Creed

Critics Consensus

Creed brings the Rocky franchise off the mat for a surprisingly effective seventh round that extends the boxer's saga in interesting new directions while staying true to its classic predecessors' roots.

95%

TOMATOMETER

Reviews Counted: 293

89%
liked it

Audience Score

User Ratings: 75,622

TOMATOMETER

N/A
All Critics | Top Critics
Average Rating: N/A
Reviews Count: 0
Fresh: 0
Rotten: 0

AUDIENCE SCORE

89%
Average Rating: 4.2/5

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Movie Info

Adonis Johnson Creed (Michael B. Jordan), the son of former heavyweight champion Apollo Creed, attempts to follow in his father's footsteps and become a boxing legend in his own right. Apollo died in the ring in the 1980s at the hand of Russian pugilist Ivan Drago, forcing Adonis to grow up without his dad in his life. The young man travels to Philadelphia to find his late father's nemesis-turned-best friend, Rocky Balboa (Sylvester Stallone), in order to recruit him as a trainer. Balboa soon takes the young Creed under his wing and helps him get in shape for a shot at the title. Ryan Coogler directs this spin-off of the hugely successful Rocky franchise.

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Cast

Michael B. Jordan
as Adonis Johnson
Sylvester Stallone
as Rocky Balboa
Phylicia Rashad
as Mary Anne Creed
Tony Bellew
as "Pretty" Ricky Conlan
Graham McTavish
as Tommy Holiday
Mark Rhino Smith
as Conlan's Buddy
Andre Ward
as Danny "Stuntman" Wheeler
Gabriel Rosado
as Leo "The Lion" Sporino
Wood Harris
as Tony "Little Duke" Burton
Buddy Osborn
as Conlan's Cut Man
Rupal Pujara
as Dr. Kathari
Joey Eye
as Sporino Cut Man
Tony Brice
as Tone Trump
Maria Breyman
as Ricky's Friend
Kevin King-Templeton
as Press Conference Moderator
Roy James Wilson
as City Jail Cop
Mauricio Ovalle
as Flores' Trainer
Josue Rivera
as Tijuana Fight Promoter
Manny Ayala
as Welterweight #1
Anthony Martins
as Welterweight #2
Ricky Vera
as Referee #1 (Tijuana)
Shawn Clark
as Referee #2 (Blue Horizon)
Christian D. Ellison
as Referee #3 (Liverpool)
Frank Pesce
as Mickey's Gym Doorman
Robert Sale
as Leo Trainer #2
Richard Lyntton
as Ringside Doctor
Kathleen M. Deegan
as Nurse Kathy
Marquise Noel
as Young Dirt Bike Rider
Liev Schreiber
as HBO 24/7 Narrator
Elvis Grant
as Himself
Jim Lampley
as Himself
Hannah Storm
as Herself
Alex Henderson
as Young Adonis
Noah Coogler
as Staff Member #1
Nelson Bonilla
as Staff Member #2
Troy Faruk
as Staff Member #3
Angela Davis
as Staff Member #4
Deborah Ingersoll
as Max's Cashier
Robert Douglas
as Max's Cooks
Troy K. Weston
as Max's Cook
Ludwig Göransson
as Bianca's Band
Moses Sumney
as Bianca's Band
Kenneth Martin
as Dirt Bike Rider
Jermaine T. Holt
as Dirt Bike Rider
Horace Knight
as Dirt Bike Rider
Sli Lewis
as Dirt Bike Rider
Brionna Maria Lynch
as Dirt Bike Rider
Jalil Lynch
as Dirt Bike Rider
Zedric Harris
as Security Guard
Chris Gombos
as Security Guard
Jeff Ward
as Concert Security
Terry Lee Fields
as Fire Breather
Ritchie Coster
as Pete Sporino
Eric Davis
as Boer Fan
Soso DaSilva
as Featured Fan
Deborah DeStefano
as Ringside Boxer Fan
Mark Falvo
as Fight Spectator
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News & Interviews for Creed

Critic Reviews for Creed

All Critics (293) | Top Critics (53)

  • Creed is a sure-fire hit that's impossible to hate but I may have to punch the next person who tells me it made them cry.

    Jan 18, 2016 | Rating: 3/5 | Full Review…
  • A shot of box-fresh blood.

    Jan 15, 2016 | Rating: 4/5 | Full Review…

    Kate Muir

    Times (UK)
    Top Critic
  • It's a relief to watch this likable boxing picture, which finds a way to evolve the Rocky franchise with humour and humility.

    Jan 14, 2016 | Rating: 3/5 | Full Review…
  • Anyone hoping the franchise might open out into new thematic territory will be disappointed; this is the same old ritual, from the amped-up training sequences to the climactic title fight with its absurd number of punches landed in every round.

