Another Country

Critics Consensus

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Total Count: 5


Audience Score

User Ratings: 4,405
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Movie Info

Inspired by the real events of a British spy scandal of the '50s, a high-ranking government official is brought into espionage by his lover, an avowed Marxist, and the audience is lead to believe that the two sold out their country due to the British government's inherent homophobia.

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Critic Reviews for Another Country

All Critics (5)

  • [The] moral would be trite if it didn't go unspoken; it becomes poignant because it's adamantly denied.

    Sep 6, 2018 | Full Review…
  • Impressive film adaptation of Julian Mitchell's award-winning play.

    Mar 20, 2013 | Rating: 3.5/5
  • Elegantly shot, this fictionalized version of the British gay spy Guy Burgess, is intelligent but not entirely satisfying; even so, the young Rupert Everett and Colin Firth give splendid performances.

    Jan 6, 2009 | Rating: B+ | Full Review…
  • One of those sad affairs that commits exactly the sorts of errors that the filmmakers pretend to indict in wider society.

    Jun 4, 2003 | Rating: C | Full Review…

Audience Reviews for Another Country

  • Jun 17, 2014
    In his first film, Kanievska brings out solid performances from both Rupert Everett and Colin Firth but succeeds only fairly at creating a compelling story whose themes could have been more efficiently explored and led to a much more thought-provoking drama.
    Carlos M Super Reviewer
  • Sep 14, 2013
    Good story with good costumes and nice location. Cinematography, makeup and lighting were not up to snuff, unfortunately. Bold story for its time.
    Christian C Super Reviewer
  • Aug 08, 2010
    Another Country is always trying to be far more complex than it actually is. Fusing together themes of homosexuality, Communism, and the system of prefects in British boarding schools in the 1930's, it becomes a haphazard maze of inconsistencies and irritating subtext. Rupert Everett, the only shining light of the entire film, is only sparingly announced as gay amongst his peers, most of whom are so desperate for companionship that they have secret trysts with members of their classes. (Other notable roles go to very young Colin Firth and Cary Elwes.) With his usual suave flair and youthful grandeur, Everett is just sly enough not to outright confess throughout the plot that his sexuality is based on himself and not his situation. The prefect system on the other hand is both an annoying subplot, and supposedly overbearing presence in the lives of the schoolmates. Besides being terribly boring and longwinded, the absence of fear was evident on the screen. It didn't help that the score was yet another unpleasant 80's concoction, or that the wardrobe was peculiar for the time period.
    Spencer S Super Reviewer

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