Mary Poppins Returns
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All Critics (27)
| Top Critics (16)
| Fresh (17)
| Rotten (10)
| DVD (1)
This beautiful tale of two sisters living in Sarcelles, a low-income Parisian suburb of mostly new immigrants, presents the darker side of religion while offering a candid view of an Orthodox Jewish family struggling to stay together.
It is a story told in small moments, the camera close-up on a look, the stroke of a hand, the way a blonde thread is revealed in a husband's jacket.
Anyone shopping by the ton for melodrama is well advised to browse the ample display on view in this cinematic square.
Rich in perceptive details, Albou's film has drawn favorable comparison to the work of Claire Denis (The Intruder, Friday Night), and both directors share a sensual sensitivity to their characters' inner lives.
The grand ideas are effectively integrated into a drama that relies equally upon the head, the heart and the body for inspiration.
It's very well-acted and directed, shot with great vigor, mostly in roaming closeups that plunge us right into the thick of things.
The film, which means well in its attempt to touch on Kantian philosophy, racial divides, sex and orthodoxy, and secularism versus religion, manages to insult each one of these heavy subjects by not giving any of them the serious, thoughtful attention the
The background of Little Jerusalem is a grimy landscape, both physical and political, and it overwhelms the fragile exploration undertaken by the sisters. Or maybe that's the whole point.
Albou is adventurous in intermixing a young woman's coming-of-age with a search for secular belief but her story is a bit shy on drama.
Even though the romance angle disappoints, the story still holds interest because of the jarring cultural differences, even between the Paris-reared daughters and their superstitious Tunisian mother.
The best reason to watch La Petite Jerusalem is Fanny Valette, a bona-fide beauty who brings a commitment and gravity to scenes that don't always deserve them.
Beautifully played by Valette and Zylberstein, and directed with amazing grace by Albou, this touching film offers a respectful, fascinating look at a community that's ignored as often as it's misunderstood.
A quiet, thoughtful examination of sexuality and freedom within a Jewish enclave in Paris. Two sisters, who live together and work at the same day care facility, explore what it means to be modest according to their religious traditions, and still express their sexual natures. The elder, Mathilde (Elsa Zylberstein), comes at her dilemma from within the bonds of marriage, to a man who has been unfaithful, and the younger, Laura, as a teenager just beginning to struggle with her urges. Beautifully filmed, with a great deal of tenderness, this proved a most satisfying film. The actors were chosen for their physical and emotional qualities, not because of their religious affiliation, and much of the success can be attributed to that. The girls' mother is played by Sonia Tahar, a non-actor, who was a Jewish mother who answered an open casting call, and was quite a force of nature. At times, this viewer found her character to be incredibly superstitious and overbearing, but the story needed a strong matriarchal anchor, and she amply provided that.
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