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Critic Reviews for Baraka
The film's one-world thesis is asserted but never made convincing, as Fricke zigzags from the Western Wall to whirling dervishes to the Grand Mosque of Mecca in a superficial gloss on faith (and everything else).
Any one sequence might work powerfully in its own right, but string them together with a musical overlay and the banality of the connections becomes apparent.
The form is ravishing, though the content suffers by comparison.
It is claimed that the great age of travel is dead - that there are no longer amazing, exotic, beautiful and fearsome places for the traveler to discover. A movie like Baraka gives hope.
Audience Reviews for Baraka
Over 90 minutes of the most visually stunning filming ive ever seen. A must see on blu ray due to the amazing restoration of the original film to a high def transfer that will put any movie to shame. You will feel like your there. You feel like you can reach into the screen and touch it. This is something else.
Released in 1992, it's took me a while to get around to this one. It's director, Ron Fricke, had previously contributed writing, editing and cinematography duties on the similarly themed and outstandingly powerful "Koyaanisqatsi" by Godfrey Reggio before embarking on this (his own) journey ten years later.
I wouldn't even call this a film. I'd call it more a series of moving images. But what stunning beauty there is to behold here. It was filmed by a five person crew over a period of 14 months in 24 countries across 6 continents and there are a plethora of images that will instil a myriad of emotional responses; they will enlighten and disturb, they will force you to ponder and wonder. In short, they are images of evolution and life and they will leave you in absolute awe of our natural world and the direct involvement we have in it. It explores different cultures and tribal rituals, it marvels at cloud formations and stunning sunsets. This is the flora and fauna of our environment in all it's most natural beauty. If you can imagine Terrence Malick directing a dialogue free, documentary then you have a idea of what to expect here. It does contain a certain, loose, narrative structure and like the sublime, BBC, David Atteborough nature programs it is stunningly captured and assembled. As mentioned, it contains no dialogue whatsoever, relying solely on sounds and an ethereal music score, featuring the haunting and angelic vocal talents of Lisa Gerrard.
Anyone familiar with the aforementioned and absolutely amazing, visual documentary "Koyaanisqatsi" or it's follow up "Powaqqatsi" will know how much of treat they are in for here. If you haven't seen any of these, then I urge you to do so.
There isn't much else I can say to describe this other than... the meaning of the word 'Baraka' is an ancient Sufi word that translates to "a blessing, or the breath, or the essence of life from which the evolutionary process unfolds"
It simply has to be seen to be believed.
Baraka is a one-of-a-kind film that deserves to be seen. Director Ron Fricke has created a film that is stunning, and meditative, and at times even shocking. The camera work and editing has allowed for the visuals to do all the talking; there is not one word of dialogue in Baraka. I found his message clear and precise, his visuals absolutely breathtaking, the music fantastic, and the film as a whole mesmerizing. The only complaint I have is it's length. It's about 10 minutes too long in my opinion, but Baraka is not to be missed.
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