Shirley
Da 5 Bloods
On the Record
I May Destroy You
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All Critics (9) | Top Critics (3) | Fresh (7) | Rotten (2)
While Preston Foster and Barbara Britton carry star roles, it's John Ireland, as the notorious Bob Ford, who dominates the story. March 5, 2009 | Full Review…
While Preston Foster and Barbara Britton carry star roles, it's John Ireland, as the notorious Bob Ford, who dominates the story.
Variety Staff
A commonplace movie. December 12, 2007 | Rating: 2/5 | Full Review…
A commonplace movie.
Thomas M. Pryor
As such, more a psychological drama (emphasised by the use of close-up) than a Western, and a highly original film. August 25, 2007 | Full Review…
As such, more a psychological drama (emphasised by the use of close-up) than a Western, and a highly original film.
Arresting July 26, 2010 | Full Review…
Arresting
Fernando F. Croce
Fuller uses effective close-ups in this stylish western, giving a fresh psychological twist to familiar narrative ground. January 12, 2010 | Rating: 2.5/4 | Full Review…
Fuller uses effective close-ups in this stylish western, giving a fresh psychological twist to familiar narrative ground.
The focus of this delightfully perverse character study Western is not on Jesse James, but on Bob Ford being a man cursed by his infamy as a Judas figure. October 4, 2008 | Rating: A- | Full Review…
The focus of this delightfully perverse character study Western is not on Jesse James, but on Bob Ford being a man cursed by his infamy as a Judas figure.
Dennis Schwartz
Fuller points out the absurdity of the entire concept of modern myth-making, and kicks off the grand tradition of subversive neo-Westerns. September 30, 2007 | Rating: 8/10 | Full Review…
Fuller points out the absurdity of the entire concept of modern myth-making, and kicks off the grand tradition of subversive neo-Westerns.
Tim Brayton
Interesting mainly because it's Samuel Fuller's first film, showing off a few of his trademark touches -- but not enough to make the movie stand on its own. August 25, 2007 | Rating: 2.5/5
Interesting mainly because it's Samuel Fuller's first film, showing off a few of his trademark touches -- but not enough to make the movie stand on its own.
Christopher Null
Fuller goes deeper into his protagonist's tortured psyche, uncovering a sublimated sense of love that only finds expression as climax to his death rattle. August 22, 2007 | Full Review…
Fuller goes deeper into his protagonist's tortured psyche, uncovering a sublimated sense of love that only finds expression as climax to his death rattle.
Keith Uhlich
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