Loose Cannons (Mine Vaganti) Reviews
This film is struggling to overthrow FACING WINDOWS from the crown of my favorite Ozpetek's work (I do need a fresh re-watch of STEAM though). I do not dare to spoil anything here, one prominent astonishment comes at the near end, when the camera fluidly couples with different times, emanates a wonderful visual and spiritual poignancy which exactly one would love to experience from watching a decent film!
The cast may not be perfectly splendid, but every character is worth of some acknowledge for its ensemble undertaking, in particular for Ilaria Occhini (the grandmother in the film), a royal poise exuding from her own dignity, which counter-balances the dramatic banality of the coming-out-of-the-closet plight (namely a shade abominable presence of Ennio Fantastichini). Our leading man Riccardo Scamarcio (from THREE STEPS OVER HEAVEN 2004) may be in lack of a certain gay temperament as the chemistry between him and an irresistibly alluring Nicole Grimaudo is way more tangible here.
The comedy part in the film is somewhat showy but properly amusing; the intermittent interruption of grandma's marriage is adorably empathetic, also I cherish the balmy score (from Pasquale Catalano) and the moot ending which insinuates a positive perspective of the philosophy of our beings.
The blatant snub of 2011 Davide di Donatello awards (only one nomination for BEST MUSIC) is atrociously staggering in my opinion, but it will not stop Ozpetek from coming to be among the most promising virtuoso in the contemporary Italian cinema.
Who wants to spend two hours with a group of people who get along famously without so much as a cross word between anyone? Give me jealousy, love and secrets... After all, isn't this all about family? Özpetek gives his audience all this and more... a perfect blend of comedy and satire. He tells an assortment of compelling tales, all within 2 hours and gels them together without redundancy. Each character adds their own ingredient to this delicious film.
Riccardo Scamarcio stars as Tommaso, the youngest son of Vincenzo Cantone (Ennio Fantastichini) the patriarch and head of the family pasta business. Tommaso has been living his own life in Rome and is reluctant to return home and join the family business. Vincenzo is decidedly old school and insists on doing things the traditional way. He expects the same from his family and specifically his two sons. Anything else is off-limits and subject to dismissal from the family. Trouble is, Tommaso is about to reveal a secret or two... that sets off a chain reaction of hilarious (and sobering) consequences.
Tommaso reveals those secrets to his brother Antonio (Alessandro Preziosi) who runs the business' day-to-day operations. Tommaso confides that he will reveal these truths to the entire family at dinner. Antonio warns Tommaso that such a public revelation will cause irreparable damage, but younger brother has made his mind up. Loose Cannons kicks into high gear at dinner when Antonio surprises and upstages his brother with his own declaration. The results of this family dinner compel Tommaso to put his plans on hold and stay awhile.
Normally, I'd provide you more information, but you deserve to experience Loose Cannons and all its nuances for yourself. Suffice it to say, you're in for a real treat. Özpetek has an ample assortment of great actors (and characters) and wastes no time in using them all perfectly. Scamarcio is an Italian reincarnation of Tony Curtis with the same haunting eyes that demand your undivided attention. Intense looks aside, Scamarcio's innocence softens his glare and what remains is a man on the cusp of truly finding himself. Tommaso is paired off (literally) with Alba (Nicole Grimaudo) a true loose cannon, but not in the same meaning as the title. Tommaso and the assertive Alba run the business for a while, and start to develop feelings for each other.
Let me say one thing about Grimaudo... She is the perfect woman! Seriously, I'd marry her on the spot without having ever met her in person. If she's half as interesting as the character she plays with such gusto, I'd be twice as happy. From the moment she drives on screen, Grimaudo steals the film (no easy task with such a gifted ensemble.) She takes mundane details such as changing shoes to eye-catching (or in my case, heart-stopping) heights. Her relationship with Tommaso is like a fine Italian dish... each step is taken with care and precision; And while it's obvious they can never be together, you still find yourself holding out hope.
As for the rest of the ensemble, you could hand out multiple awards based on a few moments on screen. Ilaria Occhini is sensational as Tommaso's grandmother who knows a thing or two about secrets. Paola Minaccioni is delightful as the much maligned servant Teresa, and Elena Sofia Ricci is even better as Tommaso's lovelorn aunt who really should wear her eyeglasses more often. The insertion of Gianluca De Marchi and friends gives the film an even further boost with an Italian twist on La Cage aux Folles.
The one thing Loose Cannons doesn't do (not that it has to) is bring much new to the table: Özpetek merely perfects what we've seen here and there in prior films. But as any accomplished cook will tell you, it's the simplest ingredients that make the best meals.
An excellent portrait of the typical Italian family, their prejudice and their obsession to be feign the perfect family!