One False Move

1992

One False Move

Critics Consensus

One False Move makes nary a misstep as it unfurls a seedy caper with hard-hitting action and sly humor, marking an arresting debut for director Carl Franklin.

96%

TOMATOMETER

Total Count: 50

75%

Audience Score

User Ratings: 4,750
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One False Move Photos

Movie Info

Carl Franklin made his directorial bow with the story of three LA drug dealers who, after committing a rather messy murder, hide out in a rural Arkansas town. Assuming that the local "rubes" will offer them little interference, the criminals have not reckoned with sheriff "Hurricane" Dixon (Bill Paxton). Despite the arrogance of the LAPD agents sent to Arkansas to collar the crooks, it is down-home Dixon who puts the final bloody showdown into motion (the fact that the thieves have been falling out throughout the film doesn't hurt things either). Carl Franklin knows where he's going in every frenetic frame of One False Move, and his movie was one of the most acclaimed independent releases of 1991.

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Cast

Bill Paxton
as Dale `Hurricane' Dixon
Cynda Williams
as Fantasia/Lila
J.D. Bridges
as Bobby Post
John Mahon
as Chief Jenkins
Max Segar
as Assistant Chief
Layne Beamer
as Texas State Trooper
Rocky Giordani
as Billy "The Face"
Jeff Bailey
as Harlan Childress
Steven Reich
as Car Salesman
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News & Interviews for One False Move

Critic Reviews for One False Move

All Critics (50) | Top Critics (14)

  • Franklin's convincing portrait of life on both sides of the color line isn't quite like anything I've come across before, making One False Move one very assured directorial move. We need more filmmakers like him.

    May 6, 2013 | Rating: 3.5/4 | Full Review…
  • For most of the way, One False Move is taut and sure-footed.

    May 6, 2013 | Rating: 3.5/5 | Full Review…
  • Skillfully performed and welcomely unpredictable, this low-budget crime film, made by actor turned director Carl Franklin, starts out as a herky-jerky exploitation piece, then turns into something better.

    May 6, 2013
  • Everything about this movie -- the terse writing, the concise directing, the smart, unaffected acting -- is eminently satisfying.

    May 6, 2013 | Rating: 3.5/4 | Full Review…
  • The biggest difference between One False Move and most other action films is the sting in its violence. There is so little stylization here -- so little gimmickry -- that when someone is shot or knifed, you feel it.

    May 6, 2013 | Rating: 4/4 | Full Review…
  • Mixing moments of genuine terror with offbeat comedy, writers Tom Epperson and Thornton have created a script that jumps along with the energy of In Cold Blood.

    May 6, 2013 | Rating: 4/4 | Full Review…

Audience Reviews for One False Move

  • Feb 06, 2012
    Hard boiled. Pretty much unmemorable.
    John B Super Reviewer
  • Nov 29, 2011
    Solid direction but ultimately a disappointment. A few parts greatly intrigued me, but as for the rest of the film, it was pretty much routine for a crime thriller.
    Stephen E Super Reviewer
  • Aug 14, 2011
    Solid direction but ultimately a disappointment. A few parts greatly intrigued me, but as for the rest of the film, it was pretty much routine for a crime thriller.
    Stephen E Super Reviewer
  • Jul 23, 2011
    One False Move was simply a beautiful, and little seen, crime film. Three drug dealers on the run are suspected to be heading towards Arkansas. Here, a couple of big city cops meet up with the local sheriff. Paxton is fantastic in this role. He's not very worldly, has never had to use his gun, and is just a little too excited about the approaching threat. His enthusiasm comes off as naivety, and he is laughed off by the LAPD. The film does well to follow the cops and the killers. We see a bizarre triangle between the murderers. Thornton is filled with anger and out of control, whereas his partner is cool and calm but ultimately terrifying. The pacing of this film was done very well, offering moments of tension in a film that has a lot of waiting around. It also harvests a lot of emotion and depth for its characters. Paxton comes off the best as a giddy little boy waiting for Christmas. There are some great moments, such as his reaction to hearing the teasing from the city cops. Another scene sees him use the "n" word in front of the black cop. His facial expression is priceless, as he realises what he has said. Eventually Paxton takes responsibility, and he shows that his enthusiasm masks his competence. A big fish in a small pond. One False Move is very dark, but has a lot going for it. Most of all the tender ending.
    Luke B Super Reviewer

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