Portrait of Jason (1967)
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Critic Reviews for Portrait of Jason
Like any star turn, Holliday's performance rings utterly true. It's that indefinable but unmistakable reality-beyond-reality called art.
Whether Jason is laughing or crying, he holds you rapt with tales that conceal as much as they reveal.
Serves as a sideways time capsule, creating a blurry snapshot of an Afro-camp subculture during the era of Christopher Street bar raids and burn-baby-burn rioting.
Audience Reviews for Portrait of Jason
Every interview is a performance. And you are very unlikely to see one as entertaining as the one in the case of Jason Holliday(ne Aron Payne), hustler and house boy extraordinaire, who is attempting to put his vast experiences together into a nightclub act, thus enlivening that particular American trait for reinvention. At the same time, the only name dropping he does concerns Miles Davis which considering what has been written by and about Davis, it is not out of the realm of possibility that he did know a few hustlers in his time. And even though Jason also covers some very serious material like his abusive father, he remains garrulous throughout, occasionally taking puffs on a joint. Even when the video fails at one point, the filmmakers do their best to keep the audio going, in order to record as much of Jason's story as they can.(The boom mike also puts in an appearance.) Otherwise, scenes are marked by the imaqe fading in and out. That pattern continues until almost the end when the filmmakers begin to call out Jason about some of his stories.
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