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Frantz finds writer-director François Ozon thoughtfully probing the aftermath of World War I through the memories and relationships of loved ones left behind.
All Critics (133) | Top Critics (33)
"Frantz" offers a sympathetic, if dark, look at the awful wake of war, at the cost of institutional violence, as well as the cost of surviving. Jun 2, 2017 | Rating: B | Full Review…
"Frantz" offers a sympathetic, if dark, look at the awful wake of war, at the cost of institutional violence, as well as the cost of surviving.
Tom Long
François Ozon is a master at taking apart the French chattering classes, but here he attempts an almost classical piece of film-making in black and white, French and German, a tangled tale of love and friendship. May 12, 2017 | Rating: 4/5 | Full Review…
François Ozon is a master at taking apart the French chattering classes, but here he attempts an almost classical piece of film-making in black and white, French and German, a tangled tale of love and friendship.
Kate Muir
A much needed but underwhelming ode to pacifism and the futility of war. May 12, 2017 | Rating: 3/5 | Full Review…
A much needed but underwhelming ode to pacifism and the futility of war.
Amy Bowker
Ozon wants to add another layer of perspective, to place Frantz's death in yet another context. Instead, the film's second half makes the first look strategic-a means to an end-serving less to countervail or complement than to cancel it out. May 4, 2017 | Full Review…
Ozon wants to add another layer of perspective, to place Frantz's death in yet another context. Instead, the film's second half makes the first look strategic-a means to an end-serving less to countervail or complement than to cancel it out.
Leo Robson
There's a sense of quiet introspection reminiscent of Ozon's collaborations with Charlotte Rampling, The Swimming Pool and Under the Sand -- arguably his best films. Apr 12, 2017 | Rating: 4/5 | Full Review…
There's a sense of quiet introspection reminiscent of Ozon's collaborations with Charlotte Rampling, The Swimming Pool and Under the Sand -- arguably his best films.
Sandra Hall
The perhaps too-beautifully manicured black-and-white 'Scope cinematography and Paula Beer's bravura turn as the German girl who got left behind make it worth your while. Apr 7, 2017 | Rating: 2/5 | Full Review…
The perhaps too-beautifully manicured black-and-white 'Scope cinematography and Paula Beer's bravura turn as the German girl who got left behind make it worth your while.
Scott Marks
Few films can announce themselves as succinctly with an opening image as Frantz does. Aug 6, 2019 | Full Review…
Few films can announce themselves as succinctly with an opening image as Frantz does.
Michael J. Casey
A beautifully crafted, yet somehow distant work that is deeply moving at times, cold at others. Jun 4, 2019 | Rating: 3/4 | Full Review…
A beautifully crafted, yet somehow distant work that is deeply moving at times, cold at others.
Matthew Lucas
Frantz swings the audience constantly between hope and despair for its characters thanks to a combination of winning performances, clever plotting, and stunning visuals. It's a pleasure to watch from beginning to end. Mar 5, 2019 | Rating: 4/5 | Full Review…
Frantz swings the audience constantly between hope and despair for its characters thanks to a combination of winning performances, clever plotting, and stunning visuals. It's a pleasure to watch from beginning to end.
Cathy Brennan
As usual, Ozon was solid behind the camera in a classic (re)tale about remorse, forgiveness, and passion. Jan 31, 2019 | Full Review…
As usual, Ozon was solid behind the camera in a classic (re)tale about remorse, forgiveness, and passion.
Filipe Freitas
The film does not continue in a conventional trajectory. It becomes Anna's story of self-discovery and will to live. It's haunting. Nov 2, 2018 | Rating: 4/5 | Full Review…
The film does not continue in a conventional trajectory. It becomes Anna's story of self-discovery and will to live. It's haunting.
Alexa Dalby
Strains credibility towards the end, but the performances, by [Paula] Beer especially, are first class. Aug 23, 2018 | Rating: 3/5 | Full Review…
Strains credibility towards the end, but the performances, by [Paula] Beer especially, are first class.
Alison Rowat
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