The LEGO Movie 2: The Second Part
The Walking Dead
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No consensus yet.
All Critics (18)
| Top Critics (5)
| Fresh (8)
| Rotten (10)
| DVD (1)
This is flash in the service of nothing, the proverbial sow's ear doing an indifferent imitation of a silk purse.
Nowhere to Hide may not be devoid of substance, but beneath the virtuoso finish it's rotten to the core.
Lee can't tell a story to save his life, but he's something of a visual magician, laying out glittering piles of goodies that you instinctively want to follow.
Reveals that in Lee Myung-Se Korea has a filmmaker with enough razzle-dazzle and visceral appeal to rival Hong Kong's -- and Hollywood's -- John Woo.
The film often churns with the pleasure that visual stimulation can provide and more affection for the bang-bang techniques than you're likely to see in the movies of music-video directors simply making the jump to the big screen.
Myung-se usa o seu fiapo de roteiro para nos lembrar da velha máxima de que Cinema é, de fato, Imagem; e o resultado é um filme que contrasta os personagens falhos e incompetentes a um incrível virtuosismo visual e à trilha surpreendente.
The shots may look cool, but their artiness prevents the film from building momentum.
The bottom line is that Lee's innovative but ultimately tedious and even ludicrous MTV-style visuals add absolutely nothing to the story dynamics.
Too often the film and its visuals feel [like] disconnected, self-indulgent set pieces.
There's an exuberant, (post)modernity about the visuals -- the camera is never still and Lee's choice of angle is often inspired.
A skinny little mediocrity of a film, all dressed up with no place to go, except towards more violence.
Of course, there's no real story here, unless you want to hear the one about the self-obsessed filmmaker who thought this project would be cool.
It's absolutely chaotic to look at with visual tricks and flashy camerawork accompanying the hard-hitting, brutal, but relatively bloodless, action and fights. It's a unique little Korean action-thriller but the plot is lacking and the cops are even more brutal than the drug-dealers they're at war with, so they don't come across as very likeable. It's fun and unique though and worth a look if you like far-eastern cinema.
Park Joong-Hoon is quite underrated, the movie has probably the most generic cop/crime story ever written, but the whole investigation is fun to watch. The slow-mo abuse could make even Zack Snyder cringe, but it's tolerable.
Brutal, funny and stylishly directed film about Korean cops tracking down a murdering gangster, creates some great characters with stunning, atypical images. Some may be shocked by the methods used by the Korean homicide investigators, as they rabidly trash human rights to accomplish their goal.
Brutal but bland Korean cops chase crooks through a generic plot. With its blaring soundtrack, flashy editing and pointless camera tricks, it seems like a 112 minute music video, with all the depth of characterization typical in that genre.
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