Blow Out - Movie Reviews - Rotten Tomatoes

Blow Out Reviews

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November 16, 2017
It's a bit dated, but Blow Out rightfully cements itself as a classic due to De Palma's attention to detail, not only in cinematography but in story.
½ October 24, 2017
Blow Out features Travolta carrying a film in past some cheesy 80?s dialogue and one very weak villain, but there is definitely more than that to like about this film. The plot is genuinely interesting and there is some glorious camerawork (pay attention for one shot in particular featuring fireworks) and a thrilling conclusion. Blow Out features some of the not so great aspects of the 1980?s filmmaking, but thankfully it shows off some of the best aspects of the era as well
October 11, 2017
Talk about a disorienting intro! But shit was it captivating and interesting to look at. The way they shot this movie is something to really admire, I loved it.

That firework scene at the end, wow. I didn't know they could make death so pretty.

Overall, fantastic movie with captivating visuals, a suspenseful storyline, and a wonderful approach to storytelling and cinematography. This deserves a re watch.
August 30, 2017
Before Tarantino, Brian de Palma already offered ultra-stylized pictures. 'Blow Out' might as well be the perfect example of its director's stylish signature - it is a film about filmmaking, a film which ends like it started, a film whose shots are all glossy, all exciting, a film which does have astounding suspense scenes and which comes close to Hitchcock, without quite being there perhaps because its numerous elements distract audiences from its suspense-creator main theme, but they also give style aplenty...
July 25, 2017
The process of sound editing this movie exposes its viewers to is only another engrossing highlight in one of the best Brian de Palma movies and a kinetic performance by John Travolta.
May 31, 2017
An excellent thriller that is, at the end of the day, a perfect example of a thriller made by a student of Hitchcock.

The use of sound (particularly in the extremely suspenseful climactic chase sequence), Travolta's driven performance, the inquisitive score by Pino Donaggio, the balanced direction by Brian De Palma, and the exquisite editing by Paul Hirsch all make this film a cut above the rest. It is a film that is keenly aware of the sound in the world around it in a way that I've never seen before.
½ May 20, 2017
John Travolta's finest performance.
April 14, 2017
You know, De Palma tried and tried to ripoff Hitchock but finally his own imitation had become its own style. Blow Out, one of the best movies of the 1980's, is the first example of that.
November 25, 2016
Good performances by Travolta and Lithgow.
November 7, 2016
Fun to watch. Travolta is very good.
August 24, 2016
Seeng a crime mystery from a different perspective was the most compelling part of this movie.
Super Reviewer
½ August 8, 2016
Stunningly shot conspiracy-theory thriller, with fantastic use of (then) current technology and particularly great editing and sound editing. The debts to Hitchcock and the film Blow Out are writ large but hugely enjoyable, and Travolta and Lithgow are very watchable.
August 7, 2016
Extremely interesting thriller

One of the best political thrillers and one of Brian de Palma's best films, Blow Out features John Travolta in top notch performance as a sound engineer for an independent film making company in Philadelphia which specializes in cheesy soft-porn/slasher films: while out recording night sounds on a creekside for his audio library he sees a car plunge into the water and dives in to save the female passenger but too late to save the male driver, who turns out to be a leading candidate for the US presidency. Later, he realizes from the sounds he recorded that the blow out which caused the accident was caused by a gunshot, something which understandably the powers that be don't want known. Nancy Allen's deliberately flighty performance as the rescued woman provides a perfect foil to Travolta's solidness, and the convoluted plot unfolds through both obvious and subtle allusions to historical events (Chappaquiddick, Dallas) and classic cinema (the title's resemblance to Blow Up is not accidental, and the scenes of mayhem in public venues like a large train station or a patriotic fireworks display where the crowds have no idea what's happening are very Hitchcockian.) Rated R for elements which don't seem all that shocking today. An extremely interesting film. The Criterion special edition DVD is as good as you would expect.
July 26, 2016
Jack Terry: "No one wants to know about conspiracy any more!"
June 15, 2016
Quite a good thriller with Travolta playing a more humble role that usual.
½ May 1, 2016
I had seen this Brian De Palma film so many years ago I didn't remember it at all. I was glad to re-watch it in HD, it looks great, and really shows was a technical expert De Palma is at the art of cinema. There is direct influence from "Blow-Up" and "The Conversation", and of course nods to Hitchcock. Travolta is great in this, and John Lithgow is super creepy, I had forgotten he was in this, but he's similar to how he was in the show "Dexter". Highly recommended!
March 28, 2016
Unconvincing Hitchcockian conspiracy thriller. Derivative. Uninvolving.Most interesting thing is its Philadelphia setting - and its 70's pre-digital gadgetry.
Travolta's slow motion sprint at end displays all that is wrong with the film - it's all fake and for effect only.
SPOILER ALERT. Should we even remember that Sally was responsible for Manny's death (defending herself from rape)? I know the obedient media will probably report it as an "accident", but still it's a loose end I didn't like left hanging, especially in a thriller.
½ February 10, 2016
John Travolta plays the soundman 'Jack Terri'. While out one night recording effects, he witnesses and inadvertently records what he believes to be car accident; of which a tyre 'blows out' and a couple's car careens off a bridge into a river. After he can only save the female occupant Sally (Nancy Allen), he learns that her dead companion was a Presidential Candidate. Jack plays back his recording and notices the sound of a gunshot, before the sound of a blown out tyre. This compiles a series of events whereby Jack takes it upon himself to prove his theory and seek justice for a murder and not a freak accident.

It can be argued that the story is very basic for a political thriller, however the style and direction of it, takes it to a level of superiority for its genre. Brian de Palma includes great attention to detail and there is a very good dose of suspense throughout his scenes. This means that we, the audience, are not at all sidetracked by the unoriginality of its premise. The acting. Well, Travolta, the protagonist, is superb. He has an element of likeability throughout and portrays such a natural performance; operating in an impressively smooth, efficient and effortless way. Nancy Allen, is not so good. Her portrayal of a ditsy blonde escort almost becomes annoying at times. There are elements to her character but the term 'overacting' comes to mind and her performance can only be described as weak. John Lithgow has to get a mention too. Rarely have I seen a character stoically walk his way through the film as a ruthless killer and carry out such an emotionless and callous role to such great effect.
This is one of the finest films about the process of film-making. It tends to have an old fashioned noir quality, with the momentum building upon mood and suspense. It is enjoyably stylish, if simple, but obtains a good balance. De Palma has an art of stylishly blending his scenes together. Both the directing of De Palma and cinematography of Vilmos Zsigmond is highly impressive. From beautifully shot scenes in the vein of Francis Ford Coppola, to the drastic suspense of Hitchcock, all the best tricks in the book are used here.
The ending of the film is set up for a heroic conclusion in the traditional Hollywood mold, but instead the famous 'scream' climax and the haunting epilogue that follows serve as a reminder that with political progress always comes a loss. This generates element of realism, which you find is present throughout.
But a particular mention must go to the opening of the film, which is absolutely brilliant; instantly engaging you and unwittingly getting you on board for the duration. It seems De Palma recognises that at the time of this release, the popular films were that of slasher and science fiction. He uses the opening scene to almost play a joke and show his movement away from horrors and harking back to similar 1970s classic political thrillers like 'The Parrallax View'. De Palma's masterly film conflates Antonioni's Blow-Up and Coppola's 'The Conversation' to produce a potent brew of conspiracy theory and cinematic virtuosity, that is all his own.

9/10 Great film
February 1, 2016
Probably Brian De Palma's best film, and one of the best films of the '80s.
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