The Darjeeling Limited - Movie Reviews - Rotten Tomatoes

The Darjeeling Limited Reviews

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May 21, 2018
Uma rara beleza cinematográfica, faz-nos pensar no valor dado a coisas tão inuteis que não nos deixam perceber o que realmente se passa ao nosso redor.
½ May 4, 2018
Wes Anderson fans will love this, which is window into why we hate them.
April 15, 2018
The indian train journey experience is filmed nicely. If you have been on one of these, it is a unique experience and that was conveyed beautifully. the movie itself is forgettable and you wont remember anything except that you liked the experience. like good candy, it gives you instant gratification without any lingering aftertaste.
April 9, 2018
While not perfect, this may be Anderson's strongest film in terms of thematic and emotional resonance.
March 30, 2018
A good gander and perfect meander. Good movie - only problem is that for a movie with the name 'The Darjeeling Limited' you would think they would spend more time there
½ March 29, 2018
In case you think I am just a Wes Anderson groupie, this review proves otherwise. His worst film and I doubt he could ever do this badly again.
½ March 25, 2018
Not funny or entertaining. You have to be a real fan to sit through the entire movie
March 25, 2018
It's probably Wes Anderson's more realistic and grounded film. The three leads are very well fleshed out.
March 8, 2018
Puntaje Original: 5.5

Hasta directores como Wes Anderson se pueden tomar el descaro de ir de paseo por la India, filmar una película con personajes ordinarios, sin ningún desarrollo trascendental, cuando tienes a la crítica y al público comiendo de la palma de tu mano.
½ March 3, 2018
It's great soundtrack, spectacular cinematography and beautiful story make up one of the best films of all time
½ December 20, 2017


[Wes Anderson]
December 3, 2017
India, plays a very important character as the three brothers try to free themselves from their self-created traps and the excess baggage they carry in their lives.. One of most thought inducing movies I have seen. Loved it.
April 21, 2017
Amazing masterpiece by Wes Anderson !
March 29, 2017
Dis-jaunty escapism.
March 26, 2017
"We haven't located us yet." Three brothers are on an undefined, quixotic spiritual journey with the subconscious goal of coming together. They meet challenges along the way - their first stop off the Darjeeling train is at a very capitalist market in India, which is anything but spiritual. They soon find out that this trip isn't as vague as it appears, and there is a specific goal: to find their mother, who lives in a convent... they don't know whether or not she'll accept them. Apparently she's a nun, as told to us by Brendan, the private detective.

Francis is that controlling big brother who kind of acts like a bully, but he's subtle and sweet about it. But the brothers can't take it, erupting into a brawl that gets them evicted from the train. They've also gotten a letter from Sister Patricia Whitman, who is their mother, asking them not to come. Now everything seems hopelessly pointless.

There's a strategically placed scene by a campfire, which seems to put our minds at ease about a situation that should be uneasy. Anderson seems self-aware here, that we the audience don't usually feel much danger in his boxed world, we're never too far off the beaten path given his visual style; we're safe. So he follows it with a scene that changes our perception of him, the Whitmans encountering boys in trouble at a river. Peter is unable to save the last boy, a shocking turn, our first bit of realism with quirky humor: encountering death. They are further off the path now, resorting to the Indian village of the deceased boy. The father of the boy grieves, Peter getting his own spiritual taste, feeling for the guilty and remorseful for his inability to save the boy. It seems like the spirituality should be dwindling, but not for Peter, who is glad to be invited to the boy's funeral instead of being outcast.

There's an abrupt jump that confused me - they're out of India, Francis' bandages removed, Jack's mustache shaved; I didn't know if it was flashing back or ahead. We meet Alice, Peter's wife, who we've only heard about for nearly an hour. But the hour mark itself shows us a big change from where we were earlier: the brothers are united, looking almost like a gang as they back a tow trucker down who gets in their way. They're uniform. But the scene is capped with Francis withholding information - they seem united, but yet again he demonstrates his historical controlling nature.

The prototypical Wes Anderson boxed-staging is represented a few minutes later... pan from brothers waiting for bus, to the cattle in front of them, to the boy on their left, and then to the path on their right. The camera is at it's own four-way intersection, swiveling to capture a perfectly centered shot at each pivot point. Anderson also accompanies his film with tremendous musical choices that complement the flavor, style, tone, and energy of each scene.

As we near the end of the film, the ultimate symbolism appears to match an earlier shot of Peter running onto the back of Darjeeling with his luggage, this time contrasted by all the brothers running onto a train, but tossing their luggage aside. This tends to be the result of these larking movies, it's about letting it all go, leaving it all behind to get somewhere else in life, cutting cords with the weight that's held them down for so long, everything they've been holding on to. It's an unsatisfying ending for me because I don't agree with this so-called spiritual moment. It's a popular view among spiritualists to let go of everything and just be this naked animal in the world. But I think it shows a lack of appreciation for the things we gather in life.

I've seen a lot of loose threaded movies lately, leaving so much story incomplete, and not always for the sake of a sequel. It's frustrating, there's obviously more story to tell. The film is missing a whole third act. It felt like we reached the end of act two and are gearing up for another 25-30 minutes of film, but the credits roll. It's also displeasing to have the likes of Bill Murray and Natalie Portman making mere cameos. It looked like Murray had a story to tell, but it was a tease, and he's set aside.
March 7, 2017
Really good again Wes!!! I know this is probably controversial as its usually seen as sub par but I really enjoyed the film. It's not as good as Grand Budapest Hotel but its still up there with the Royal Tenenbaums. The small main cast allows for some great development of characters, with themes which float along whilst your watching and require a second viewing. Definitely nice to see a Wes Anderson movie set in India. Would love to see what he could do with other exotic settings. The god its good. Its joint best, in my opinion, with The Royal Tenenbaums. The use of the Kinks and Peter Starstedt fits perfectly whilst the slight additions of bits and bobs from Bengali musician Satyajit Rays work just adds to the atmosphere. Great Film all round.
February 25, 2017
Weird. Nice colours.
February 24, 2017
Even a potboiling Wes Anderson has enough flavour to keep you supping on what he's serving. Weary and wounded, Owen Wilson is incredibly likeable as always.
February 9, 2017
Good visuals and music, but pointless story.
The brothers did nothing after all.
½ February 6, 2017
Auuux champs elyseeees!!!
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