Mary Poppins Returns
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All Critics (14)
| Top Critics (3)
| Fresh (11)
| Rotten (3)
| DVD (2)
Ivanhoe is a great romantic adventure, mounted extravagantly, crammed with action, and emerges as a spectacular feast.
The dialogue and script are fatuously Americanised from Scott's original, but these chivalric Hollywood sagas still have a strange poetic quality about them.
As Ivanhoe, Robert Taylor does a good, sturdy, manly job and George Sanders is intriguingly fluid as the emotionally torn De Bois-Guilbert.
Luxe MGM historical ransacking, locationed to the nines, beautiful to look upon, but with energy lapses in the soggy script of Sir Walter Scott's epic classic.
By standrads of the 1950s, this is a passably entertaining period adventure, representing Hollywood's effort to fight the competition from the new and threatening medium of TV.
While Joan Fontaine was one of MGM's marquee beauties, she must have rued the day that Ivanhoe's other damsel went to Elizabeth Taylor, who steals Fontaine's thunder with her eyes alone.
It's an entertaining medieval costume epic that presents an inaccurate version of literature and history.
In a way the next best thing to the real Arthurian classic that Hollywood never made, with the added plus of Robin Hood and his Merry Men (if only Warrender weren't so stiff).
In this ostensibly epic tale of knights and maidens, chivalry and swordfights, there is not a single actor who does not appear surpassingly bored
I could do while watching it was giggle.
Richard the Lionhearted had yet to return from the debacle that was the 3rd Crusade and the Norman peoples in England are not being nice to the "we were here first, praise Jesus!" Saxon crowd in the meantime. Robin of Locksley and his boys are busy holding barbecues in the woods, so what's a country to do? Enter (in Technicolor) the wooden Robert Taylor, the only Saxon Knight with the heuvos rancheroes to take on the filthy, inbred, child molestin', yada-yada Norman scum. George Sanders capably fills his bad guy suit of armor, and Ms. Taylor, more radiant than when she played Cleopatra years later, is the woman between them. The siege at the castle is pretty cool.
Not perfect but better than the 1982 version.
The MGM Ivanhoe is a good example of the medival swashbucker. Sure, it's not without shortcomings--Athelstane and Ulrica do not appear and Rebecca is tried by Prince John instead of Lucas Beaumanoir--but it's a well-paced movie that hits the highlights of the novel and features far better production values than the 1982 remake.
Elizabeth Taylor looks gorgeous and plays Rebecca with a strong sense of love, courage and friendship. Joan Fontaine is lovely as Rowena (Lysette Anthony is the merest painted doll in comparision) and you don't wonder why Ivanhoe fell in love with her. Robert Taylor was a decent competent actor but never brilliant. (Why Richard Thorpe would cast an American in a sea of British actors is beyond me.) However, he does well in the battle sequences and proves a good masculine contrast to the effeminante-looking Anthony Andrews. Finlay Currie is grand as Lord Cedric, Emlyn Williams is a whimsical Wamba and Guy Rolfe is a truly nasty and crafty Prince John.
Not the best adaption of Sir Walter Scott's classic but still a very darn good one!
I wouldn't call this one of the best swashbuckling adventures, as flixster does. It has it's moments, but it isn't too exciting. It's just okay.
Robert Taylor stars in this tale of chivalry from the times of yore based on Sir Walter Scott's classic novel. The production design is variable and fight sequences a little unconvincing, but the source material provides an unusually strong story an...(read more)d well-written characters featuring a nice message of racial and religious co-operation and tolerance. George Sanders makes a three dimensional and not entirely unsympathetic villain, and Taylor has both Joan Fontaine AND the radiant Elizabeth Taylor vying for his affections. The lucky dog. A superior good old fashioned swashbuckler.
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