The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
With much loving, longing gazing at the Napa Valley landscape, it's awfully good-looking, if you can discount the high-waisted bell-bottoms and the homely yellow AMC Gremlin that wheezes into scenes every once in a while.
Bottle Shock is one of those cockle-warming, feel-good underdog films in the tradition of Strictly Ballroom. Only in this case Scott and Fran are, respectively, a Chardonnay with tangerine undertones, and a Cabernet Merlot blend.
Predictable, corny, schmaltzy, inane, unfunny, flat, sentimental and utterly fatuous. Most of the acting is bad, and none of the characters are interesting. Watching it is about as culturally rewarding as actually getting drunk, and less fun.
In the same way Good Night And Good Luck sends you hurtling for whisky and a Malboro, and Sideways prompts a pining for pinot noir, Bottle Shock will have you craving a chilled glass of Californian chardonnay.
Alan Rickman is one of my favorite actors, and I wanted to see Bottle Shock if only for his performance. Rickman's performance is great as usual, and Bottle Shock, despite some contrivance, is a very entertaining movie.