Austin Powers in Goldmember


Austin Powers in Goldmember

Critics Consensus

While the narrative structure is messy and doesn't make much sense, the third installment of the Austin Powers franchise contains enough inspired bits to entertain.



Total Count: 184


Audience Score

User Ratings: 32,935,203
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Austin Powers in Goldmember Photos

Movie Info

Mike Myers' phenomenally successful spy spoof gains a few more characters, a slew of celebrity cameos, and even more free-associative laughs in this third installment of the popular franchise. Austin Powers in Goldmember continues the exploits of the swinging-'60s leftover, who, as the film opens, is busy critiquing a big-budget Hollywood production of his life story, replete with a 20-million-dollar star in the lead role and a slew of John Woo-style action scenes. But not far from the soundstage lurks arch nemesis Dr. Evil (Myers), who has opened up a talent agency representing some of the industry's biggest stars -- all the while channeling their profits into a diabolical world-destruction plan with the unfortunate code name Preparation H. Dr. Evil presents a distraction to Austin by kidnapping his similarly swingin' father, Nigel Powers, and transporting him back in time to 1975. Travelling there to save his father -- and in turn win back his dad's sometimes-errant affection -- Austin comes across the alluring superspy Foxxy Cleopatra (Beyonce Knowles). The three of them travel back to the present day, where they join forces to battle Dr. Evil and his posse of nefarious evil-doers, including the trusty clone Mini-Me (Verne Troyer); his snotty son, Scott (Seth Green); the inimitable Fat Bastard (Myers); and the eponymous new addition to the fold: the epidermis-obsessed, precious-metal-fortified Dutchman called Goldmember (Myers). ~ Michael Hastings, Rovi

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Mike Myers
as Austin Powers/Dr. Evil/Fat Bastard/Goldmember
Beyoncé Knowles
as Foxxy Cleopatra
Michael Caine
as Nigel Powers
Seth Green
as Scott Evil
Michael York
as Basil Exposition
Verne Troyer
as Mini-Me
Robert Wagner
as Number Two
Mindy Sterling
as Frau Farbissina
Fred Savage
as Number Three
Aaron Himelstein
as Young Austin
Josh Zuckerman
as Young Dr. Evil
Diane Mizota
as Fook Mi
Evan Farmer
as Young Number Two
Nobu Matsuhisa
as Mr. Roboto
Tom Cruise
as Austin in Movie
Gwyneth Paltrow
as Dixie Normous
Kevin Spacey
as Dr. Evil in Movie
Danny DeVito
as Mini-Me in Movie
John Travolta
as Goldmember in Movie
Quincy Jones
as Himself
Nathan Lane
as Mysterious Disco Man
Katie Couric
as Prison Guard
Eddie Adams
as Young Basil
Rob Lowe
as Intermediate Number Two
Neil Mullarkey
as Physician
Eric Wizenried
as Hanchman Sailor
Tommy "Tiny" Lister
as Prisoner No.2
Nichole M. Hiltz
as French Teacher
Jim Piddock
as Headmaster
Esther Scott
as World Organization Judge
Leyna Nguyen
as Anchor Woman
Jeannette Charles
as Queen of England
Brian Tee
as Japanese Pedestrian
Masi Oka
as Japanese Pedestrian
Kevin Cooney
as General Clark
Clint Howard
as Johnson
Michael McDonald
as Royal Guard
Donna D'Errico
as Melon Vendor
Fred Stoller
as Melon Shopper
Johnny Cocktails
as Shirtless Fan 'A'
Greg Grunberg
as Shirtless Fan 'T'
Ren Urano
as Sumo Referee
Nate K. Kange
as Sumo Wrestler
Kinga Phillips
as Austin's Mother
Scott Aukerman
as Young Nigel
John Donovan
as Toothless Gardener
Masa Kanome
as Fountain Guard
Hideo Kimura
as Japanese Surveillance Guard
Hiroshi Otaguro
as Japanese Surveillance Guard
Kevin Stea
as 'Austinpussy' AD/Dancer
Linda Kim
as Geisha Secretary
Nina Kaczorowski
as Henchwoman
Tammy Vanderpool
as Henchwoman
Sybil Azur
as Foxxy's Backup Dancer
Nicole Humphries
as Foxxy's Backup Dancer
Susanna Hoffs
as Jilian Shagwell
Stuart Johnson
as Manny Stixsman
Matthew Sweet
as Syd Belvedere
Christopher Ward
as Trevor Aigberth
Liz Ramos
as Dancer
Shaun Earl
as Dancer
Aimee Barsky
as Roller Skater
Sharon Ferguson
as Roller Skater
Angela Meryl
as Roller Skater
Kimberlee Suerth
as Roller Skater
Linda Chmiel
as Roller Skater
Trey Knight
as Roller Skater
Brian Richardson
as Roller Skater
Lakisha Smith
as Roller Skater
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News & Interviews for Austin Powers in Goldmember

