There are many comparisons that I can make between this film and its predecessor, "Yentl." It does not have the same urgency as the Barbra Streisand classic, because the film doesn't adequately show the problems of being a woman. You can argue that Mia Wasikowska's character contrasts Albert, showing the role that Albert would have had to take in society if not for her cross-dressing, but her fate isn't shown until the very end of the film. In between we just get to know Albert, who seems more predatory and awkward than persecuted. Albert, as a character, is very interesting, but it takes a rather long time for us to find out why she is driven to do what she does, and who she is. In "Yentl" we know the stakes from the very beginning: that she cannot cope with the problems enforced against women, and so she rebels by cross-dressing. Nobbs' identity as a woman is witheld from the start of the film, which was interesting in concept, but it is not something that remains a large surprise for the audience, even if they're unaware of the pretext before viewing. Albert acts strange, hoards her money, talks to no one, and keeps pristine and pleasant in all situations. Instead of feeling that this is her moral code (to stay in character and one that has served her well) she has now identified as a gentleman. This is broken up in several instances, especially when we're introduced to her contemporary, Hubert (McTeer). That was a nice change of pace, and including that Hubert and her wife were very much in love makes the film feel more special in that regard. Still, there's very little that distinguishes this film from pure melodrama.