Ira and Abby (2006)
Ira and Abby (2006)
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as Ira Black
as Abby Willoughby
as Seymour Black
as Dr. Morris Saperstein
as Michael Willoughby
as Dr. Friedman
as Lynne Willoughby
as Dr. Goldman
as Arlene Black
as Dr. Silverberg
as Dr. Rosenblum
as Dr. Goldberg
as Dr. Finkelstein
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Critic Reviews for Ira and Abby
An odd love poem for cynics who have thrown sentimentality into the garbage.
The movie benefits from an exceptionally strong line-up of supporting characters beautifully played by a top-notch cast.
Ira & Abby has plenty of sharp details, mostly verbal, and it gives old pros and newer faces a chance to show off their poker-faced comic wiles.
Ira & Abby is like its characters: nice with a lot of problems.
It's sunny, oh-so-New-York and ever-so cute, and Messina and Westfeldt, under-used actors, are equally beguiling.
Audience Reviews for Ira and Abby
Another win for Jennifer Westfeldt. In disagreement with friend and Flixster reviewer, Jim Hunter, I think the group therapy session is the most amazing scene in the movie. So many overlapping arguments and grievances aired. I especially love Ira's line that criticizes Abby's penchant for people-pleasing, "It's hard being married to someone who's married to everyone."
A couple quickly falls in love and marries, and then they have to deal with the ramifications. This film is remarkably uneven. It is often jaunty and farcical, but there are moments of true pathos that demand we take the action more seriously than we had been prepared for. There is also great truth in the moments when, for example, Seymour says, "It's impossible to ever truly know anybody." But immediately after we get a ridiculous scene involving everybody's therapists and people carrying on ad infinitum. The primary eponymous story offers some fairly charming moments, but the supporting stories often have little to do with the main action and only distract from the people we want to care about. The performances by Chris Messina and Jennifer Westfeldt (especially Westfeldt) often make their outlandish characters believable, and by the end of the film, I wished I knew them better and got to spend more time in their presence. Overall, there's a lot to like about Ira and Abby, but not much to like about Ira and Abby because the film as whole suffers from too much business and not enough substance.
I'm at least glad to know that somebody is filling in for the psychoneurotic Jewish dilettante while Woody is off parading himself in Europe doing god-knows-what. This movie largely succeeds due to Jennifer Westfeldt, who plays Abby with such au naturale the role seems made for her. The supporting Jewish cast feels like a return home to my favorite genre in the world, so much that I'm willing to forgive Chris Messina for being such a complete jerk.
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