Shirley
Da 5 Bloods
On the Record
I May Destroy You
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All Critics (20) | Top Critics (5) | Fresh (20)
Does the industry a marked service. Without missing its comedies or its fascinations of whitewashing its follies and its heartbreaks it contrives to give an essentially authentic and a wholesome portrait. October 10, 2018 | Full Review…
Does the industry a marked service. Without missing its comedies or its fascinations of whitewashing its follies and its heartbreaks it contrives to give an essentially authentic and a wholesome portrait.
THR Staff
this 1937 William Wellman-David O. Selznick production (itself a partial remake of Cukor's 1932 What Price Hollywood?) is extremely watchable, not least because of the Technicolor portrait it paints of art deco Hollywood. October 3, 2018 | Full Review…
this 1937 William Wellman-David O. Selznick production (itself a partial remake of Cukor's 1932 What Price Hollywood?) is extremely watchable, not least because of the Technicolor portrait it paints of art deco Hollywood.
Dave Kehr
The highly commendable results are achieved with a minimum of satiric hokum and a maximum of honest story telling. August 28, 2008 | Full Review…
The highly commendable results are achieved with a minimum of satiric hokum and a maximum of honest story telling.
Variety Staff
Wellman's non-musical version, though starting more sentimentally with Gaynor as a wide-eyed innocent dreaming every girl's dream of stardom... develops a much more caustic edge, maintaining a bitterly critical distance from the dream factory. February 9, 2006 | Full Review…
Wellman's non-musical version, though starting more sentimentally with Gaynor as a wide-eyed innocent dreaming every girl's dream of stardom... develops a much more caustic edge, maintaining a bitterly critical distance from the dream factory.
Tom Milne
Good entertainment by any standards, including the artistic, and convincing proof that Hollywood need not travel to Ruritania for its plots; there is drama aplenty in its own backyard. May 20, 2003 | Full Review…
Good entertainment by any standards, including the artistic, and convincing proof that Hollywood need not travel to Ruritania for its plots; there is drama aplenty in its own backyard.
Frank S. Nugent
One of the most humanly revealing pictures of the movie colony that the screen has ever produced. August 7, 2019 | Full Review…
One of the most humanly revealing pictures of the movie colony that the screen has ever produced.
Ann Ross
Golden Age studio filmmaking at its best. August 6, 2019 | Rating: 4/4 | Full Review…
Golden Age studio filmmaking at its best.
Matthew Lucas
A Star Is Born is a swooning lyrical triumph, one of those rare instances in which Hollywood reflexivity pays off. February 18, 2019 | Full Review…
A Star Is Born is a swooning lyrical triumph, one of those rare instances in which Hollywood reflexivity pays off.
Asher Luberto
Although Gaynor's performance isn't as dramatically strong as Garland's, they are both classic versions of the same story. They each have plenty to recommend about them and it's hard to say which is the better version. October 3, 2018 | Rating: 4/4 | Full Review…
Although Gaynor's performance isn't as dramatically strong as Garland's, they are both classic versions of the same story. They each have plenty to recommend about them and it's hard to say which is the better version.
Scott Nash
Gaynor and March are superb and Hollywood itself is well depicted in early three-strip Technicolor. October 3, 2018 | Rating: 4/5 | Full Review…
Gaynor and March are superb and Hollywood itself is well depicted in early three-strip Technicolor.
Tony Sloman
Starring Janet Gaynor and Frederic March in Oscar-nominated roles, this first version of the famous Hollywood story was directed by William Wellman; it was remade in 1954 with Judy Garland, and in 1976 with Barbra Streisand. January 23, 2011 | Rating: B+ | Full Review…
Starring Janet Gaynor and Frederic March in Oscar-nominated roles, this first version of the famous Hollywood story was directed by William Wellman; it was remade in 1954 with Judy Garland, and in 1976 with Barbra Streisand.
Emanuel Levy
Quote not available. February 1, 2006 | Rating: 3/5
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Lori Hoffman
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