Prince of Darkness (1987)
Critic Consensus: Prince of Darkness has a handful of chillingly clever ideas, but they aren't enough to put John Carpenter's return to horror at the same level as his classic earlier outings.
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Critic Reviews for Prince of Darkness
John Carpenter seems to be hovering between cold-eyed mechanical fear-making and horror camp.
''Prince of Darkness'' is a real tour de force, and a welcome return.
Carpenter spends so much time turning the screws on the next scare that he completely forsakes his actors, who are already stranded with a shoddy script.
The claustrophobic terror generated by fluid camerawork and striking angles is reinforced by a narrative which builds slowly but surely towards a heart-racing climax.
None of the performances are super, though Alice Cooper, the one-time rock star, makes an arresting cameo appearance as a mean-spirited zombie who stands outside the church, intimidating anyone who looks through the window.
Audience Reviews for Prince of Darkness
Another minor horror flick from Carpenter that has gained cult status over the years. This is actually the first time seeing this film for me and like other Carpenter horrors I found it familiar, not really scary, but nicely creepy with something to think about after. I was surprised how similar the plot is to his other films, a group of people stuck inside a building, trapped, fighting against an evil force. A few of Carpenters films follow these sorts of themes, always fighting an evil supernatural force or gangs of zombie-like bad guys. You can tell its Carpenter a mile away although that's not a bad thing, its always pretty comforting to see his recognisable visual style from way back. I'm sure you all know what I mean, the filming in widescreen/anamorphic, stark lighting contrasts, his now legendary synthesized musical scores, handheld cam/steadicam, the fact you never really see the evil the good guys are fighting that much, plots with hidden meaning, strong individual lone characters, opened ended finales on occasions etc...Everything is present and correct in this horror tale and its enjoyable to see. Alongside all of that the cast are mostly recognisable too, hot off the heels of 'Big Trouble' Dennis Dun and Victor Wong are cast again, Pleasence is back as another lone force of good to try and stop the force of evil and character actor Peter Jason pops up again here with a meatier role. To be honest I would say that is the one problem with the film, its too familiar from Carpenter. The plot is bordering on his other works, he uses many of the same actors again when they don't really fit the bill (Dun and Wong here) and it kinda looks and sounds the same as his other works too. The score could easily be from any of his films frankly, its good and atmospheric but you could stick it anywhere, any one of his films. In all honesty this film is virtually 'Assault on Precinct 13' but with possessed people instead of criminals. The devil is never mentioned I believe, but I'm assuming the 'father' was suppose to be the devil? and the dreams of the future are showing this evil force to have taken over the world?? hence the warning in the dream I think. Not too sure how this evil became trapped within the cylinder, or how it was placed into the basement of this church, or where the evil actually comes from originally and its goal etc...but lets just overlook that a bit shall we. That said I did enjoy the film and I thought the finale was a good thinker, a bit creepy and dark, wraps up quick and open ended...nice. Makeup and special effects are decent and created with thought, the film has a nice spooky pending doom vibe about it and the story is interesting if a little bland. Not quite as good as other Carpenter tales but still solid.
A priest discovers the essence of evil buried in a vault underneath a Los Angeles church, and a team of professors and grad students set out to study it. Like a lot of John Carpenter's late horror movies, this one frequently weaves back and forth across the thin line that separates intriguing from goofy.