Brother Bear

2003

Brother Bear (2003)

TOMATOMETER

Critic Consensus: Brother Bear is gentle and pleasant if unremarkable Disney fare, with so-so animation and generic plotting.

AUDIENCE SCORE


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Movie Info

Driven by the emotional and joyous rhythms of five great new songs from Academy-Award (R) winner Phil Collins, "Brother Bear" is Disney's exciting new animated holiday adventure. Set against the majestic natural splendor of the Great American Northwest, the film tells the story of a boy named Kenai, whose life takes an unexpected turn when the Great Spirits transform him into a bear - the creature he hates most. Befriended by a bear cub named Koda, Kenai sets out to regain his human form while his brother (who doesn't realize Kenai is now a bear) pursues him on a mission of revenge and family honor. With breathtaking animation, powerful emotion and humor, this film introduces a memorable cast of characters and paints an unforgettable tale of courage, honor and self-discovery.

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Critic Reviews for Brother Bear

All Critics (129) | Top Critics (31)

Modest but guileless.

Nov 16, 2009 | Full Review…

Brother Bear is a very mild animated entry from Disney with a distinctly recycled feel.

Jun 6, 2008
Variety
Top Critic

Another watchable, old-fashioned, uninspired Disney animation.

Jun 24, 2006 | Full Review…
Time Out
Top Critic

A lame duck of a movie.

Jul 21, 2005

It feels like a project that got quietly pushed through the pipeline while the studio gears up for bigger and better things.

Nov 21, 2003 | Rating: C+ | Full Review…

Give one chef eggs, cream, and sugar, and he'll produce creme brulee. In another kitchen, you'll get plain old vanilla pudding. What we have in Brother Bear, for all the potentially tasty ingredients, is pudding.

Nov 16, 2003 | Rating: 2/4 | Full Review…

Audience Reviews for Brother Bear

There's definitely a charm to this film, but compared to the trailblazers that came before it, this feels very underwhelming. My main complaint would be that it relies a lot on contrived ideas and has a morality that feels uninspiring, though it's dealing with big, provocative issues. The other thing that was really annoying was the reliance on Phil Collins for the music, which was an interesting gimmick in "Tarzan" but here it's unwelcome and tedious. The message relies on facing up to past misdeeds, letting go of grief's anger, and not blaming the wrong people for mistakes. I liked that it dealt with a culture that doesn't get much screen time, but most of the plot focuses more on a man-bear's journey to a mountaintop, and that's just not that exciting. It was rather funny at times too, though that's mostly because of the Canadian moose, played by Rick Moranis and Dave Thomas. The ending was amazing, and goes against a lot of traditional Disney narratives, which I thought was a very thoughtful choice. It just didn't feel very fresh, as it dealt with a lot of already trodden ground.

Spencer S.
Spencer S.

Super Reviewer

½

Animation work is above average and there are a couple of standout scenes but ultimately it doesn't reach the heights of Disney's back catalogue. Full review later.

Thomas Bowler
Thomas Bowler

Super Reviewer

Fun, but gets really in to spirits and crap. Great music, horrible story, good voice acting. I liked it, but didnt love it.

Jim Careter
Jim Careter

Super Reviewer

½

Brother Bear is a movie that is so close to being great that it's almost ridiculous. Had there been just a few changes made to the story, characters and dialogue, it would've been a really moving and timeless classic. As it stands though, this is interesting and beautiful to look at, but the negative aspects can be overbearing. It's a kid's movie, so the Canadian Moose brothers and Bernie Mac Kid were something I just accepted as part of the package. However, I think that there was basically little to no development of the three brothers. It's just presented and then you're supposed to care about them. Well, at least Juaquin Phoenix was good and helped make the situation a bit easier to take it. I will say that Phil Collins continued his epically constructed score treatment that he started with Tarzan and in fact, it's the strongest element of the movie.

Conner Rainwater
Conner Rainwater

Super Reviewer

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