First Reformed

First Reformed videos

First Reformed: Trailer 1

First Reformed: Trailer 1

TRAILER 2:20

Cast & Crew

Ethan Hawke

Reverend Ernst Toller

Amanda Seyfried

Mary

Philip Ettinger

Michael

Cedric the Entertainer

Reverend Joel Jeffers

Michael Gaston

Edward Balq

Victoria Hill

Esther

Van Hansis

Roger

Satchel Eden Bell

Cynthia

Paul Schrader

Director

Paul Schrader

Screenwriter

Christine Vachon

Producer

David Hinojosa

Producer

Frank Murray

Producer

Jack Binder

Producer

Greg Clark

Producer

Victoria Hill

Producer

Gary Hamilton

Producer

Deepak Sikka

Producer

Brian Beckmann

Executive Producer

Philip Burgin

Executive Producer

Brooke Lyndon-Stanford

Executive Producer

Martin McCabe

Executive Producer

Luca Scalisi

Executive Producer

Mick Southworth

Executive Producer

Ying Ye

Executive Producer

Alexander Dynan

Cinematographer

Benjamin Rodriguez Jr.

Film Editing

Grace Yun

Production Design

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Critic Reviews for First Reformed

Audience Reviews for First Reformed

• Jun 02, 2019

  Ethan Hawke and Amanda Seyfried star in the dark character drama First Reformed. When a minister is asked to help a depressed environmental activist who ends up committing suicide, he takes up the environmentalist's cause and becomes radicalized. Hawke gives a really good performance and does an excellent job at showing the spiritual struggle that the character goes through. Also, director Paul Schrader does an impressive job at creating an intense and atmospheric tone. However, the film becomes a little propaganda-ish and takes a pretty hard turn toward extremism without much explanation as to why the minister suddenly takes up this cause to the exclusion of all others or how he's able to reconcile his violent intentions with his faith. Yet while it has its issues, First Reform is an incredibly provocative and challenging film.
  

  Super Reviewer
• Mar 13, 2019

  Slow and calm drama in 4:3 aspect ratio (which fits the mood perfectly) and almost entirely static camera work, relying mostly on its writing and the great acting. The tension builds up slowly, without reading about the premise you wonder for a while where the film might actually take you. In the end it has you by the collar and doesn't stop shaking. There are several themes and ideas coming together here, but for me what stands out is the big bitch slap for Christian conservatives in the US backing the wrong orange faced horses these days.
  

  Super Reviewer
• Feb 03, 2019

  I don't believe I've ever seen a film shot so deliberately. Almost every single angle is framed with precision and intent. Like a Wes Anderson film sapped of any and all whimsy. Many shots linger in a style not often found outside of horror films, in the scenes they intend to deliver the audience a scare that its characters do not see.
  

  Super Reviewer
• Dec 10, 2018

  Whether one knows they know his work or not, most who pay attention in some capacity to the film world are usually influenced by or at least familiar with the work of writer/director Paul Schrader. The writer of Scorsese classics such as Taxi Driver and Raging Bull as well as being the director of American Gigolo and Auto Focus, Schrader has made a career out of analyzing the psyches of tortured male souls and their having to grapple with the varied struggles and conflicts their environment and/or time in history dictated them to deal with. In First Reformed, the writer/director is very much speaking to the time in which the film has been made as this is a story of a man full of anxieties and uncertainties despite his outward facade of peace and a certain serene stillness that only such measured priests can uphold. Being the sometimes cocky, but mostly guilt-ridden Catholic that I am I wrongfully assumed that First Reformed was about a Catholic priest coming to terms with the quarrels his mind could no longer ignore and facing this crisis of faith with what the movie could only determine to surprise us with, but in fact First Reformed does not care to follow such a repeated quandary, but is instead the tale of a man who was beaten down by life long before he decided to make the church his one and only true love as Ethan Hawke portrays Reverend Toller, a man who found something of a lucky break in being appointed the priest for a small congregation in upstate New York whose building is now more of a tourist attraction than a place of worship. What this less imposing set of expectations doesn't change though, is that of the DNA of Christianity and how these inherent leanings impose themselves on the psychology of those that are the truest of believers: the ones that feel the most conflict over the many contradictory if not often well-intentioned teachings of the faith. Toller is a man who sees himself as something of a courier for Christ despite constantly questioning his worthiness of such a status. As Toller is in a spiral, as he is literally and metaphorically dying on the inside, he comes to a path that many a Christians seem to find a paradoxical peace in: their own sacrifices. Jesus made the ultimate sacrifice, so why am I excused from such an act? To suffer means to earn salvation is what then becomes the mentality once becoming so engrossed in the religion, but as Toller at one point poses, "Who can know the mind of God?" he at another derives what is necessary to please God in his own and from this perspective, twisted way, thus painting the broad themes of contradiction and discountedness that inform First Reformed.
  

  philip p Super Reviewer