Mary Poppins Returns
Mission: Impossible - Fallout
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All Critics (34)
| Top Critics (17)
| Fresh (25)
| Rotten (9)
With its lyrical approach to a deliberate pace, the movie develops a hypnotic effect even when deceptively little happens.
Matt Sobel transforms a nightmare he once had into an evocative, original drama.
Is it me, or is the big climactic reveal not really worth all the hubbub?
Sobel evokes more terror from a shot of a field of sunflowers, or a weathered barn, than can be found in the last dozen found-footage films combined.
Sobel is clearly trying to hit on something more original than a family-secrets drama, but in doing so, he pulls most of his punches.
The movie pivots from what I expected it to be: a family drama about an outsider, as the opening conversation suggests. Instead, it becomes an eerie mood piece about secrets buried deep in a family's fabric.
While shot like a slice of life narrative, the film pushes the comfort-zone of the viewer to the edge like not many films, let alone small budget independent ones, can.
[Matt Sobel] illuminates blurry lines in a fascinating way, but what those lines mean, how they've been crossed, and where things go from there are beyond the scope of the film.
Even though the dialogue occasionally feels calculated, there is an undeniably compelling air of menace and secrecy generated, making it hard to guess what might happen next.
All-too-familiar familial battleground, well-known from decades of low-budget indie drama.
You'll have to see for yourself what a slender plot line, well-chosen parts, and skillful directing can achieve with a handful of rich characters and a deceptively peaceful setting.
Yet another dysfunctional family drama indie film, writer-director Matt Sobel's Take Me to the River has its flaws. But on the whole, this is an impressive feature debut.
The more things change, the more things stay the same. That is supposed to be the message of this unique Sundance Film Festival winner, however any message the film intended to share was lost by it's sheer disturbing nature. Ryder (Logan Miller) is a Gay California teenager who is going with his parents to a family reunion in Kansas. Knowing that her rural family will never understand, Ryder's mother has kept that little detail from the rest of the family, much to Ryder's chagrin. Ryder rebels in his own way by wearing an outrageous outfit and keeping to himself at the family outing, only spending time with his young cousin, Molly (Ursula Parker) who wants to play in the barn. When Molly comes running back from the barn with an unusual bloodstain, Ryder earns the ire of the rest of his family and wants to tell them he's gay, but apparently being thought of as something else is even better than that. If this film displays one thing, it's that homophobia is alive and well, and that should have been more the focus of this film. While I think everyone pretty much suspected Ryder was gay, the whole situation with Molly made them think he was something else too and the focus was on that. The families reaction to it was what was even more disturbing as it ranged from what you'd expect to sheer ridiculousness. I honestly can't believe some of the things that happened in this film, as they were both disturbing and seemingly without much of a purpose. Logan Miller stars and now that I've seen him in a few other things, I can honestly say that he's the kind of actor who has to fit the role. He has this kind of whiny, emo boy personality that just doesn't fit with everything. In a film like this, if anything I'd expect him to be more outraged, emotional to the point of being over the top but he really wasn't, it was as if he didn't grasp what he was being accused of. Take Me To The River focused on a single event and just didn't let go, everything else became irrelevant. The film was disturbing, the acting was sub-par, and a lot of what happened just didn't seem to make a whole lot of sense.
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