Is Anybody There? (2009)
Critic Consensus: Though Michael Caine gives an excellent performance, Is Anybody There? features a cliche-filled story that ultimately falters.
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Critic Reviews for Is Anybody There?
Profoundly (and some would say pleasurably) formulaic, the film possesses scant cinematic energy, relying wholly on the familiar transformation of a grumpy old man into an infectiously weepy humanist.
Michael Caine raises this odd-couple comedy to highly agreeable levels.
The bravura acting is unsupported by a script that's content to settle for the dramatic equivalent of English comfort food, with moments of pathos and whimsy doled out like spoonfuls of dough and treacle.
Is Anybody There? devolves into a predictable yarn about a boy and a grandfatherly figure - but adding Michael Caine to the mix means it's still worth your while.
Audience Reviews for Is Anybody There?
Clarence: Now for those of you who have never before sat in a seance, there is absolutely nothing to be fearful of. Ghosts... are very friendly sorts.
I'll start by saying I got absolutely no enjoyment from watching Is Anybody There? outside of the central performance from Michael Caine. When Michael Caine can give a performance like this, and still not lift a movie over the hill, that is saying something. Caine is one of my favorite actors of all-time, so I'll watch anything he's ever been in. I mean I watched The fucking Swarm for godsakes. Is Anybody There? never gets anywhere in my opinion. It's predictable and annoying. The little kid in this one rivals any kid in movie history for me on the annoyance level. He's right there with that little fucker from Sleepless in Seattle. And when there's an annoying kid in a film, it just ruins the whole experience for me. He's the type of kid you just want to punch in the face.
Edward is growing up in a nursing home which his parents run. By seeing a lot of death early on in his life, he has grown obsessed with death and the afterlife. He has ghost drawings hanging on his wall, and he spends his time trying to talk to the spirits in his house. Clarence shows up to take a room in the nursing home, and although the two start off on wrong terms, the two quickly become friends. I wasn't really buying the whole friendship in this one. I thought it was poorly developed, and didn't resonate the same power as say the friendship between characters in a movie like Secondhand Lions. Overall, I was fairly unimpressed by everything that was going on in this one. I found very little to take away from it, other than more reassurance that Caine is one of the best actors ever. It's a rather boring, dull, and uneventful film.
Michael Caine's gift of a performance as a lifelong ladies man finally and miserably alone at the end of the line (and whatever ruminations you yourself might be inclined to ruminate on regarding the subject of waiting to die) is the draw here. There's a secondary plot about a youth's sad and forlorn coming of age in a retirement home, and how these two oddballs come to save each other.
A brilliantly profound yet sad film with a great cast. It truly touched me and although the story was fairly predictable it was Caine that made the character. Despite his bad actions you still felt for him as he was genuinely sorry for what he did. The themes they explored were difficult to watch. Incredibly sad and I think I'll only watch it if I feel sad already.
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