Shirley
Da 5 Bloods
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I May Destroy You
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Italian director Saverio Costanzo delivers a gritty and intimate drama about how the Israeli-Palestinian conflict affects a Palestinian family and the Israeli soldiers occupying their home.
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All Critics (34) | Top Critics (13) | Fresh (28) | Rotten (6)
A sketchy but compelling Italian movie about Middle East power struggles. April 7, 2006 | Rating: 3/4
A sketchy but compelling Italian movie about Middle East power struggles.
John Hartl
The film's paranoia and sense of futility won't change your feelings about the Middle East. But it may open your eyes to the sense of violation that drives the endless cycle of violence there. March 15, 2006 | Rating: 4/5
The film's paranoia and sense of futility won't change your feelings about the Middle East. But it may open your eyes to the sense of violation that drives the endless cycle of violence there.
Roger Moore
... involving and provocative ... December 2, 2005 | Rating: 3/5 | Full Review…
... involving and provocative ...
Kevin Thomas
While the film is ultimately too limited in its scope to have much lingering impact, it does make for a thoughtful addition to the growing list of films dealing with the Israeli/Palestinian conflict. December 2, 2005
While the film is ultimately too limited in its scope to have much lingering impact, it does make for a thoughtful addition to the growing list of films dealing with the Israeli/Palestinian conflict.
Frank Scheck
The Palestinian characters are so thinly conceived that they might as well be named Victims One through Seven, and they're far more developed than the Israeli characters. November 18, 2005 | Rating: 1/4
The Palestinian characters are so thinly conceived that they might as well be named Victims One through Seven, and they're far more developed than the Israeli characters.
Kyle Smith
Private, Italian director Saverio Costanzo's stunning human drama, would seem like something out of Kafka if it weren't based on real events and a relatively common fact of contemporary Palestinian life. November 18, 2005 | Rating: 3/4
Private, Italian director Saverio Costanzo's stunning human drama, would seem like something out of Kafka if it weren't based on real events and a relatively common fact of contemporary Palestinian life.
Jack Mathews
Shooting with hand-held digital video cameras, Costanzo achieves a powerful immediacy, particularly when conveying the chaos and terror of the nighttime raids endured by the family. April 24, 2019 | Rating: 4/5 | Full Review…
Shooting with hand-held digital video cameras, Costanzo achieves a powerful immediacy, particularly when conveying the chaos and terror of the nighttime raids endured by the family.
Tom Dawson
... as politically defiant a metaphor for Israeli-Palestinian relations in the occupied territories as you'll ever see on screen. April 6, 2006 | Rating: B | Full Review…
... as politically defiant a metaphor for Israeli-Palestinian relations in the occupied territories as you'll ever see on screen.
Sean Axmaker
The script is occasionally heavy-handed in laying out motivation and meaning, but excellent performances from the Israeli-Palestinian cast and a chilling moral elevate this to more than 'issue film' status. April 1, 2006 | Rating: 3/5 | Full Review…
The script is occasionally heavy-handed in laying out motivation and meaning, but excellent performances from the Israeli-Palestinian cast and a chilling moral elevate this to more than 'issue film' status.
Costanzo's debut feature film is potent stuff. March 18, 2006 | Rating: 3/5 | Full Review…
Costanzo's debut feature film is potent stuff.
Marjorie Baumgarten
The movie is more noteworthy for the intimate suspense it brings to the subject of Israeli occupation than for any dramatic conclusion it chooses to reach. March 9, 2006 | Full Review…
The movie is more noteworthy for the intimate suspense it brings to the subject of Israeli occupation than for any dramatic conclusion it chooses to reach.
Steve Schneider
Rather than evincing some subtlety in its depiction of the Palestinian-Israeli conflict, the movie's Italian makers prefer to engage in melodrama and simplistic Israel-bashing. January 1, 2006 | Rating: 2/5 | Full Review…
Rather than evincing some subtlety in its depiction of the Palestinian-Israeli conflict, the movie's Italian makers prefer to engage in melodrama and simplistic Israel-bashing.
Shlomo Schwartzberg
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