20 Feet From Stardom Reviews

  • Feb 27, 2019

    Lisa, Darlene and Merry were stars- shooting stars.

    Lisa, Darlene and Merry were stars- shooting stars.

  • Jan 04, 2019

    It's AWARD-WINNINGly, EYE-OPENINGly, PEARL-CLUTCHINGly good. I'm typically a true-crime kinda gal, but 20 Feet From Stardom, directed by Morgan Neville, combines my love for music and social history, classic rock, and somber feels. It follows the lives of a handful of black female backup singers, whose careers spanned from the 60s to now, and the film impeccably expands the world of classic rock as we know it to shed a light on who really deserves the credit for shaping today's music. Read full review: jane-han.com/filmblog/2018/5/23/film-review-20-feet-from-stardom-2013

    It's AWARD-WINNINGly, EYE-OPENINGly, PEARL-CLUTCHINGly good. I'm typically a true-crime kinda gal, but 20 Feet From Stardom, directed by Morgan Neville, combines my love for music and social history, classic rock, and somber feels. It follows the lives of a handful of black female backup singers, whose careers spanned from the 60s to now, and the film impeccably expands the world of classic rock as we know it to shed a light on who really deserves the credit for shaping today's music. Read full review: jane-han.com/filmblog/2018/5/23/film-review-20-feet-from-stardom-2013

  • Nov 23, 2018

    Had trouble staying awake but pretty entertaining otherwise - and I've had Gimme Shelter in my head constantly since.

    Had trouble staying awake but pretty entertaining otherwise - and I've had Gimme Shelter in my head constantly since.

  • May 20, 2018

    Really great Documentary, reveals the truth about being 20 feet behind a mega star ⭐️, Excellent songs from the 70s and 80s era. If you Love ❤️ music like me, this is your film. “It’s just a shout away, it’s just a shot awayyyy

    Really great Documentary, reveals the truth about being 20 feet behind a mega star ⭐️, Excellent songs from the 70s and 80s era. If you Love ❤️ music like me, this is your film. “It’s just a shout away, it’s just a shot awayyyy

  • Feb 26, 2018

    I liked it so much I watched it twice !!!

    I liked it so much I watched it twice !!!

  • Feb 03, 2018

    Brilliant documentary of the extremely talented back up singers of famous acts and their stories.

    Brilliant documentary of the extremely talented back up singers of famous acts and their stories.

  • Oct 28, 2017

    20 Feet from Stardom, a documentary by Morgan Neville, opens with an oddly wooden Bruce Springsteen (botox, plastic surgery?) explaining how rock-and-roll backup singers have to be even better than the headliner. Other rock demi-gods agree, but by the end of the movie we become aware that despite legions of praise by the headliners, it's only on these special occasions where backup singers get their due. Neville circles around this theme, suggesting that the lack of recognition stems from factors such as racism, record company politics, lack of ego in the singers, "fate" (a reason offered by the wizened Sting), and finally a healthy lack of ambition. While it's helpful to present options, the lack of a central point-of-view made this film less successful than it could have been for me. In the meantime though we get to see and hear some great unheralded performances. Just how vital backup singers are to a song is demonstrated in one of the first sequences, the Talking Heads "Slippery People", where, perhaps on purspose the backup vocals are muted. The backup singers add variety, dynamics, call-and-response, support, and in this particular case, some fantastic dancing. "20 Feet" then delves into the history of background singing, back to the tame, white-girl singers who would accompany crooners like Perry Como. The film then wisely focuses on some of the pioneer female black singers, including Darlene Love, who resorted to cleaning houses after he contract was manipulated by Phil Spector. We see a scene where she does a duet with Tom Jones and he does not benefit from the comparison. Merry Clayton's star turn in the Rolling Stones "Gimme Shelter" is played in isolation, and it gave me chills. She did the takes while pregnant and in curlers, called out of her bed to a late-night recording session. Clayton's solo career was short-lived. Above we see her belting out a version of Neal Young's "Southern Man" that knocks your socks off. "Gimme Shelter" has been sung live since 1989 by Lisa Fischer. I found her to be the most gifted of the featured artists. The explanation given for her failure to breakout as a lead singer is that she did not want to, it was not in her personality not everybody needs to grab the spotlight. Yet with all of these singers there is a wistfulness and sadness about not being able to step out of the shadows. Finally we see the up-and-comer Judith Hill. Will she make it? The film stops short of casting her as a redeeming figure, ending on an uncertain note when it comes to her solo career. After watching 2014 Winter Olympic coverage, and sitting through countless exhortative "follow your dream" big corporation commercials, I took this as a welcome grace note.

