The Testament of Dr. Mabuse (1933) - Rotten Tomatoes

The Testament of Dr. Mabuse (1933)

The Testament of Dr. Mabuse (1933)

TOMATOMETER

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AUDIENCE SCORE

Critic Consensus: No consensus yet.

The Testament of Dr. Mabuse Photos

Movie Info

In this sequel to Dr. Mabuse, The Gambler, the mad Dr. Mabuse is imprisoned in an insane asylum, yet he continues to run his crime empire. In his cell, he plots the world's destruction. After the mad doctor dies, the asylum's director is possessed by the soul of Mabuse.
Rating:
NR
Genre:
Art House & International , Classics , Drama , Mystery & Suspense , Special Interest
Directed By:
Written By:
In Theaters:
 wide
On DVD:
Runtime:
Studio:
Criterion Collection

Cast

Rudolf Klein-Rogge
as Dr. Mabuse
Otto Wernicke
as Commissioner Karl Lohmann
Oscar Beregi
as Prof. Doctor Baum
Karl Meixner
as Hofmeister
Theodor Loos
as Dr. Kramm
Klaus Pohl
as Muller
Camilla Spira
as Juwelen-Anna
Theo Lingen
as Hardy's Friend
Oskar Hocker
as Bredow
Paul Henckels
as Lithographer
Georg John
as Baum's Servant
Ludwig Stossel
as Employee
Hadrian M. Netto
as Nicolai Griforiew
Paul Bernd
as Erpresser / Blackmailer
Henry Pless
as Bulle
Gerhard Bienert
as Police Inspector
Show More Cast

Critic Reviews for The Testament of Dr. Mabuse

All Critics (18) | Top Critics (4)

The story is very long-winded and even an ingenious director like Fritz Lang could not prevent its being rather slow-moving in places.

Full Review… | March 26, 2009
Variety
Top Critic

By 1932, the character had become rather more than just king villain of the serials: Testament finds him mouthing undisguised Nazi slogans from his asylum prison.

Full Review… | February 9, 2006
Time Out
Top Critic

It is a hallucinating and horrifying story, depicted with great power and the extraordinary beauty of photography that Lang has led his admirers to expect.

Full Review… | May 9, 2005
New York Times
Top Critic

The movie captures an air of dread, despair, and individual impotence -- a political atmosphere that meshed perfectly with Lang's raging paranoia.

Full Review… | April 24, 2003
Chicago Reader
Top Critic

Fritz Lang's suspense masterpiece starts with a kick and then piles on the subterfuge, suspense and terror.

Full Review… | August 7, 2012
Shadows on the Wall

[Lang's] ambitious command of the medium...keeps us rooted to our seats from start to finish.

Full Review… | September 5, 2010
Cinema Writer

Audience Reviews for The Testament of Dr. Mabuse

½

Despite pacing issues, a confusing ending and how we are usually too many steps ahead of the characters, it isn't hard to understand why the Third Reich, which was a nationalist regime that strongly defended order, banned this thought-provoking crime film when it came out.

Carlos Magalhães
Carlos Magalhães

Super Reviewer

In spite of the efforts of men like Johannes Schultz and Gustave Le Bon, hypnosis was often viewed as something supernatural or other-worldly well into the mid-twentieth century. This was not lost on German director Fritz Lang who made full use of public misconception here in this spin off of M. Though it's science is flawed, the rest of the film is well ahead of it's time. Lang's use of sound to tie scenes together (i.e. a ticking time-bomb becomes a man tapping on his breakfast egg) worked so well that similar effects are still being used today. The specter of Dr. Mabuse and his hypnotic mind control manifests itself in ghostly apparitions which Lang presents in transparent fashion, complete with makeup that is almost as effective and frightening today as it was in 1933. Don't expect this to be in the same league as Lang's landmark crime drama M, to compare the two would be unfair. The Testament of Dr. Mabuse is much more of a ghost story, a horror film, than it's predecessor but it is very much a classic in it's own right. Anchored in realism but delving far further into the macabre and the surreal.

Randy Tippy
Randy Tippy

Super Reviewer

Fritz Lang always makes such an interesting study, and despite having not seen the rest of the series, I really enjoyed this film. Lang's oeuvre is a forerunner to many of the films - and genres themselves - that we've come to take for granted. This installment in the series is a gangster film, effectively, except for the gang is more hell-bent on terrorist objectives than good old-fashioned cash-grabbing. Now add a haunting on top of the standard gangster fare, and make it all look like the first noir film you can imagine... you're basically there. Not the easiest to watch (as it's over 70 years old and the editing jumps around due simply to the restoration efforts made), but well worth it, once you're into it Lang's film proves exciting. And of particular note, there's one scene where an evil directive to the gang of terrorists is found to be coming from a recording... still quite topical, surprisingly...

Daniel Perry
Daniel Perry

Super Reviewer

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