    Dec 3, 2015 | Full Review…
  • Creed moves the Rocky franchise into the present and gives it a future; Coogler makes the story his own, even as he pays respect to what has gone before.

    Dec 1, 2015 | Rating: 3/5 | Full Review…
  • Creed packs a serious punch, replete with crunching fight sequences captured in a probing, prowling style.

    Dec 1, 2015 | Rating: 4/5 | Full Review…

Audience Reviews for Creed

Ryan Coogler does an amazing job telling a story that may be too familiar in terms of structure but echoes beautifully Rocky Balboa's life, benefiting from the relationship that grows between him and Apollo Creed's son and with Stallone in another wonderful, sensitive performance.

Carlos Magalhães
Carlos Magalhães

Super Reviewer

½

After the last Rocky film was already pretty strong this is another example of sequels not necessarily being pointless nostalgia but in best case adding new layers to a franchise. Sure, we have the usual ingredients of boxer films here as well, that's a tad predictable. But it's all so well done and performed, especially by Stallone, that you're glad you're along for the ride. The music is another great feature, both referencing the classic Rocky scores and going new ways. A very satisfying and enthralling new installment.

Jens S.
Jens S.

Super Reviewer

½

Adonis Creed, the son of Apollo Creed, employs Rocky Balboa to prepare for a big fight. The plot is derivative and maybe even cliche and a important character development isn't adequately resolved, but damn, is this film compelling. The fight scenes are brutal, and Sylvester Stallone turns in the best performance of his career. The scene in which he receives and accepts bad news, which I won't reveal, is heart-breaking; what is Sylvester Stallone doing making me feel things? Michael B. Jordan is a serviceable protagonist, so it's really Stallone that carries this film. Overall, almost despite myself, I really enjoyed this film.

