The Invisible Man

Critics Consensus

Smart, well-acted, and above all scary, The Invisible Man proves that sometimes, the classic source material for a fresh reboot can be hiding in plain sight.

91%

TOMATOMETER

Total Count: 388

88%

Audience Score

Verified Ratings: 11,934

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Movie Info

After staging his own suicide, a crazed scientist uses his power to become invisible to stalk and terrorize his ex-girlfriend. When the police refuse to believe her story, she decides to take matters into her own hands and fight back.

Cast

Elisabeth Moss
as Cecilia Kass
Aldis Hodge
as James Lanier
Storm Reid
as Sydney Lanier
Harriet Dyer
as Emily Kass
Oliver Jackson-Cohen
as Adrian Griffin
Benedict Hardie
as Marc (Architect)
Sam Smith
as Detective Reckley
Anthony Brandon Wong
as Accident Victim
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News & Interviews for The Invisible Man

Critic Reviews for The Invisible Man

All Critics (388) | Top Critics (48) | Fresh (354) | Rotten (34)

Audience Reviews for The Invisible Man

  • Jul 24, 2020
    The filming and screenplay are wonderfully sparse. Nothing is over explained or wasted. Moss' outstanding performance thankfully lacks the kind of vanity you generally get in these kinds of horror films.
    Alec B Super Reviewer
  • Apr 29, 2020
    Slow-moving at times, but a clever re-working of the H.G. Welles classic with the title character now a physically and emotionally abusive husband.
    Aldo G Super Reviewer
  • Mar 26, 2020
    5.5/10 I didn't find it smart or scary. It's just a mediocre sci-fi.
    familiar s Super Reviewer
  • Mar 25, 2020
    I love the stories of the invisible man, and this is certainly a different take of the story. Rather than embracing the opportunity for effects and dark comedy, this film limits the effects severely and goes for straight terror. The brilliant thing about the way it is shot is the sense of paranoia it creates. I can't remember the last time I've watched a movie this closely. The film will do things such as move away from frame of a character a little early or a little late, or hold onto an area where there seems to be nothing. Look closely and you might see a chair or something that's slightly indented. Other times the camera will move and you won't know if it's a POV shot or just a normal camera movement shot. It's not established, but this isn't a mistake, it just adds to the sense of paranoia the movie is creating. There's a few jump scenes, and even a moment when I actually gasped, but for the most part it's all about the building sense of tension and dread and it does so perfectly. Telling it in a story of an abusive relationship that feels all too real with Elizabeth Moss absolutely killing it as a woman who seems insane but only we know isn't. If I have a criticism of the movie, it's that once the s*** really hits the fan in the third-act, it does start to become standard monster movie action formula to a degree. It still holds a lot of the tension, but not as much as it starts to devolve into more violence and action. Still for how tense the rest of the film is there is a sense of catharsis to this, and in its final moments it does return to form. Overall this is a great reboot of a classic story. If this is the way Universal is going with it's monsters now, dropping that Dracula Untold and Tom Cruise Mummy crap, I'm all in.
    Michael M Super Reviewer

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