Critic Reviews for Austin Powers in Goldmember

All Critics (184) | Top Critics (40) | Fresh (99) | Rotten (85)

Audience Reviews for Austin Powers in Goldmember

  • Jan 07, 2013
    Considering the sharp decline in quality between the first and second Austin Powers films, you'd be more than forgiven for going into Goldmember with the lowest possible expectations. Not only are good threequels genuinely rare, but comedy sequels are often driven by a need to milk the original jokes for as long as possible, rather than bring in anything new to move the characters forward. For the most part, our expectations are justified: Austin Powers in Goldmember is a really bad comedy which only cements our disappointment at how far the series has fallen since International Man of Mystery. It is in essence a 90-minute exercise in wringing every last drop of humour out from the characters, the problem being that after The Spy Who Shagged Me, there wasn't anything left. But in spite of everything, it is a very marginal improvement on its predecessor, if only because it isn't quite as wretchedly mean-spirited. One of the big debates that film fans often have is about self-awareness. If a bad film knows that it's bad, is that better or worse than a film which isn't aware of how terrible it is? In the past I've defended films such as Flash Gordon which triumphantly embrace their ridiculous elements. I've even stuck up for George Lucas (hard as that may be), arguing that he isn't aware of how terrifyingly idiotic he is, and that therefore even the worst moments of the Star Wars prequels aren't as painful as the worst excesses of Michael Bay. I raise this question because Goldmember stakes a lot of its appeal on self-parody. It's as though Jay Roach and Mike Myers were aware of how little there was left in the tank with this series, and tried to make up for it by taking the piss out of themselves. The whole opening sequence re-imagines the series as if it was a Hollywood blockbuster, with Tom Cruise doing one of his early self-deprecating cameos as the big-screen Austin. The whole film is something of a cameo-fest, with Kevin Spacey, Danny DeVito and even John Travolta turning up - and in this early section, it's kind of funny. The problem, however, is that Goldmember never really commits to the self-parody. Sometimes it wants to follow through with the self-deprecation, making jokes about shoddy wire work and the series' continuity. But other times it pulls back from this and wants to be as self-contained as the other films, mining the same tired jokes with diminishing returns and bot a hint of irony. Put simply, if you want to be self-aware, you have to be self-aware all the time, and just saying something's a self-parody doesn't work if you're not consciously trying to break free from the jokes that you're parodying. There is even an inconsistency when the film tries to match the first film and send up the Bond series. There are a few moments in which the jokes really work, the best being Michael Caine's scene with the henchman. Caine talks to the henchmen surrounding him about how generic convention means they are doomed to die, saying to one "you haven't even got a nametag" and that they may as well just give up rather than have him fight them. It's a neat little joke which reflects the jokes about henchmen in International Man of Mystery, bringing the series full circle and making us feel that some thought did go into this. Unfortunately gags of this calibre are few and far between, and the film makes precious little effort with the rest of its Bond trappings. There's plenty of clichéd disco dancing to remind us that we're in the 1970s now, but there's no effort made to use Beyoncé's character to send up either Blaxpoitation or the Bond films that assimilated it, like Live and Let Die. Goldmember could have been an interesting synthesis of Goldfinger and Francisco Scaramanga, but he's far more disgusting than funny, ending up as just a lazy Dutch stereotype with all the old jokes about sex and drugs. This disappointment only goes to show how by-the-numbers the series has become, and how far removed it is from the often insightful first instalment. Even when the film consciously references Bond, such as the sumo scene halfway through, there is no effort made to tie the jokes to the characters. Even at its most embarrassing and predictable, the Bond series still gave us characters with a purpose, even if that purpose was stupid or made little sense. Goldmember feels constantly in search of an author or plot, with characters wandering around wondering why they