Jim Hunter
Jim Hunter

Super Reviewer

This movie is officially called a spin-off but is it? is it really?? or is it more of a soft remake? hmmm. Its a tricky one really and the main question that rears its head in my review here. I mean lets look at the plot here, the main protagonist, Adonis Creed, is the product of extramarital adventures by the famous Apollo Creed. In his early years he is in and out of youth facilities for getting into trouble (generally fighting, naturally), until one day Apollo's widow (Mary Anne) turns up and takes him in. Seventeen years later and Adonis is an up and coming young man with a good job, but he wants more, he wants something else, so he quits his job and seeks out a way into boxing, against Mary Anne's wishes. After initially being rejected by a boxing academy/gym he travels to Philadelphia in search of Rocky Balboa, the one man he knows can help him. From this point onwards we follow Adonis as he is trained by Rocky one stage at a time, until he manages to capture a fight against the current light heavyweight champion. So what can I say here, well lets be honest about this from the start, this is essentially a remake of [i]Rocky[/i], there really is no doubt about that. Its basically the same thing but with an African American protagonist, a black Rocky if you will. I guess the main differences here are, the fact Adonis grows up in the lap of luxury with Mary Anne, after she pucks him out of a youth facility, and the fact he does actually have a good future ahead of him with a solid job, before going into boxing. Which is of course the opposite to [i]Rocky[/i] where Balboa was an enforcer for a local hood and came out of the gutter in comparison. So all Stallone and his team have done is flip the basic scenarios around and carry on from there, with some minors changes of course. So what does this film offer that the previous movies didn't? does it throw anything new into the mix? Well...for all intents and purposes, not a lot frankly, and this is me being honest here, I'm not gonna just jump on any bandwagons. For a start, I wouldn't have done what Adonis did, give up his good, well paid job and living with his rich stepmother in her big mansion. I realise there is more to it than that, but I'm just saying, me personally, I wouldn't have done that. So for me personally I found it hard to connect with Adonis on that level, but that's just me. There is a strong sense of deja vu as we follow Adonis in his quest to nab Balboa as his trainer, deja vu from many films of this nature that is. Adonis goes to Rocky's restaurant and tries to convince him into training him, Rocky refuses saying he's basically over that aspect of his life, he's too old yadda yadda yadda. Rocky then finds out that Adonis is Apollo's son and this slightly changes his stance but he still refuses. But over time Adonis keeps nagging Balboa about it, turning up at his restaurant and helping him out etc...until eventually, of course, Rocky gives in and decides to train Adonis...his way only. Training sessions are as expected with lots of quick cut montages and scenes focusing on various odd training methods, such as chasing a live chicken around, to standard methods like shadow boxing, skipping etc...Usual obligatory stuff really, lots of sweating and grimacing, big muscles and Stallone shuffling around wearing his trademark hat and mumbling a lot. In the original you had that iconic scene where Rocky runs up the steps to the Philadelphia Museum of Art and proceeds to shadow box in a state of euphoria, well here you have an equivalent sequence...but its not quite as good, or iconic. In this movie Adonis is running along an urban, somewhat shitty looking street in his trademark grey tracksuit. He is being flanked by numerous youngsters on motorbikes which he encouraged to follow him whilst jogging. Adonis is getting more and more pumped and hyped as he runs faster and faster down this street (leading to Balboa's place), the youths urging him on as they do wheelies next to him. Adonis lets out an adrenaline filled roar at the camera (which is right in his face) as he reaches Balboa's place, he starts shadow boxing and calling out to Rocky, whom cheers him on from the window. Yeah its a brave attempt but completely fails for me, I didn't get any emotion from it, it didn't look anywhere near as good, felt more cramped than anything really with the location, and all the scrotes on bikes just felt tacky, felt too much like watching unemployed hoodie culture. The plot does pretty much follow previous old routes in this creaking franchise. Whilst in training the young Adonis meets and falls in love with a local singer who becomes his rock so to speak, just like Adrian had before. This of course brings baggage which is completely expected and rather predictable, obviously Adonis gets into a brawl over her which leads to a crack in the relationship, and some jail time for him, because of course. But fear not, in the end they work things out. Of course the main plot swap other than Adonis, is Rocky himself who is clearly now taking on the role of his old trainer Mickey Goldmill. [i]'When I left you I was but the learner, now I am the Master'[/i], to quote some famous film I can't recall. Yes now old Rocky is errmm...old! hobbling around, looking kinda tubby, grey hair, wrinkles etc...The circle is now complete as Rocky takes a young boxer under his wing and trains him just as Goldmill trained Balboa, but wait there's more! To really add more spice to the mix (whilst giving Stallone something more to get his teeth into) and to play on the character of Adrian, Rocky is diagnosed with Non-Hodgkins lymphoma. Now like I already said, and far be it for me to speak negatively about this, but I tend to think this was just to give more gravitas to Stallone's performance, boost the award chances so to speak. I mean yeah it gives Adonis something to help Rocky with, something else to fight for, a reason for Balboa to be in the movie other than just training, something for Balboa to fight against, but was it really necessary? If you took that element out would it make any real difference? Call me cynical sure, but I just think it was an easy turn to ratchet up the emotion because the film lacked it. The real fun obviously comes from watching the bouts, the bloody, bruised, saliva showering bouts. This is where the movie really comes to life with modern day technology really putting you the viewer in the driving seat, so to speak. Ballsy close-ups, aerial shots, thundercracking sounds, the camera darting in and out, weaving in between the fighters, the dripping sweat and flickering blood, the trainers yelling instructions etc...What can I really say here?? it basically looks like you're watching a real live bout on television, accept there are lots of close-ups and dialog driven moments from the team in the corner when the bell rings. This is also where real boxing fans will get their kicks as there are numerous real boxers portraying characters in the film, never heard of them myself. Have to admit I found it amusing when Adonis's main opponent turned out to be Liverpudlian, and the fact Balboa and Adonis fly to the UK to fight at Goodison Park (home of Everton FC). I didn't expect that at all and just found it kinda funny I suppose, a big [i]Rocky[/i] flick being filmed at Everton's home ground, I wonder if the American movie goers could understand the Scouse accent? It also kinda highlighted the fact that many real boxers don't actually seem to have rippling physiques like you see in the movies. Here you have Jordan all buffed up, yet his opponent, a real boxing champion, is thick but has hardly any muscly physique at all, just goes to show. Gotta say, I found it typically fairytale-esque that Adonis gets his ass handed to him to the point of virtually being knocked out, flat out on the canvas, yet the fight goes on! Meh, predictable, stereotypical sports drama fluff. For fans of the franchise this movie will please I'm sure, for fans of boxing this film will probably please, for casual movie goers I'm sure it will keep them engaged but in all honesty I wouldn't blame anyone for getting bored. Yes the acting is fine from all involved, if slightly overrated and not particularly subtle in my personal opinion. Yes it looks good...dirty and gritty when it needs to be, and yes its directed well by Coogler, but there is no new ground being broken here, none whatsoever. This movie feels very much like some other modern movies at the moment that have fallen into the soft reboot/remake category despite claiming otherwise (Jurassic World, Star Wars, M:I 5 etc...). This is essentially a soft (nostalgic) remake of the original movie from 1976 with a few new twists or alternate directions. Its not a bad film by any means, its certainly an enjoyable serviceable film, but that's as far as I can go really, again I don't really understand the hype that has followed this movie but there you go.

Phil Hubbs
Phil Hubbs

Super Reviewer

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