Ralph Breaks the Internet
Mission: Impossible - Fallout
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No consensus yet.
No consensus yet.
All Critics (104)
| Top Critics (33)
| Fresh (87)
| Rotten (17)
| DVD (1)
There will never be another Marilyn Monroe or Elizabeth Taylor, but Hollywood may have found a new Lee Remick in Mary Elizabeth Winstead.
Winstead and Paul make their characters feel like flesh and blood, not stereotypical Lost Weekenders. Their love is as real as their future is shaky. And that's the film's great tragedy.
The camera work is handheld and jittery, reflecting Kate's often wobbly state of mind, and the character's decidedly nonglam wardrobe, minimal makeup and charm-free home feel honest and right.
Winstead, a relative newcomer, handily carries this slender film.
It's an addiction-and-recovery movie without the usual side-effect of wallowing melodrama.
Winstead is an inarguably warm actor. She's just not doing the sort of work that transcends the movie's shortcomings.
While writer/director James Ponsoldt's screenplay tends to saunter along at times as it seeps further into starkness, Winstead and Paul's performances will keep you engaged until the end.
While Smashed doesn't flinch away from some grim realities of alcoholism, it's not an unrelentingly grim kitchen-sink drama; there are attempts at a bit of black comedy.
Ponsoldt keeps up a good pace and refuses to let the material get too heavy. He focuses on the characters and their slip ups, jokes, frustrations, and all the imperfections that make up a person.
Winstead is immense in this picture, a true force of nature who embodies so many complexities and demons that make her this perpetually broken protagonist...
The only ingredient that renders it remotely unique is an Oscar-caliber performance from Mary Elizabeth Winstead as the proverbial drunk with a heart - and liver - of Johnnie Walker Gold.
Smashed is a non-judgmental snapshot of the small world surrounding this couple, and is filled with insightful moments and really great low-key performances.
"Smashed" follows two alcoholics as their lives begin to fall apart without them even realizing it, but when Kate (Mary Elizabeth Winstead) begins to sober up, her husband get's even worse. Living off of his parents money, he has no reason to stop. Aaron Paul and Mary Elizabeth Winstead give their all's in their performances here and their chemistry is almost as if they are married in real life. I believed every word they were saying to each other, and with such a short running time, it did not feel like anything had been in there as filler. Extremely well-written, well-directed, and brilliantly acted, "Smashed" is one of my favourite romance films out there. I was sucked in from the beginning and cried when the characters did, and that is when you know you are watching a great film. Terrific!
Good Indie drama about a hard partying alcoholic woman who hits rock bottom, and decides to try to sober up. Mary Elizabeth Winstead plays Kate, the young alcoholic woman trying to clean up her act, and she is amazing in this. The movie seemed very real in it's portrayals, and the challenges she faces in trying to stay in a marriage that's founded on drinking. Not fast moving, but heartfelt, and interesting all the same...
I expected this movie to be funnier, especially with Nick Offerman and Megan Mullally in the ensemble. A young couple revels in love and booze, but the wife eventually attempts sobriety to the husband's carefully masked disappointment. Alcoholism isn't inherently funny, but a film about it should be to some extent; otherwise, the struggle becomes melodramatic and the same as every other textbook addiction film.
Nick Offerman's awkward flirtation is intended to provide some comic relief, but it just ends up being overlong, creepy, and inconsequential. The script is realistic and provides some riveting plot points (Kate teaching her 1st graders with drunken exuberance, then puking and perpetuating the kids' assumption that it was morning sickness; Kate waking up under a shady overpass, unsure and scared of what transpired the night before; Kate losing control of her bladder at the liquor store and then sneakily exiting with the wine she wasn't allowed to buy due to the curfew). However, my main critique of the script is that it needed less text and more subtext in the climactic fight scenes. The accusations are so on-the-nose: "You're the reason I can't be sober!" Everything is spelled out and predictable.
Mary Elizabeth Winstead (along with Gemma Arterton and Hayley Atwell) has one of those faces that I can never recognize. She looks different every time I see her. She has some shining moments of vulnerability in this role, but her drunkenness is once again, a bit on the nose. My first acting teacher said acting drunk for a role is tough because drunk people don't necessarily act drunk; they try to act like they're NOT drunk. Aaron Paul, as husband Charlie, is quite magnificent with his ice-blue gaze. Charlie is slightly douchey and overall loving, but the way he loves isn't enough for Kate anymore. Aaron Paul does well in disguising his secret hope that Kate will rejoin his bad behavior as support.
A well-intentioned, though heavily flawed drama concerning an alcoholic young teacher (Mary Elizabeth Winstead) who must comes to terms with her life after a series of horrible decisions under the influence of alcohol. While Winstead is utterly phenomenal in a performance that should have got her nominated for an Oscar, she's unfortunately trapped in a film that suffers from a case of inexcusably awful writing at one crucial point in the story that the film builds on. The "pregnant" lie she tells is handled horribly (anyone in the world would have said "I'm feeling sick today" instead of make up some inescapable lie), and if it weren't for Winstead being so unbelievably terrific here, the film would be near unwatchable. But she is outstanding, as is her supporting cast, and the way the writers detail their characters is actually surprisingly well-done given most indie films sometimes kick character development to the curb except for the lead character. With all that said, it's not a bad movie. It is flawed, but it is well-paced, well-acted, and as said it has a good heart at showing just how dangerous the life of an alcoholic can be, while still giving us hope that all is not lost. Not a total recommendation given it's obvious flaws. "Flight" still crushes this film given the subject material, but it's certainly not anywhere close to a bad movie.
View All Quotes