Mary Poppins Returns
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All Critics (5)
| Top Critics (2)
| Fresh (5)
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For many complicated reasons, fundamentalist Christianity in America doesn't look the same today as it did in 1972, when Marjoe won the Academy Award for best documentary.
In 1972, Sarah Kernochan and Howard Smith's Marjoe was enough of an eye-opening sensation to make news of itself and Oscar winners of its creators.
Especially entertaining is this con man's exposing all the tricks of the trade, from how he healed confederates feigning illnesses to the special gestures and vocal cadences designed to hypnotize his gullible followers.
A portrait of interior disconnect between authentic faith and cynical disillusionment.
This extraordinary documentary shows Marjoe back in the pulpit for an expose of the church-and-tent revival circuit.
A grown up child faith-healer reveals the schemes and deceptions of his trade.
Inside the brain of a con artist, this documentary is everything that's good about Elmer Gentry with the added benefit of being all true. Marjoe is an unappealing person, but the film is starkly honest and unflinching in its condemnation. The thesis isn't as intelligent about faith as it might be (because after all faith is far more complex than can be shown in a film or garnered in a tent rally), but this is still a valuable and compelling film.
Overall, Marjoe is a fascinating look at the business of conversion.
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