Shirley
Da 5 Bloods
On the Record
I May Destroy You
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All Critics (25) | Top Critics (5) | Fresh (25)
Each shot in Late Spring is striking on its own; the mature Ozu belongs to that rare category of filmmakers whose work can be recognized from a single frame. March 3, 2016 | Rating: A | Full Review…
Each shot in Late Spring is striking on its own; the mature Ozu belongs to that rare category of filmmakers whose work can be recognized from a single frame.
Ignatiy Vishnevetsky
"Movies resurrect the beautiful dead," Susan Sontag once wrote, and there's no better way to commemorate Hara than to watch her in Late Spring, a film in which she is heartbreakingly vibrant. March 1, 2016 | Full Review…
"Movies resurrect the beautiful dead," Susan Sontag once wrote, and there's no better way to commemorate Hara than to watch her in Late Spring, a film in which she is heartbreakingly vibrant.
Melissa Anderson
One of the best two or three films Ozu ever made. January 20, 2006 | Full Review…
One of the best two or three films Ozu ever made.
Roger Ebert
Ozu's characters don't seek ecstasy, not because they are afraid of it but because they are brave enough to accept compromise. May 9, 2005 | Rating: 4/5 | Full Review…
Ozu's characters don't seek ecstasy, not because they are afraid of it but because they are brave enough to accept compromise.
Vincent Canby
Yasujiro Ozu's 1949 film inaugurated his majestic late period: it's here that he decisively renounces melodrama (and, indeed, most surface action of any kind) and lets his camera settle into the still, long-take contemplation. January 1, 2000 | Full Review…
Yasujiro Ozu's 1949 film inaugurated his majestic late period: it's here that he decisively renounces melodrama (and, indeed, most surface action of any kind) and lets his camera settle into the still, long-take contemplation.
Dave Kehr
A story that is so heartbreaking and yet so perfect in every decision made and every word spoken. July 31, 2020 | Full Review…
A story that is so heartbreaking and yet so perfect in every decision made and every word spoken.
Allen Almachar
Terrifying film about a woman who wants to be single pressured into marriage. December 3, 2016 | Full Review…
Terrifying film about a woman who wants to be single pressured into marriage.
Michael E. Grost
Yasujiro Ozu's early domestic masterwork has been given a gorgeous restoration which makes it even more treasurable-if possible-than ever. March 8, 2016 | Full Review…
Yasujiro Ozu's early domestic masterwork has been given a gorgeous restoration which makes it even more treasurable-if possible-than ever.
David Noh
Sadness is tempered with humor, even to a 'good luck' wallet found under a policeman's nose, just as, tempered by the unknown and unforeseeable, life itself is sweet as well as bitter. April 13, 2015 | Full Review…
Sadness is tempered with humor, even to a 'good luck' wallet found under a policeman's nose, just as, tempered by the unknown and unforeseeable, life itself is sweet as well as bitter.
Donald J. Levit
Ozu's low camera position helps the audience relate to his characters, and his almost-always static shots portray the sturdy demeanor of his characters. June 1, 2012 | Rating: 3.5/4 | Full Review…
Ozu's low camera position helps the audience relate to his characters, and his almost-always static shots portray the sturdy demeanor of his characters.
Eric Melin
Ozu trains his trademarked fixed camera on the deceptively simple story of a father and daughter and finds in it nothing short of the whole wide world. May 1, 2012 | Rating: 10/10 | Full Review…
Ozu trains his trademarked fixed camera on the deceptively simple story of a father and daughter and finds in it nothing short of the whole wide world.
Christopher Long
impermanence... forms the film's true subject - and it is Ozu's ambivalence towards it, as though he wants both to board the train, and to stay on the platform, that ultimately gives Late Spring its bittersweet resonance. August 23, 2010 | Full Review…
impermanence... forms the film's true subject - and it is Ozu's ambivalence towards it, as though he wants both to board the train, and to stay on the platform, that ultimately gives Late Spring its bittersweet resonance.
Anton Bitel
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