The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Resident Evil: Afterlife recycles nearly every horror convention. The plot is not original and the 3D is quite bad. And since we've literally seen all this before, it's only occasionally entertaining, and rarely interesting.
With a simple plot paired with great action scenes in its brisk run time, that's all I really need from the series and 'Resident Evil: Afterlife' puts some new blood and excitement into what was close to becoming a dead franchise.
The action, however spirited in its manic creativity, is so relentlessly repetitive that it ceases to be as cool as the director plainly imagines it to be a very long time before the end of the movie .
True to series form, plot is nearly indiscernible, but this fourth installment in the sci-fi/horror/action franchise created by writer-director Paul W.S. Anderson is the sleekest so far, thanks to 3D and star Milla Jovovich's body-hugging catsuit.
Resident Evil: Afterlife ... is boring, but you probably already knew that. The primary source of inspiration for the screenplay seems to be Alien 3 -- the very worst of the Alien films -- in both its content and incomprehensibility.