Ghost Dog: The Way of the Samurai

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Ghost Dog: The Way of the Samurai: Trailer 1

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Ghost Dog: The Way of the Samurai Photos

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Cast & Crew

Forest Whitaker
Ghost Dog

John Tormey
Louie

Cliff Gorman
Sonny Valerio

Henry Silva
Ray Vargo

Isaach De Bankolé
Raymond

Tricia Vessey
Louise Vargo

Victor Argo
Vinny

Gene Ruffini
Old Consigliere

Richard Portnow
Handsome Frank

Camille Winbush
Pearline

Jim Jarmusch
Director

Jim Jarmusch
Writer

Richard Guay
Producer

Jim Jarmusch
Producer

Diana Schmidt
Co-Producer

Robby Müller
Cinematography

Jay Rabinowitz
Film Editing

Ellen Lewis
Casting

Laura Rosenthal
Casting

Ted Berner
Production Design

Mario R. Ventenilla
Art Director

Ron von Blomberg
Set Decoration

John A. Dunn
Costume Design

Jude Gorjanc
Assistant Director

Anthony J. Ciccolini III
Sound Designer

Drew Kunin
Sound

Kevin Meehan
Boom Operator

Lynn Sable
Assistant Sound Editor

Dominic Tavella
Sound Re-Recording Mixer

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Audience Reviews for Ghost Dog: The Way of the Samurai

• Jun 05, 2015

  Cool action and filmed well.
  

  Kevin M Super Reviewer
• Mar 20, 2013

  [img]http://images.rottentomatoes.com/images/user/icons/icon14.gif[/img]
  Directors C Super Reviewer
• Sep 07, 2012

  Now Forest Whitaker isn't the kind of guy you would normally think of for a smart ice cool hitman flick. His big lumbering appearance and droopy eye always gives him the look of a bad guy or suit type, not some ninja like assassin. But here we are in dare I say 'Leon' for a black audience? is that wrong of me? cos this sure as hell is what it is. Take the overall premise of 'Leon' and virtually copy it scene for scene and you have 'Ghost Dog' but with a nice samurai code twist. This film is actually based on a very good French film called 'Le Samouraï' which in turn also probably influenced Besson for his New York based hitman classic. Its pretty fair to say when watching that this is heavily influenced by those said films, from the hit sequences to the little girl who 'Ghost Dog' befriends but doesn't train...although that is hinted at somewhat towards the end. Personally I love this film, its could easily be a sequel to 'Leon' and moves just as sexually and gracefully including some excellent hit scenes, albeit a bit brief. The film is kinda slow and builds around 'GD' training in the art of samurai whilst living his simple life caring for pigeons. Your not really sure if your suppose to root for this guy either, he's not doing good stuff after all. He works for the mob and kills people, breaks into properties and steals cars pretty regularly, he doesn't kill innocents but nor does he care too much about them or their material possessions. Trying not to mention other films too much here but when you see the American mobsters in this it rings so many bells. The bad guys are a classic stereotypical cliched lineup of fat, aging, balding, badly dressed 70's looking rejects that could of come from any well known mafia flick you've ever heard of. I loved how they looked and spoke in that typical Nu Joisey/Nu Yawk fashion with their big tinted shades, dated tracksuits or leather coats, absolutely perfect. You could almost think of these guys as a parody really. Almost caricatures and exactly how you expect Italian American hoods to look and act with the addition of great names like 'Handsome Frank' and the all too common names of Vinny, Ray and Louie. The cast are familiar too, all the regular faces that normally play wheezing old fat mafioso's. Their boss is Henry Silva who is pretty much the perfect face for a bad guy, a mafia bad guy. The man is a character acting legend plus his face is evil looking with those sharp cheek bones and odd stretched wrinkle-less like skin complexion, no wonder he was in 'Dick Tracy'. There isn't too much action here like I said but that isn't a problem really. The film moves slow just like its main player and the outcome is resolved quite quickly really. The Japanese filling throughout is a nice touch which is obviously there because of the French film it plays homage to but it neither hinders or helps really, its just nice little touches that are pleasant to view. End of the day the samurai code doesn't really effect the film much apart from what 'GD' allows to happen. Didn't think the film needed the African American influence of rap music though, would of been nice without that, more unique really as the old gangster thing still looms somewhat. Still a unique film though can't dent that. For me the film is made with the stellar casting for the bad guys, they are really quite amusing, Whitaker does well also in his calm near silent role. A must see film if you like this kind of thing but just don't expect tonnes of action.
  Phil H Super Reviewer
• May 22, 2012

  There were some interesting scenes (namely, when he shot the guy through the sink in his bathroom) but overall I didn't think it was great.
  Sarah P Super Reviewer

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