    20 Feet from Stardom, a documentary by Morgan Neville, opens with an oddly wooden Bruce Springsteen (botox, plastic surgery?) explaining how rock-and-roll backup singers have to be even better than the headliner. Other rock demi-gods agree, but by the end of the movie we become aware that despite legions of praise by the headliners, it's only on these special occasions where backup singers get their due. Neville circles around this theme, suggesting that the lack of recognition stems from factors such as racism, record company politics, lack of ego in the singers, "fate" (a reason offered by the wizened Sting), and finally a healthy lack of ambition. While it's helpful to present options, the lack of a central point-of-view made this film less successful than it could have been for me. In the meantime though we get to see and hear some great unheralded performances. Just how vital backup singers are to a song is demonstrated in one of the first sequences, the Talking Heads "Slippery People", where, perhaps on purspose the backup vocals are muted. The backup singers add variety, dynamics, call-and-response, support, and in this particular case, some fantastic dancing. "20 Feet" then delves into the history of background singing, back to the tame, white-girl singers who would accompany crooners like Perry Como. The film then wisely focuses on some of the pioneer female black singers, including Darlene Love, who resorted to cleaning houses after he contract was manipulated by Phil Spector. We see a scene where she does a duet with Tom Jones and he does not benefit from the comparison. Merry Clayton's star turn in the Rolling Stones "Gimme Shelter" is played in isolation, and it gave me chills. She did the takes while pregnant and in curlers, called out of her bed to a late-night recording session. Clayton's solo career was short-lived. Above we see her belting out a version of Neal Young's "Southern Man" that knocks your socks off. "Gimme Shelter" has been sung live since 1989 by Lisa Fischer. I found her to be the most gifted of the featured artists. The explanation given for her failure to breakout as a lead singer is that she did not want to, it was not in her personality not everybody needs to grab the spotlight. Yet with all of these singers there is a wistfulness and sadness about not being able to step out of the shadows. Finally we see the up-and-comer Judith Hill. Will she make it? The film stops short of casting her as a redeeming figure, ending on an uncertain note when it comes to her solo career. After watching 2014 Winter Olympic coverage, and sitting through countless exhortative "follow your dream" big corporation commercials, I took this as a welcome grace note.

  • Oct 16, 2016

    20 Feet from Stardom gives back up singers the spotlight for once, but it doesn't dig too far into extreme themes to give the subject more weight. The movie is a bit fleeting, even though it does have a good moment or two.

    20 Feet from Stardom gives back up singers the spotlight for once, but it doesn't dig too far into extreme themes to give the subject more weight. The movie is a bit fleeting, even though it does have a good moment or two.

  • Sep 25, 2016

    Awesome ! Take the music history lesson you will not reger it

    Awesome ! Take the music history lesson you will not reger it

  • Aug 19, 2016

    A stunning portrait of the women (& men) who sing our fav hooks. The background singer is a role that hardly gets noticed yet supplies so so much towards the finished product. Sadly most never reach their full potential, yet the movie leaves us with one Judith Hill who we're rooting for with all of our energy. Hopefully time shows her the fortune she deserves. This is a great documentary, especially for fans of 1950-1970's music. The best parts of the documentary involve interviews with the lead ie Mic Jagger, Stevie Wonder, Bruce Springsteen, etc who vouch for the talent 'behind' them. This is a must-see for any fan of music who appreciates the history of the art.

    A stunning portrait of the women (& men) who sing our fav hooks. The background singer is a role that hardly gets noticed yet supplies so so much towards the finished product. Sadly most never reach their full potential, yet the movie leaves us with one Judith Hill who we're rooting for with all of our energy. Hopefully time shows her the fortune she deserves. This is a great documentary, especially for fans of 1950-1970's music. The best parts of the documentary involve interviews with the lead ie Mic Jagger, Stevie Wonder, Bruce Springsteen, etc who vouch for the talent 'behind' them. This is a must-see for any fan of music who appreciates the history of the art.