exist besides the money involved. On top of that, the film blatantly recycles jokes from both International Man of Mystery and The Spy Who Shagged Me. We get another shadow puppet joke, something that was run into the ground in the previous film; it has one good moment involving the 'birth' of Mini-Me, but nothing else. Mini-Me himself still gets a rum deal, constantly being punched and kicked around for no real reason other than a mean-spirited belief that little people are inherently funny. Roach is so desperate for a laugh that he even cuts to clips from the first two films, and just disguising them as flashbacks doesn't distract from how cheap he's being. What we are left with is not so much a plot as a series of sketches. Different characters wander in and out, jokes are made with varying degrees of success, and after 90 minutes, it stops. After its promising opening the film rises and falls on each scene, settling into a shapeless universe in which nothing makes sense and no attempt is made to connect any one scene to another beyond lazy exposition. I'd call this approach contempt, if the film weren't so dull that it doesn't deserve anyone getting angry about it. What makes Goldmember so disappointing, like its predecessor, is that there are any number of moments that could have worked with a little more effort. The sub-plot about Scott turning evil could have been developed into a proper storyline, giving Austin and Dr. Evil a reason to team up and for the film to examine their similarities, a la Holmes and Moriarty. The film could have made more of Goldmember's predicament, in a variation on the 'lost mojo' plot of the second film. But the whole thing is so episodic and lazy that every time a good idea or opportunity comes along, it's either instantly shot down or swept to one side as the next attempt at a joke starts. On top of all that, the film is racially insensitive. We can just about excuse the characterisation of Goldmember: if nothing else, the film does occasionally make him so gross that he departs from an exact stereotype of Dutch people and becomes something more bizarre. But the scene with the Japanese twins is completely crass and unacceptable, to the point that when Fat Bastard arrives on screen, we're immensely grateful. While the film isn't as overtly mean-spirited as The Spy Who Shagged Me (perhaps because Bastard has less to do in it), there is a nasty, exploitative undercurrent to it which leaves a sour taste in the mouth. The performances in Goldmember range from the capable to the completely pointless. Michael York remains game as Basil Exposition, even if he has less to do than usual, and Michael Caine acquits himself perfectly well considering what he has to work with. Mike Myers is hit-and-miss, with Dr. Evil being enjoyable, Austin being annoying and Goldmember being... Goldmember. Elsewhere Robert Wagner is decent, Beyoncé Knowles is wooden and Seth Green isn't as funny or as convincing as he is the first two films. Austin Powers in Goldmember is a disappointing final instalment of a franchise that should have been restricted to one film. While it marginally improves on the tone of The Spy Who Shagged Me, it remains a lazy, episodic mess that can't decide how self-aware it wants to be, or even whether it wants to have a plot or not. Myers remains a talented individual, as proven by his work in the Shrek series around the same time, but no amount of gold can make up for the fact that Goldmember is pretty pants.
    Daniel M Super Reviewer
  • Dec 28, 2012
    A bit of a jive turkey, Austin Powers in Goldmember isn't as groovy as the previous films, yet it's still fairly entertaining. In this adventure Austin must save his father from the nefarious Goldmember, who's working with Dr. Evil to destroy the world. Mike Myers adds a new character to his repertoire, and is joined by Michael Caine and Beyonce Knowles. Unfortunately, the film tries to do too much and ends up not doing anything well. Austin Powers in Goldmember is good for some laughs, but it doesn't have the mojo baby.
    Dann M Super Reviewer
  • Dec 02, 2011
    This had some funny jokes but in the end it was very disgusting. It stuck to the series, and Beyonce was as unfunny as the first Austin Powers movie. The story was funny, and Dr. Evil is still my favorite. Some will hate, some will love, as for me, it was okay.
    Bradley W Super Reviewer
  • Oct 24, 2011
    Just didn't do it for me, and it somewhat steered off from the direction that the franchise was going in.
    Eric A Super Reviewer

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