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It may offer little new for fans, but Martin Scorsese's document of the Rolling Stones' electrifying live show should provide satisfaction to audiences.
All Critics (124)
| Top Critics (42)
| Fresh (106)
| Rotten (18)
| DVD (5)
It's hard to imagine, I know, but Shine A Light gives us the Rolling Stones in a fresh way.
The effect was intense and overwhelming, but I mean that in a good way.
At times, the cutting shifts from the hasty to the impatient to the borderline epileptic, and, while never doubting Scorsese's ardor for the Stones, I got the distinct impression of a style in search of a subject.
The genius of Scorsese's film, which is being shown in IMAX in 93 theaters, is that it reveals the Stones' mortality while celebrating all that makes them more than mere mortals.
It's showbiz, after all. And the band still rocks like none other, true to their creed that if their adored blues masters can play into their dotage, then so can they.
Close-ups detail the etched faces of the Stones, but they've never seemed more ageless. Their music and spirit are still brash and youthful.
The Stones have been the subject of some great documentaries, but Scorsese makes no new discoveries here.
In many ways [Shine a Light is] an unintentional funeral dance commemorating the vanished vitality and subversive potential of mainstream rock 'n' roll and celebrating its current utility as a nostalgic anodyne.
Shine A Light is a masterful concert film, one that will appeal to movie lovers and hardcore Stones admirers alike.
Once the Rolling Stones push "Jumpin' Jack Flash's" tempo toward a cliff, Scorsese treats "Shine a Light" like a character piece about artistic give-and-take, not a mere concert film. As long as the Stones are ambulatory, they're ageless.
Unanswered question: If this is what Keith Richards' face looks like when he goes on stage, what does he look like when he gets up in the morning?
Note to self: Need more yoga ASAP.
The beauty of this musical documentary of the Rolling Stones circa 2006 is that you don't really realize the technical brilliance that goes on behind the scenes; and brilliant it is - seamless editing and whirlwind use of hundred of cameras make this Scorscese effort a joy to watch.
Anything else you may want to say about the film is strictly about performance, and here the Stones give a pretty darned good accounting of themselves, with Mick still Jumping Jack Flash, in perpetual motion while the band chugs along in their loose, "it's only rock and roll" garage band way. What really comes through here is the brilliance of Keith Richard's supporting guitar play. He is such an expert at nailing the backbeat, which is the soul of the Stones sound.
I was also impressed that Charlie Watts - almost 70 I believe, was still bringing it on drums, even at the end of the over 2 hour performance - especially on Brown Sugar.
The cameo appearances are fun, with the Jagger duet with Christine Aguilara especially ripping, though I felt that the jam with Buddy Guy lacked focus (and it was obvious that the band struggled with the odd blues progression).
Marty interspersed the affair with some archival interview footage that was only occasionally enlightening, with the most entertaining bits concerning bandmate statements about longevity from the 60's.
In all - I found this to be entertaining and a true insight into the power of the band - much more intimate than the concert footage from say the Steel Wheels Tour. You don't have to be a Stones fan to dig this - but having an appreciation for music will help.
Grandpa's tearing shit up.
Having already covered such musical talents as The Band in "The Last Waltz" and Bob Dylan in "No Direction Home", director Martin Scorsese now turns his hand to iconic rock 'n' roll band The Rolling Stones.
The closeness that Scorsese achieves is nothing short of magnificent. He must have had cameras everywhere and manages to capture the vibrancy of this fabulous band during their "A Bigger Bang" tour, playing at the Beacon theatre in New York. He manages to get so close you can see every wrinkle, every pore and you can almost smell the whisky from Keith Richards. Having been going strong for nearly 50 years (they were formed in 1962) and each band member over 60 years old, they've still got what it takes and can still get a crowd going. Their vibrancy is second to none and you can see why they have lasted so long. Tour footage is intercut with old footage of the band in their younger days and rise to stardom. It also briefly shows how the film was put together with footage of Scorsese conducting his documentary as the legends on-stage conduct their music. You can see Scorsese has a love and a knowledge of this great band. Otherwise, we probably wouldn't hear so many of their classic songs played throughout his films. It's just a shame that the band members have aged. This would have been a much better intrusive film had it been The Stones in their prime. However, they're still an exceptional outfit, Mick Jagger's energy still impresses and they remain my favourite.
For Stones aficiondos only. If you count yourself as one, then you'll love it.
saw this on an IMAX screen
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