Critic Reviews for Grass
The black-and-white "Grass" is a deceptively potent entry in the canon, a thimbleful of purest, concentrated Hong-brand soju.
Much less consistently enjoyable than many Hong films twice its length, Grass compensates for its dramatic slackness and deviant sobriety by honing in on the ideas that its director's work often skirts around.
The choice to shoot in unspectacular black and white and in uninterrupted long takes (par for Hong's course) brands it as mainly for the fan club, whose ranks seem to grow with every new addition.
Whatever state of existence Grass is taking place on, one thing is for certain: It's Hongian playfulness of surprisingly soulful intrigue.
An exquisite hangout movie whose probing, sardonic approach to character and conversation treads familiar terrain for the increasingly prolific Korean director.
Hong is generally at his best when examining how men and women interact and this setting allows him to once again put those subtleties and idiosyncrasies at the front of his lens or, perhaps more accurately, under his microscope.
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