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Critics Consensus: Daughters of the Dust addresses its weighty themes with lovely visuals and a light, poetic touch, offering an original, absorbing look at a largely unexplored corner of American culture.
Critic Consensus: Daughters of the Dust addresses its weighty themes with lovely visuals and a light, poetic touch, offering an original, absorbing look at a largely unexplored corner of American culture.
All Critics (40) | Top Critics (13) | Fresh (39) | Rotten (1) | DVD (1)
It is a mysterious, fabular and sometimes dreamlike film with its own theatrical poise.
Even when the pace slows to a crawl, the island's gentle mood is appealing.
An absorbing, spirited film that merits considerable respect.
Daughters' impressionistic look at the Great Migration (who will go, who will stay, and at what cost?) combines a corporeal sense of history with poetic, often indirect and allegorical underpinnings.
Daughters of the Dust is a film with a lot on its mind, but one that wears its agendas with lyrical lightness.
Its examination of a bygone way of life is so patient and evocative, so beholden to its own storytelling conventions and rhythms, that watching it is a bit like submitting to a form of time travel.
Visually beautiful classic.
Dash's seminal drama is that rare ensemble piece truly focused on the collective, how individuals complicate and contradict notions of community.
You must watch Daughters because you will not find a film like it anywhere. It's like some rare bird that's not only striking because of its unusual colors but because of the perfection of its form.
Daughters damns precedent altogether, sidestepping the broad strokes of African-American history familiar from so many textbook historical dramas set during the era of antebellum slavery or the '60s Civil Rights Movement.
A ravishingly beautiful work, it presents the historically grounded story of a multi-generational Gullah family reuniting on an island off South Carolina's coast.
The restoration and re-issue of Julie Dash's masterpiece is a valuable reminder that black female filmmakers are still woefully underrepresented in contemporary cinema.
Director Julie Dash's first feature. This was named one of the 50 greatest movies by black directors in The Black Film Canon by slate.com. This picture offers a chance to observe a unique culture and place and time that as far as I know has rarely been portrayed in cinema. Therefore it also offers a chance for the audience to build skills of empathy. I am not familiar with anyone in the cast, but the matriarchal Peazant family with many mother, daughter, sister, aunt, and niece relationships are well portrayed. In 1902 on the islands off the coast of South Carolina African folk-ways were maintained and this was known as Gullah culture. There are characters who are still connected to African pagan customs and magic, characters who have embraced Islam's influence, and characters who have received some education near white society on the mainland who have been converted to Christianity, and they all live together in relatively close quarters on this island. The narration is often poetically trying to describe memories. Visually it is full of earthy beach tones and many dreamy sequences.
Super Reviewer
A Top Ten Independent Film In My Book. Outstanding movie, a eye opener to some unkown history in the United States. Acting was incredable, Kino always has good productions. If you can find it buy it, Or Rent from Net Flix.
A very unique film and a valuable addition to the canon of great films on slavery.
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