Street Scene

Street Scene Photos

View All Photos (1)

Cast

Sylvia Sidney
as Rose Maurrant

William Collier
as Sam Kaplan

William Collier Jr.
as Sam Kaplan

Beulah Bondi
as Emma Jones

Estelle Taylor
as Mrs. Maurrant

Max Montor
as Abe Kaplan

David Landau
as Frank Maurrant

Matt McHugh
as Vincent Jones

Russell Hopton
as Steve Sankey

T.H. Manning
as George Jones

Greta Granstedt
as Mae Jones

Tom Manning
as George Jones

Adele Watson
as Olga Olsen

John Qualen
as Karl Olsen

Anna Konstant
as Shirley Kaplan

George Humbert
as Filippo Fiorentino

Douglas Carter Beane
as Dick McGann

Eleanor Wesselhoeft
as Greta Fiorentino

Nora Cecil
as Alice Simpson

Louis Natheaux
as Harry Easter

Lambert Rogers
as Willie Maurrant

Virginia Davis
as Mary Hildebrand

Helen Lovett
as Laura Hildebrand

Kenneth Seiling
as Charlie Hildebrand

Conway Washburne
as Dan Buchanan

Russell Howard
as Dr. John Wilson

Dick Powell
as Officer Harry Murphy

Walter James
as Marshal James Henry

Harry Wallace
as Fred Cullen

Monte Carter
as Minor Role

Jane Mercer
as Minor Role

Margaret Robertson
as Minor Role

Walter Miller
as Mr. Bert Easter

View All

Critic Reviews for Street Scene

Audience Reviews for Street Scene

• Sep 06, 2018

  Wearing its heart on its sleeve, this slice-of-life (whose message is the question "why can't we all just get along?"), set in front of a New York apartment building in a poor neighborhood, is about social justice and hangs it's coat on one family where the husband both ignores his wife and derides her. The production shoots for the stars and aims for the heart, though the effort hasn't aged well. Still, its a quality effort. Bealah Bondi, trusty character actress, carries the thing as the well-meaning neighbor you love to hate.
  Kevin M. W Super Reviewer
• Jul 01, 2012

  Tensions run high in a multi-ethnic neighborhood during a New York heatwave. It sounds like the plot of Spike Lee's "Do The Right Thing" yet this was filmed some sixty years prior. As well as Lee, it appears to have had a major influence on Woody Allen. If you've seen "Manhattan" (and if you haven't, stop reading and go watch it) several sequences will be familiar. The opening and middle montages of New York at sundown and sunset with their Gershwin-esque score by Alfred Newman bear more than a passing resemblance to Allen's great opening. Likewise the movie's final scene, involving a rebuttal of a lover by a young girl who is a lot more mature than he had thought. It's adapted by the writer Elmer Rice from his Pulitzer winning stage play and in the hands of an average director of the time it would probably be no more than a filmed play. Vidor is not average thankfully and this is a beautiful film in the visual sense. His camera is constantly on the move, probing the nooks and crannies of a very convincing set. He finds inventive angles which reveal subtle information such as the low shot which reveals the outwardly prim and proper Bondi adjusting her underwear out of sight of the neighbours she disrespects. Had this been made after the introduction of the code it would have been a very different film. Characters throw racial insults around casually and the local good-time girl flaunts her bra-less cleavage in a manner which must have provoked outrage at the time. Thanks to the pre-code dialogue, the movie has aged extremely well. The New York Times complained at the time that the dialogue was "spoken without sufficient pause". This of course was made a good decade before Hawks and Sturges would turn quickfire banter into an artform. The realistic language seems however to enable the actors to relax into their parts and the performances are so natural it feels like it was made thirty years later. Sidney is particularly good and looks fantastic. I actually came across this purely by mistake while searching for another of Sidney's movies, "City Streets". You can view the movie in it's entirety on Youtube and I thoroughly suggest you do.
  The Movie W Super Reviewer

Street Scene Quotes

Movie & TV guides