Blow Out Reviews
The premise is right up his ally. Tarantino has an intense passion for the history of cinema and this movie delivers a very unique, interesting, and now ancient aspect of the filmmaking process that is rarely explored. John Travolta plays a pre-digital age soundman who is responsible for creating and mixing the audio tracks of B-horror flicks for a demanding & sleazy producer. When asked to capture some new wind noise he heads to the local park and begins recording. This was easily my favorite scene of the film. There is a wonderfully edited series of interesting cuts, close-ups, and sound effects that create a slow burning build to the catalytic moment of the movie.
The story centers around the unraveling of a conspiracy and is about the feeling of helplessness when up against forces that seem too ominous to defeat. John Travolta is awesome as the paranoid soundman haunted by his past attempting to redeem himself by seeking justice against all odds. It's one of his best performances.
Some of the other characters are a little to stereotypically written and acted for my taste, all though in a strange way it was also part of the charm. This feels very much like a b-movie that's been elevated to cult classic through the artful direction of DePalma -- which, by the way, is a pretty accurate way to describe most of Tarantino's movies.
My favorite scenes were always when Travolta was working with his sound equipment and using his skills to recreate the inciting incident. My least favorite scenes were with his love interest played by Nancy Allen. I'm not offended by the helplessness and stupidity of her character, some people are just helpless and stupid, but it just became obnoxious. However, that is a very small complaint for such an entertaining movie.
The only reason I didn't give this a higher rating is that I couldn't make much of an emotional connection. That could be due to the fact that I was studying it more than I was immersing myself in it, or that it is a few decades old and I am an arrogant and entitled millennial, or maybe I am just a sociopath, but either way it didn't have enough of an emotional punch to suck me in and force me to forget I was reviewing it.
That firework scene at the end, wow. I didn't know they could make death so pretty.
Overall, fantastic movie with captivating visuals, a suspenseful storyline, and a wonderful approach to storytelling and cinematography. This deserves a re watch.
The use of sound (particularly in the extremely suspenseful climactic chase sequence), Travolta's driven performance, the inquisitive score by Pino Donaggio, the balanced direction by Brian De Palma, and the exquisite editing by Paul Hirsch all make this film a cut above the rest. It is a film that is keenly aware of the sound in the world around it in a way that I've never seen before.
One of the best political thrillers and one of Brian de Palma's best films, Blow Out features John Travolta in top notch performance as a sound engineer for an independent film making company in Philadelphia which specializes in cheesy soft-porn/slasher films: while out recording night sounds on a creekside for his audio library he sees a car plunge into the water and dives in to save the female passenger but too late to save the male driver, who turns out to be a leading candidate for the US presidency. Later, he realizes from the sounds he recorded that the blow out which caused the accident was caused by a gunshot, something which understandably the powers that be don't want known. Nancy Allen's deliberately flighty performance as the rescued woman provides a perfect foil to Travolta's solidness, and the convoluted plot unfolds through both obvious and subtle allusions to historical events (Chappaquiddick, Dallas) and classic cinema (the title's resemblance to Blow Up is not accidental, and the scenes of mayhem in public venues like a large train station or a patriotic fireworks display where the crowds have no idea what's happening are very Hitchcockian.) Rated R for elements which don't seem all that shocking today. An extremely interesting film. The Criterion special edition DVD is as good as you would expect.
Travolta's slow motion sprint at end displays all that is wrong with the film - it's all fake and for effect only.
SPOILER ALERT. Should we even remember that Sally was responsible for Manny's death (defending herself from rape)? I know the obedient media will probably report it as an "accident", but still it's a loose end I didn't like left hanging, especially in a thriller.
It can be argued that the story is very basic for a political thriller, however the style and direction of it, takes it to a level of superiority for its genre. Brian de Palma includes great attention to detail and there is a very good dose of suspense throughout his scenes. This means that we, the audience, are not at all sidetracked by the unoriginality of its premise. The acting. Well, Travolta, the protagonist, is superb. He has an element of likeability throughout and portrays such a natural performance; operating in an impressively smooth, efficient and effortless way. Nancy Allen, is not so good. Her portrayal of a ditsy blonde escort almost becomes annoying at times. There are elements to her character but the term 'overacting' comes to mind and her performance can only be described as weak. John Lithgow has to get a mention too. Rarely have I seen a character stoically walk his way through the film as a ruthless killer and carry out such an emotionless and callous role to such great effect.
This is one of the finest films about the process of film-making. It tends to have an old fashioned noir quality, with the momentum building upon mood and suspense. It is enjoyably stylish, if simple, but obtains a good balance. De Palma has an art of stylishly blending his scenes together. Both the directing of De Palma and cinematography of Vilmos Zsigmond is highly impressive. From beautifully shot scenes in the vein of Francis Ford Coppola, to the drastic suspense of Hitchcock, all the best tricks in the book are used here.
The ending of the film is set up for a heroic conclusion in the traditional Hollywood mold, but instead the famous 'scream' climax and the haunting epilogue that follows serve as a reminder that with political progress always comes a loss. This generates element of realism, which you find is present throughout.
But a particular mention must go to the opening of the film, which is absolutely brilliant; instantly engaging you and unwittingly getting you on board for the duration. It seems De Palma recognises that at the time of this release, the popular films were that of slasher and science fiction. He uses the opening scene to almost play a joke and show his movement away from horrors and harking back to similar 1970s classic political thrillers like 'The Parrallax View'. De Palma's masterly film conflates Antonioni's Blow-Up and Coppola's 'The Conversation' to produce a potent brew of conspiracy theory and cinematic virtuosity, that is all his own.
9/10 Great film