Da 5 Bloods
On the Record
I May Destroy You
Forgot your password?
Don't have an account? Sign up here
Already have an account? Log in here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Please enter your email address and we will email you a new password.
We encourage our community to report abusive content and/ or spam. Our team will review flagged items and determine whether or not they meet our community guidelines.
Please choose best explanation for why you are flagging this review.
Thank you for your submission. This post has been submitted for our review.
Sincerely, The Rotten Tomatoes Team
Forest Whitaker is great but it is only him that makes things work.
#IMDb #MovieReview 3,5 ⭐️ A história de Charlie Parker e seus altos e baixos. Grande atuação de Whitaker e direção de Eastwood, mas o roteiro tem um buracos meio obscuros em relação à história (a da filha fica bem confusa), mas ainda muito bom!
I enjoy this film but,, I am a big fan of Jazz especially Bop BeBop. I'm grateful that Mr Eastwood made this movie, I would love to see it on a big screen. I think that Forrest Whitaker's performance was a sign of things to come. Overall a top film for me.
A somewhat hard to understand depiction of the life of Charlie Parker, but everything else is outstanding: the acting, cinematography, the dark settings of New York, the jazz music etc.
So few movies about Jazz so automatic five stars. It is a excellent movie great acting. The script jumping around in time didn't always work for me. Also you make a movie about a musician that musicians are going to be the main audience take the time to buy or rent period correct instruments it is really distracting seeing gear that wasn't invented till decades later in scene.
Though quite a soulful performance by Forest Whitaker, and Diane Venora's best performance, it doesn't give a complete narration or look into Bird's life, which does not warrant its feature length time.
Clint Eastwood's love letter Charlie Parker shouldn't have been written. Disjointed, overly melodramatic, with too many shifting time periods that made it confusing.
A fabulous performance from Forest Whitaker with a great soundtrack and sound design. Diana Verona is also great in this and Clint Eastwood does a great job as director. It does ramble on for far too long but the performances are too good to turn away from
Clint Eastwood's biopic of bebop legend Charlie Parker seems somewhat aimless - and perhaps that is how Eastwood construed Parker's life. Sure, the music is omnipresent and exciting but Parker seems more fixated on heroin than on jazz. It can't really have been the case (one hopes). Forest Whitaker is superb, underplaying as usual, as Parker and he intimates the pain underlying the jazz life and driving some of the poor behavioural choices. I still don't see Clint Eastwood as anything other than a plain director who efficiently tells stories - but that is often enough to create a commercial (and award-winning) success. Here, he throws in some extra expressionistic flourishes (that cymbal crashing) and loses a bit of control when the script jumps backwards and forwards in time. However, the music (including Parker's own playing) is often transcendent and carries the film over its over-long running time. Now if we could see some free-jazz legends on film, all would be right with the world (for truly that film would be more ecstatic than this one).
Eastwood's love of Jazz flows out here and Whitaker proves a wonderful muse.