and he's always cool, so that went a ways to helping the film along, in my opinion. Finally, there's this continuous shot through the a "Death Camp" (I use the term loosely) that goes on for ages which is very reminiscent of that scene from Children of Men. People who've watched it will get what I mean. It's kind of a big deal, and it's all very fucking impressive. All in all Good is exactly that. Not fantastic, not ground-breaking, it didn't change my life, it's not gonna hit my first rating above 9, it's just good. (Sorry for the lack of puns, I know there's a wealth of them for this film. Oh! And a little side-note, the tagline is "Anything that makes people happy can't be bad can it?"... How quaint). 78% -Gimly

  • Jeffrey M Super Reviewer
    Sep 07, 2013

    Good is yet another example of a stage-play that has a lot of interesting ideas, and ambitious themes, yet lacks the appropriate transition to film. Taking place in Nazi Germany, the film looks at a professor and his growing relationship with the regime, and the disenchantment that follows. That the film features good performances is not in contention, with Viggo Mortensen having one of his better roles as of late, possessing the affable, yet reserved, charm that enables him to excel as a torn intellectual. The surrounding performances are also strong, especially form Jason Isaacs. The problem comes with the script, it's simply not cinematic. Having lofty themes and commentary is laudable, but it must accompany a narrative that's compelling in order to constitute a film. Good has one, but only in a limited sense. The scope is too confined for a film, or at least one that requires more breathing room than what it received here. The characters are well played, yet characterized thinly, with the exception of Mortensen. We don't see enough of the inner-dynamics to truly care about them. Once more, the film is too predictable and one-note, seeming to ignore the more interesting aspects of the story. It treats its protagonist as naive, yet his actions seem nothing but self-serving. Had he be painted as more of an anti-hero, it would have been far more interesting. As it stands, Good is all too predictable and one-note, trying too hard to pull on our heartstrings, and not giving us enough to stay engaged. That, above all, is Good's greatest failing, too often coming across as boring. An unfortunate misfire. 2.5/5 Stars

    Good is yet another example of a stage-play that has a lot of interesting ideas, and ambitious themes, yet lacks the appropriate transition to film. Taking place in Nazi Germany, the film looks at a professor and his growing relationship with the regime, and the disenchantment that follows. That the film features good performances is not in contention, with Viggo Mortensen having one of his better roles as of late, possessing the affable, yet reserved, charm that enables him to excel as a torn intellectual. The surrounding performances are also strong, especially form Jason Isaacs. The problem comes with the script, it's simply not cinematic. Having lofty themes and commentary is laudable, but it must accompany a narrative that's compelling in order to constitute a film. Good has one, but only in a limited sense. The scope is too confined for a film, or at least one that requires more breathing room than what it received here. The characters are well played, yet characterized thinly, with the exception of Mortensen. We don't see enough of the inner-dynamics to truly care about them. Once more, the film is too predictable and one-note, seeming to ignore the more interesting aspects of the story. It treats its protagonist as naive, yet his actions seem nothing but self-serving. Had he be painted as more of an anti-hero, it would have been far more interesting. As it stands, Good is all too predictable and one-note, trying too hard to pull on our heartstrings, and not giving us enough to stay engaged. That, above all, is Good's greatest failing, too often coming across as boring. An unfortunate misfire. 2.5/5 Stars